Etree - John H - 907 shows
Last Update: Wednesday Apr 29, 2026

[ DIFFERENCE | WANT LIST (10) | COMMENTS (2) | EMAIL ]


I use wetransfer to send shows. I am always looking for Bryan Adams, Barclay James Harvest, Crosby Stills Nash and Young, Manfred Mann's Earth Band, Kayak and Jackson Browne.



I have over a terrabyte of the Allman Brothers and Grateful Dead and all of the shows I have are not all listed.  If you have a date or show your looking for ask and I will see if I or one of my friends 



has it. I also have a lot of Pink Floyd and cover bands. If I don't get back to you right away the possibility is you wound up in the junk folder.  I will always try to help you out.  


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Another Pink Floyd  
  Date Venue - City, State Sound Rating Notes Media  
1. 04/23/17 Centrum Kongresowe Uniwersytetu Przyrodniczego - Lublin, Poland AA Taper: gaballus - (ZOOM H2N external mic OLYMPUS ME51S wave 24.96) Masterd by rdwm Covered, tracked, converted & metadated by Jaraslesny Converted to flac 16.44 level 8 with Foobar 2000 2 flac  

Atomheart Mother  
  Date Venue - City, State Sound Rating Notes Media  
1. 08/25/18 Cedar Creek Winery - Martinsville, IN AA Source: Schoeps MK4's > Nbob's > PFA's > Sound Devices Mixpre-6 (24/48) Location: FOB, DFC, 9' high, 40' from stage Transfer: Mixpre-6 > HP Spectre > Audacity > CD Wave > TLH > Flac Taped, Transfered, And Uploaded by: Adam Huston (Iowan4Panic) & Jayme Fuller FOH Sound by: Curt Hall 2 flac  

The Australian Pink Floyd Show  
  Date Venue - City, State Sound Rating Notes Media  
1. 08/21/93 Wembley Conference Center - London, UK A- This is the concert of the Australians at the first internationnal Pink Floyd fan convention set up by Glenn Povey of Brain Damage magazine back in 1993. The audio comes from a video tape of the show but I have only dubbed the audio and I don't have the video anymore. Set List : (audio is FLAC @96kHz / 24 bits) 2 flac  
2. 04/27/01 Robin RnB2 - Bilston, UK AA CDR from trade>EAC(secure)>Flac(level 6) 2 flac  
3. 05/17/04 Teatro Diners Della Luna - Milano, Italy a- Lineage: Aiwa microphone CM-DS6 > Sony Net MD MZ-N910 > Sony standalone burner > CD > EAC > HD > SoundForge 7.0 > CD Wave > FLAC Frontend (level 6) 2 flac  
4. 07/16/04 Kings Doc Arena - Liverpool, UK AA   2 flac  
5. 11/27/04 Fox Theatre - St. Louis, MO a- Location : Balcony BA05 Row A Seat 2 Taper : hops_hopper@yahoo.com PV-DV203 Panasonic mini dv camcorder - Panasonic mini dv tapes on LP > PC via firewire > direct extract of unlinked wavs from vids (Adobe Premiere Pro) > FLAC > to you! 3 flac  
6. 04/21/05 Metro radio arena - Newcastle, England A-   3 flac  
7. 03/25/06 Point Depot - Dublin, Ireland a- LINEAGE Sony MD skytronic Mic with battary box philips stand alone burner-pc-cool edit-flac to you. 2 flac  
8. 03/31/06 SECC - Glasgow, UK AA Source: sp-cmc8 > custom battery box > linein h140 iriver (rockbox firmware) 2 flac  
9. 04/18/06 North Wales Theater - Llandudno, Wales A Source: Audience recording. Sanyo M-1119 hand held cassette recorder. Lineage: Sanyo M-1119>TDK IEC1 cassette tape>EAC>FLAC>HDD 2 flac  
10. 07/28/06 Docklands - London, UK A Lineage: Core Sound Binaural Mics > M-Audio Microtrack 24/96 > 16bit 44.1khz Wav > Cool Edit Pro 2.1 > Wav > Flac Frontend (level 6, align sector boundaries) > flac 2 flac  
11. 11/14/06 Ruth Eckerd Hall - Clearwater, FL A lineage: 24/48k master > soundforge 5 > 16/44.1 wav > flac 2 flac  
12. 12/01/06 Massey Hall - Toronto, ON AA source/lineage: audience / Core Sound Stealthy Cardoids > M-Audio Microtrack > wav @ 16bit/44.1khz > HDD > Adobe Audition 1.5 (remastering) > cdwav (tracking) > TLH > flac Did a version of Not Now John look that up thats special 2 flac  
13. 03/30/07 unknown - Glasgow, Scotland AA   2 flac  
14. 03/31/07 Unknown - Glasgow, Scotland A   2 flac  
15. 04/14/07 Sands Centre - Carlisle, UK A Lineage: Sony MZ-RH10 Hi-MD & Sony ECM 719 Mic > Sonicstage 4.3 > WAV > CD Wave 1.96.1 > Traders Little Helper 2.2.2 (Level 8, Align to sector boundaries) > Flac 2 flac  
16. 10/16/07 Rose Garden Theater of the Clouds - Portland, OR A-   2 flac  
17. 10/29/07 Casino Rama - Rama, ON A+ PinkRoioShn-CDR-029 (PRS-CDR-029) source/lineage: audience / Core Sound Stealthy Cardoids > M-Audio Microtrack > wav @ 16bit/44.1khz > HDD > Adobe Audition 1.5 (remastering) > cdwav (tracking) > TLH > flac Taped from section Floor 2 - Row 8 - Seat 10 2 flac  
18. 11/27/07 Ruth Eckerd Hall - Clearwater, FL A Lineage: Core-Sound Binaural mikes-> 0 degrees->battery box bass roll off on->Edirol R09 mike in-> 24 bit 48 Khz->Dane-Elec 4GB SDHC->HD->SoundForge 9->EQ->Normalize->16bit 44.1 Khz->TLH->FLAC 8 sbeok 2 flac  
19. 02/11/08 Olympia - Paris, France A Recording : Micros DPA4062 + Microtrack II Remastered with MAGIX AUDIO STUDIO 2007 Recorded and remastered by Floyd_Le_Grand! (FLG) Artwork by Floyd_Le_Grand 2 flac  
20. 02/13/08 De Vereenininging - Nijmegen, Holland AA   2 flac  
21. 02/22/08 AWD Hall - Hannover, Germany A Lineage: Sony MD MZ-G750 + Sony ECM 719 Mic > Philips CDR 870 > Wav > Flac 2 flac  
22. 04/04/08 The Sands Centre - Carlisle, England A Lineage: Sony Hi-MD MZ-NH700 (PCM Mode) & Stereo Condensor Mics (+ Battery Box) in Line Input > USB > Sonicstage 4.3CP > WAV > Wavelab (Track Splits) > TLH > Flac (Align, LVL 8) Recording and Transfer: Dukem Mastering: J Artwork: Dukem 2 flac  
23. 07/02/08 The Anvil - Basingstoke, UK A- Lineage: Marantz PMD620 using internal stereo condenser mics (recording in 44.1kHz wav format) -> USB -> Adobe Audition (EQ, volume optimisation) -> CDWave (tracksplitting) -> TLH -> FLAC Taper: sonicsavage 2 flac  
24. 07/03/08 The Anvil - Basingstoke, UK a- Lineage: Marantz PMD620 using internal stereo condenser mics (recording in 44.1kHz wav format) -> USB -> Adobe Audition (EQ, volume optimisation) -> CDWave (tracksplitting) -> TLH -> FLAC Taper: sonicsavage 2 flac  
25. 10/10/08 Tower Theatre - Upper Darby, PA A-   2 flac  
26. 10/15/08 Orpheum Theater - Boston, MA A Edirol R9 / Dpa 4061 mics > DVD+r > Adobe Audition > CD Wave > Trader's Little Helper [FLAC] Taper - JB Editing - Deb1 3 flac  
27. 10/21/08 Ovens Auditorium - Charlotte, NC AA Dual DPA 4031 y merged into single 1/8" stereo jack > Church Audio preamp > 1/8" to 1/8" male to male monster cable connector > Olumpus LS-10 recorder 3 flac  
28. 10/15/09 Tennessee Theater - Knoxville, TN A Sony ECM-717 > M-Audio 10db pad > ZOOM H2 > SDHC card > PC > WavePad > TLH > Flac 3 flac  
29. 10/25/09 Verizon wireless Arena - Manchester, NH AA Source: Audience with R-09 (16 bit/44.1 KHz), AGC Off, Low Cut Off, Low Mic Gain Location: Next to the soundboard Lineage: R-09 > CEP 2.1 (fades, EQ) > WAV (16/44.1) > CD Wave > FLAC level 8 Traders Little Helper MD5/FFP file generation & SBE check Mp3tag V2.44 for FLAC metadata tagging Recording / Mastering : SolitaryPine A SolitaryPine production [SP021] 2 flac  
30. 10/26/09 Orpheum theater - Boston, MA A Lineage: Edirol R9 / Dpa 4061 mics > Adobe Audition > CD Wave > Trader's Little Helper [FLAC] Taper - JB Editing - Deb1 3 flac  
31. 02/08/10 Halle F, Stadthalle - Vienna, Austria A Lineage: Sony ECM-TS125 Electret Condenser Business Microphone -> Olympus LS-10 (PCM WAV 44.1kHz/16bit) , -> PC -> Nero Wave Editor -> FLAC Level 6 Edits: general volume adaption, equalizer, fade-in & fade out, track split, flac level 6 I have not added the fades between the 2 Discs, I thought you might enjoy the concert in full - if you want to burn it to CD, you'll have to add them yourself! Also, the playing time of what is to be the 2nd disc might be a bit too long with 80m51s, but if you want to burn in to a 80min CD take out this minute from the cheering crowd after Comfortably Numb, you should be under 80 mins then easily! Special Notes: It was a seated gig in Stadthalle F (fixed stools, just like in a cinema), and strictly no photos....however, during Comfortably numb there were standing ovations and many went to the front - that's the time when I managed to get some photos for the cover art without being caught (just!)...hence all photos for the album art were taken during Comfortably numb! 2 flac  
32. 03/12/10 unknown - Hannover, Germany A   2 flac  
33. 10/02/10 Nokia Theater - Los Angeles, CA a-   3 flac  
34. 10/29/10 Paramount Theatre - Asbury Park, NJ A- Source: Church Audio CA-14 cards > CA9100 > Edirol R-09HR @ 24/48 > Kingston SDHC > Audacity Eqd, bass boost, normalized, tracks split, downsampled to 16/44.1 > flac (level8) Location: Front Row, Right side Taper: absnj 2 flac  
35. 01/26/12 Le Zenith - Paris, France AA Zoom H2 > CD Wave > dBpoweramp 2 flac  
36. 03/15/12 Bournemouth International centre - Unknown, UK A Audience recording: Church Audio CA-11's > Church Audio CA-9000 > Sony PCM-M10 (44.1khz/16bit) > Soundforge 9 > Traders Little Helper > you 2 flac  
37. 04/04/12 The Anvil - Hampshire, UK a-   2 flac  
38. 11/17/12 Akoo Theater - Rosemont, IL AA sound professionals cmc8(w/low sensitivty modification>sp sbs 11@16>mic in>r9>2gb memory card>audition>cd wave>tlh flac(8)>you the sound was hard limited by 5db via audition and the tracks were cut using cd wave. 2 flac  
39. 05/02/13 Basel Musical Theater - Basel, Switzerland A linage Tascam DR 07 MK-II -> SD CARD -> Audacity 2 flac  
40. 07/06/13 Jodrell Bank - Macclesfield, England A- Sound Professionals SP-CMC-8 Microphones Sound Professionals SP-SPSB-11 Mini Battery Module with Bass Roll-Off (16Hz) Edirol R-09HR 44.1kHz / 16 bit USB>PC>CD Wave Editor>Trader's Little Helper>FLAC level 8>Dime 2 flac  
41. 10/15/14 Univ. of Buffalo Performing Arts Center - Amherst, NY AA Taped, transferred and mastered by }{eywood Gear: Audio Technica AT831 mics > Tascam DR-08 Location: 6 rows behind the soundboard for the first set, directly behind the board for the second Lineage: DR-08 (wav @ 24/96) > USB > Adobe Audition 1.5 (EQ, clap reduction, splits & fades, conversion to 16/44.1, peak limiting) > TLH (SBE fix, flac 8) 2 flac  
42. 01/21/15 Micropolis - Besancon, France A lineage Tascam DR 07 MK-II -> SD CARD -> Audacity 2 flac  
43. 03/02/15 Colston Hall - Colston, UK 8.5 Lineage Roland R-09 >> Soundprofessionals TFB-2 >> WavePad (top and tail) Audacity>> Dime. Checked SBE's with Trader's Little Helper Raised the volume, added a tad of treble, numbered the tracks and that's about it. G,Day The Australian Pink Floyd Show, more frequently referred to as the Australian Pink Floyd, are a Pink Floyd tribute band formed in 1988 in Adelaide, South Australia. Their live shows attempt to recreate the look, feel, and sound of Pink Floyd's later world tours,employing visual aids such as lasers, inflatables and a large display panel similar to Mr Screen. The Australian Pink Floyd Show play venues worldwide. Comedy moment,at the start of Wish you were here. When the radio starts playing,we hear the theme tune for Neighbours (Australian TV soap) Skippy the bush Kangaroo (Tv show from the 60's) Kylie (prefer Dannii) AC~DC, Men at work and Waltzing Matilda. 2 Flac  
44. 08/14/15 The Peach Festival - Scranton, PA A+ Taper : Mike Buzzeo Editing : Joe D'Amico ''AKA'' Joebeacon Oktava Mk012 Mics > Phantom Power > Zoom H2 Master Files > Adobe Audition CS6 > Ozone 5 > Traders Little Helper FOB 10 Rows Back In Front Of Left Stack 2 flac  
45. 03/22/16 Stadhalle - Vienna, Austria AA Lineage: Zoom H2n with internal mics 2 flac  
46. 03/16/17 Patinoire De Meriadeck - Bordeaux, France AA Matériel : TASCAM DR-07 (SD Card) + Internal Micros Lineage : SD Card > PC (Wav) > Audacity > Normalisation > DB Poweramp (Compression Level 8) > Flac 2 flac  
47. 03/22/17 Axone - Montbeliard, France A LINEAGE : SP-CMC-20 -> TASCAM DR07 MKII -> AUDACITY 2 flac  
48. 06/30/17 Enmore Theater - Sydney, Australia AA Recorded in the balcony, left of centre Sony PCM-10 > Audacity > CDWav > FLAC > you 2 flac  
49. 08/17/17 Cullen performance Hallo - Houston, TX 8 Sony HDR-PJ260 HandyCam MTS files > Shotcut 20.04.12 > MPEG-4 Codec, 100% Quality-based VBR Rate Control > AVI Sony HDR-PJ260 HandyCam MTS files > Shotcut 20.04.12 > Libx264 Codec, 100% Quality-based VBR Rate Control > FLAC file > Audacity 2.4.2 (fade in, split tracks, remove gaps, fade out) I switched the camera position and zoom about 6 minutes into the show when I finally had the opportunity to make the change. The camera's auto focus was on, so sometimes it loses focus for a bit before it comes back. During the intermission, I accidentally dropped the camcorder and temporarily broke something with the camera's focusing ability, hence only set 1 has video. The audio was captured just fine IMO. However, when the raw video files were joined, there was a second gap between clips that I couldn't figure out how to avoid, so the audio has those gaps removed and therefore there are a handful of minor blips along the way. The battery died before the end of the concert, so the very end of the encore is cut off. Even with all the warts, I think this turned out OK. 2 Flac  
50. 08/29/17 Fox Theater - Oakland, CA A Recorded by Daspyknows Recorded Orchestra Pit Row 8 One Seat Off Dead Center Schoeps MK4/NBox Platinum Tascam DR-2D 24 Bit 48K Processed using Soundforge 11, resample, to 16bit 44.1K TLH to convert to Flac 2 flac  
51. 09/15/18 Keller Auditorium - Portland, OR A Tascam DR-100 (w/internal mics) -> Sandisk Ultra 32GB SD Card @ 24bit/48kHz 2 flac  
52. 10/04/18 Oakdale Theater - Walingford, CT AA Lineage: SP-CMC-2 (AT831) > SP-SPSB-8 > Tascam iXJ2 > Lightning Adapter > iPhone 6 > Twisted Wave (app) > Airdrop (MAC/PC transfer)> Wavelab 6.1 > CDWAV > FLAC 2 flac  
53. 12/11/18 Royal Concert Hall - Nottingham, UK B++ Lineage: Samsung S7 (external mics)>ASR Recorder>WAV>Audacity Track split>flac (TLH 2 flac  
54. 08/23/19 Oakdale Theater - Walingford, CT AA Lineage: SP-CMC-2 (AT831) > SP-SPSB-8 > Tascam iXJ2 > Lightning Adapter > iPhone XR > Twisted Wave (app) > Airdrop (MAC/PC transfer)> Wavelab 6.1 > CDWAV > FLAC 2 flac  
55. 09/07/19 Revention Music Center - Houston, TX AA Location: I was in section 204 Row G Seat 1, which was the most top right seat in the corner of the stadium (hence the name of the ROIO :). There was a ledge to the right of me above my head where I placed the phone with the mics pointed slightly upwards. Setup: iPhone 5 internal microphones > Voice Record Pro app > WAV 16 bit Stereo default settings > Gain about half the default setting. Encoding: Wave Corrector > Click Threshold Off > Track Splits > Fades in and out > dBpoweramp Music Converter FLAC Level 5. Review: Most of the seats around us were empty so this is a pretty quiet audience recording. IMHO, most of the performance was pretty standard for TAPF. However, hearing and seeing Cymbaline - CWTAE made it worth experiencing this show in person! I will go see them again next time they are in town... 2 flac  
56. 11/27/19 M & S Bank Arena - Liverpool, UK a- seems to much bass 2 flac  
57. 12/06/19 Royal Concert Hall - Nottingham, UK a- Lineage: Samsung S7 (external mics)>ASR Recorder>WAV>Audacity Track split>flac (TLH) 2 flac  
58. 09/02/22 Cadence Bank Amphitheatre at Chastain Park - Atlanta, GA a- Recording: SP-CMC-30 cardioid microphones -> SP-SPSB-4 -> Roland R-07 [44.1/16] -> Audacity Quite a bit of crowd noise 2 flac  
59. 06/29/23 Palace Theater - Albany, NY A+ Lineage: SP-CMC-8 mics > SP-SPSB-1-PC @ 16Hz > Edirol R05 (24/48) > Adobe Audition CC2020 (level boost) > CD Wave Editor (track) > flac8 Recorded & Tracked: Smores 2 flac  
60. 03/06/24 Lanxess arena - Cologne, Germany A SOURCE: Audience Recording / Exc. TAPER: METAMARC LINEAGE: Church Audio CA-11 (Croakie Mount) > SP-SPSB-4 (Micro-mini stereo microphone plug-in power supply) > Roland R-05 > Converted WAV audio files to flac 8, sector aligned and tested with Traders Little Helper - ffp with Traders Little Helper - Torrent file with Maketorrent > Torrent file cleaned and enhanced with iZotope RX8 and Adobe Audition 3.0 2 flac  
61. 08/24/24 Bayou Music Center - Houston, TX a- Audio: Apple iPhone 5 internal microphone > Voice Record Pro @ Gain -7.14 > WAV > ShotCut (fades and splits) > FLAC 100% 2 flac  
62. 10/11/24 Symphony Hall - Birmingham, England A A Soledriver Recording... Lineage: Sound professional mics > CA 9200 Pre-amp > Roland R-07 recorder > Audacity (tracking, processing) > Traders Little Helper > Flac8 sector aligned 3 flac  
63. 02/23/25 Rudolf-Weber-Arena - Oberhausen, Germany 9 Master - Audience recording recording position: 9th row, ground floor, right side Equipment: Zoom H4N with Sound professional microphones SP-CMC-8 sound-quality: exc 2 Flac  
64. 08/20/25 Virgin Theater - Las Vegas, NV 9.5 AT853 to SONY A-10 -> Soundforge -> FLAC Master wav sent to me via anonymous source 2 Flac  
65. 11/18/25 Regent Theater - Hanley Stoke On Trent, UK 9 "Wish You Were Here" 50th Anniversary Tour, featuring the full album played in sequence. Source : Master audience recording Lineage : Tascam DR-05 (Internal mics 24/48) > Audacity (fade in/out, track splits, amplify) > WAV (16/44.1) > TLH(FLAC level 8) 2 Flac  

Blue Floyd  
  Date Venue - City, State Sound Rating Notes Media  
1. 01/28/00 Bottom Line - New York, NY 8 Taper: Mike Springer Taping Gear: Neumann Km184 Editing (transfer): Joe D'Amico (Joebeacon) Trade: (probably Raimax, Germany - THX!!!) Lineage: "AUD" Neumann Km184 Mics> Benchmark a/d Converter> Lunatec V2> Tascam Da-p1> Downloaded from a share site in 2010 (flac files)> created ffp checksum> shared to Dime 2012 Quality: vg+ 2 Flac  
2. 02/05/00 Webster Theatre - Hartford, CT A From The German Mule-Junkies: Raimax (a.k.a. Rainer) BluesOxator (a.k.a. Christian) Chico1610 (a.k.a. Hans Otto) "One Kickin`Ass !" Mule Project **For the Fans......By the Fans** Taper: unknown Source: DAUD Trade: Jeff Lineage: Trade CDR> (wav) EAC (secure mode)> (flac) Trader's Little Helper, level 6 2 flac  
3. 02/13/00 House of Blues - Myrtle Beach, SC A Lineage: SBD > DAT > DAT clone trade circa 2003 Transfer: Sony DTC-WE700 > Microtrack II wav (48-16) > Wavelab (tracking and tweaking) > wav (44.1-16) > Flac (level 8) > you ! 2 flac  
4. 06/20/00 The Wetlands - New York, NY A Source: Sony ECM-MS907 (next to SBD, DFC, 20' from stage) > Sony MZ-R55 Minidisc Transfer: ?? > CD WAV > Audiograbber 1.80 > FLAC Frontend Recorded by Jordan Miller (chefj100_AT_sbcglobal_DOT_net) 2 flac  
5. 02/10/01 Champagne's - Surrey, BC a- There is a talker that the recorder captured and they would not shutup Source: 2 x unknown Audio Technica lapel mics > Sony TCD-D7 DAT Transfer: DAT master > Tascam DA-30 > Edirol R-44 > .WAV @ 16 bit/48 kHz Mastering: .WAV > iZotope RX7 Advanced v7.01.315 (De-click) > Sound Forge Pro 14.0 Build 130 [splicing; minor edits, normalize, & fades, Boz Digital Labs T-Bone plug-in (slant EQ)] > CDWav (tracking) > iZotope MBIT+ (dithered and downsampled to 16 bit/44.1 kHz) > Trader's Little Helper (level 5) > FLAC > TagScanner 6.0.35 (tagging) Recorded & transferred by: Chris Bold Mastered by: Dennis Orr 2 flac  
6. 11/08/01 B.B. King's - New York, NY 8.5 Lineage -Recording Sbd -> Behringer 8024 (gain adj.) -> Apogee PSX-100 -> Sony TCD-D8 DAT-Corder@48kHz/16bit -Mastering Master DATs transferred on January 3, 2012 Sony PCM-R500 (extremely low error rates) -> RME Fireface -> Sony VGN-SZ330P Laptop -> Cubase 3 -> Adobe Audition 3, minor front and tail edits etc., UV22 dither -> Trader's Little Helper (FLAC=8) 3 Flac  

Brit Floyd http://www.britfloyd.com/
  Date Venue - City, State Sound Rating Notes Media  
1. 05/14/11 The Sands Centre - Carlisle, Cumbria, England A Lineage: Tascam DR1 & Stereo Condensor Mics (+ Battery Box) > WAV > Wavelab (Mastering) > CDWave 1.98 (Tracking) > TLH > Flac (Align, LVL 8) Recording and Transfer: Dukem Mastering: J Artwork: J/Dukem 2 flac  
2. 08/17/12 Clumber Park - Worksop, UK A Sound Professionals SP-CMC-8 Microphones Sound Professionals SP-SPSB-11 Mini Battery Module with Bass Roll-Off (69Hz) Edirol R-09HR 44.1kHz / 16 bit USB>PC>CD Wave Editor>Trader's Little Helper>FLAC level 8>Dime 1 flac  
3. 08/28/12 Red Rocks Ampitheater - Morrison, CO a- Source : DPA 4022 -> LB -> EdirolHR09 Location: DFC - Row 15 Dead Center. Row in back of SBD. Transfer: EdirolHR09 (24/96) wav -> USB cable -> PC Editing: Wavelab plugins -> Flac(16) MD5's and SBE checked and verified. 09/29/2012 Recorded by Patrick H. 2 flac  
4. 02/28/13 Cambria County War Memorial - Johnstown, PA A Format: Recorded in 24-bit/44.1kHz Source: Audience Digital Master Equipment: Milab VM-44 Link Cardioids[pair]~>Marantz PMD661(Oade CM) Location: Floor Sec C, Row H (8th row) (Right side and under PA) Taper and Mastering: ninjadave 3 flac  
5. 03/05/13 Unknown - Toledo, OH A   1 flac  
6. 04/12/13 State theater - New Brunswick, NJ AA Lineage: CA-14 cards > CA-9100 > Edirol R09HR @24/48 > SDHC > Audacity 1.3, EQd, tracks split and dithered/re-sampled to 16/44.1, converted to flac level 8 Location: Center Orchestra Taper: absnj 3 flac  
7. 04/24/13 Broward Center for the Performing Arts - Ft. Lauderdale, FL A+ Source: Schoeps MK41 cards - Nbob Actives - Naiant Tinybox Transfo Out - Sony M10 (24-48) Transfer: Micro SD card > wav file > coolEdit > Normalize-Downsample > CD Wave Cut > TLH > FLAC level 8 & Align on SB Recording Location: Orchestra Left Row U Recorded by: Datfly 2 flac  
8. 10/16/13 Kursaal Oostende - Kursaal, Belgium A- LINEAGE>UNKNOWN RECORDER>WAVS>TRADE>TRADERS LITTLE HELPER>FLAC 6>YOU AND ME 3 flac  
9. 03/28/14 Memorial Arena - Lynn, MA A Source: Audience Digital Master Equipment: CA-11 Cardioids[pair]>CA9100>Edirol R9 Taper: JB Mastering: ninjadave 2 flac  
10. 11/25/14 Wembley Arena - London, England A Source: Audience recording > Core Sound Cardiods > Core Sound Battery Box > Sony PCM-M10 > wav 24/96 Lineage: wav 24/96 > Adobe Audition 1.5 > iZotope Ozone 5 Advanced > iZotope RX 4 Advanced > CD Wave > TLH > Flac 24 2 flac  
11. 12/13/14 Echo Arena - Liverpool, UK AA Sound Professionals SP-CMC-8 Microphones Sound Professionals SP-SPSB-11 Mini Battery Module with Bass Roll-Off (16Hz) Edirol R-09HR 44.1kHz / 16 bit USB>PC>CD Wave Editor>Trader's Little Helper>FLAC level 8>Dime 3 flac  
12. 04/11/15 Memorial Auditorium - Lynn, MA A Format: Recorded in 24-bit/44.1kHz Source: Audience Digital Master Equipment: CA-11 Cardioids[pair]>CA9100>Edirol R9 Taper: JB Mastering: ninjadave 16 BIT VERSION 2 flac  
13. 05/12/15 Beacon Theater - New York, NY AA Source: CA-14 cards > CA9100 > Edirol R-09HR @ 24/48 > Kingston SDHC > Audacity- tracks split, EQD, downsampled to 16/44.1 > flac (level 8) Location: Front Orchestra Taper: absnj 2 flac  
14. 11/29/15 Echo Arena - Liverpool, UK AA Sound Professionals SP-CMC-8 Microphones Sound Professionals SP-SPSB-11 Mini Battery Module with Bass Roll-Off (16Hz) Edirol R-09HR 44.1kHz / 16 bit USB>PC>CD Wave Editor>Trader's Little Helper>FLAC level 8>Dime 3 flac  
15. 03/03/16 Cambria County War Memorial - Johnston, PA A Source: Audience Digital Master Equipment: A Pair of Milab VM-44 Link Cardioids ~> Marantz PMD661 (Oade CM) Location: Floor Sec D, Row D (@ 8th row) (Left side in line with PA) Taper and Mastering: ninjadave 3 flac  
16. 04/08/16 Beacon Theater - New York, NY AA Source: CA-14 cards > CA9100 > Edirol R-09HR @ 24/48 > Kingston SDHC > Audacity- tracks split, EQD, downsampled to 16/44.1 > flac (level 8) Location: Front Orchestra Taper: absnj 3 flac  
17. 07/02/16 the Joint Hard Rock Cafe - Las Vegas, NV AA   3 flac  
18. 06/14/17 Moody Theater - Austin, TX a- Linage Hd audio>Audacity>flac>you 2 flac  
19. 03/05/18 Royal Concert Hall - Glasgow, Scotland a- LINEAGE SAMSUNG 10>YEESHKUL>ROXIO 9>WAVS>TRADERS LITTLE HELPER>FLAC 8>YOU 2 flac  
20. 03/27/18 Huntington Center - Toledo, OH A LINEAGE HDCAM>AUDIO STUDIO>FLAC. 2 flac  
21. 07/23/18 Unknown - Toledo, OH A LINAGE HDCAM>AUDIO STUDIO>FLAC. 2 flac  
22. 07/31/18 Artpark - Lewiston, NY A Taped, transferred & mastered by }{eywood Lineage: AT831s > Tascam DR-08 (recording to 24/96 .wav) > USB > Adobe Audition 1.5 (EQ, peak limiting, splits & fades) > Xrecode II (conversion to 16/44.1) > TLH (sector alignment, flac 8) 3 flac  
23. 10/24/18 Admiralspalast - Berlin, Germany A "Eclipse" World Tour 2018 A Hornoxe Recording Lineage: Zoom H1 -> Wav (96kHz/24Bit) -> Magix Audio Cleaning Lab (Slight Volume Boost, EQ, Stereo Correction, Fade In/Out, Split in Tracks) -> 44,1kHz/16Bit -> flac 2 flac  
24. 04/28/19 1st Summit Arena - Johnstown, PA AA Format: Recorded in 24-bit/44.1kHz - Audience Master Equipment: Pair of Milab VM-44 Link Cardioids > Naiant IPA (flat) > Sony PCM-M10 (line in) Location: Floor Sec C, Row P (6th row) (Right side in line with PA) Taper and Mastering: ninjadave 16 BIT VERSION 2 flac  
25. 05/04/19 Oakdale Theater - Walingford, CT AA Lineage: SP-CMC-2 (AT831) > SP-SPSB-8 > Tascam iXJ2 > Lightning Adapter > iPhone XR > Twisted Wave (app) > Airdrop (MAC/PC transfer)> Wavelab 6.1 > CDWAV > FLAC 3 flac  
26. 03/11/20 Hanover Theater - Worcester, MA AA An Imperfect Gravy Recording (IPG-413) Lineage: Audio Reality > Tascam DR-07mkII @ 16/44.1 > PC > Audacity 2.0.3 (amplification, tracking, normalization) > TLH (FLAC 8) > Dime Sound Quality: Let the samples be your guide. 2 flac  
27. 04/22/22 Genesee Theater - Waukegan, IL A CSB > Tascam DR05X (24-bit/48kHz) > Audacity (fades) > CD Wave Editor (tracking) > TLH (FLAC) Recorder paused for the entire first set. The following is set two only. 1 flac  
28. 06/04/22 Cobb Energy Center - Atlanta, GA A- Taper: MrFender A Better Than Nothing production. Taped from the front of the top balcony, straight out from the stacks Recording: Roland R07 (internal mics) > Audacity track & downsample to 16/44 / TLH FLAC Level 6 Brit Floyd World Tour 2022 2 flac  
29. 08/01/22 Symphony Hall - Springfield, MA A+ Lineage: SP-CMC-2 (AT831) > SP-SPSB-8 > Teac iXJ2 > Lightning Adapter > iPhone XR (Twisted Wav App) > Air Drop (Mac transfer) > Wavelab Elements 11 > Amadeus Pro (track splitting) > dbPowerAmp (FLAC Conversion) A Kitty Lickin' Discs Production 2 flac  
30. 09/28/22 Lichtburg - Essen, Germany A recorded with RecForge Lite on Xiaomi Redmi 8 Pro For a phone its really good recording 2 flac  
31. 11/16/22 Philharmonic Hall - Liverpool, UK A Sound Professionals SP-CMC-8 Microphones Sound Professionals SP-SPSB-11 Mini Battery Module with Bass Roll-Off (16Hz) Edirol R-09HR 44.1kHz / 16 bit CD Wave Editor>Trader's Little Helper>FLAC level 8>Dime 2 flac  
32. 06/05/23 Cobb Performing Arts Centre - Atlanta, GA A Recorded by MrFender A Better Than Nothing Production CA-14 (Cards) > SP-SPSB-4 Battery Box > Roland R-07 (24/96) > Audacity (split & down sample to 16/44) > TLH (Flac Level 6) No other processing, fades, etc. Raw music as recorded. Front row of lower balcony. 3 flac  
33. 07/25/23 GSR's Grand Theater - Reno, NV A+ Source : Audio Technica AT831 Cardioid mics > Sony PCM M10 (Recorded by Wes Meyette) Edit : CD Wave Editor (tracking) > Wave > TLH (sbe aligned) Flac 8 2 flac  
34. 03/27/24 Warner Theater - Erie, PA a- Source: Samsung S23+ Location: Balcony 2 flac  
35. 05/25/24 Cobb Energy Center - Atlanta, GA A+ Taper: MrFender A Better Than Nothing production. Recording: Recorded right behind the soundboard CA14 Cards > 12v Battery Box > Sony PCM-A10 (24/96) Audacity to track & downsample to 16/44 / FLAC Level 6 P-U-L-S-E World Tour 2024 (Division Bell 30th Anniversary) 2 flac  
36. 11/19/24 Philharmonic Hall - Liverpool, England A+ Sound Professionals SP-CMC-8 Microphones Sound Professionals SP-SPSB-11 Mini Battery Module with Bass Roll-Off (16Hz) Edirol R-09HR 44.1kHz / 16 bit CD Wave Editor>Trader's Little Helper>FLAC level 8>Dime Celebrating the 30th Anniversary of The Division Bell. A couple of times during Us And Them there was a loud bass feedback noise but the band kept going. 3 flac  
37. 02/19/25 Bridgewater Hall - Manchester, England 9 Sound Professionals SP-CMC-8 Microphones Sound Professionals SP-SPSB-11 Mini Battery Module with Bass Roll-Off (16Hz) Edirol R-09HR 44.1kHz / 16 bit CD Wave Editor>Trader's Little Helper>FLAC level 8>Dime First night of the Wish You Were Here 50 tour. The whole album was presented in the second set, along with an impressive light and laser show. 2 Flac  
38. 04/26/25 Orpheum Theater - Boston, MA 9 Taped & Artwork by EC666 BALC> Row Y> Seat 2> R9> Int. Mics> WAV 24/48> AudioDirector 365> EQ> Fades> WAV 16/44> Trader's Little Helper> FLAC Level 8> -16 Bit To Fit On CDR- 2 Flac  
39. 07/15/25 GSR Grand Theater - reno, NV 8.5 Taper: Wes Meyette Lineage: Audio Technica AT831 Cardioid mics > Sony PCM M10 > WAV (24-bit, 48kHz) > CD Wave Editor (tracking) 2 Flac  
40. 07/16/25 GSR Grand Theater - Reno, NV 9 Taper: Wes Meyette Lineage: Audio Technica AT831 Cardioid mics > Sony PCM M10 > WAV (24-bit, 48kHz) > CD Wave Editor (tracking) 2 Flac  
41. 03/10/26 Merrill Auditorium - Portland, ME 9 Taped & Artwork By EC666 Balcony Section 3> Row K> Seat 10 R9> Int. Mics> WAV 24/48> AudioDirector 365> EQ> Fades> WAV 16/44 CD Wave Editor> Splits> TLH> FL8> 2  
42. 03/24/26 Oncenter Crouse Hinds Theater - Syracuse, NY 9.5 Taped/Tracked: Beatkilla Schoeps MK41 > Nbob cables > Riotbox (+12db) > Sony PCM-A10 > USB > PC > Sony Vegas Pro > CDwav > TLH > flac 3 Flac  

Classic Albums Live  
  Date Venue - City, State Sound Rating Notes Media  
1. 12/18/25 Massey Hall - Toronto, ON 9.5 Core Sound High End Binaurals -> Roland R-05 -> Soundforge -> CDWave -> FLAC + add tags Recorded and edited by BurnBoy 2 Flac  

Club Floyd  
  Date Venue - City, State Sound Rating Notes Media  
1. 12/29/18 Club One - Feeding Hills, MA AA Zoom H1 > Wav (44.1/16) > Cool Edit Pro (minor edits) > Wav > Trader's Little Helper > FLAC 8 (no SBE) 2 flac  

Comfortably Numb  
  Date Venue - City, State Sound Rating Notes Media  
1. 03/04/16 Algonquin commons Theater - Ottawa, ON AA source / lineage: balcony seats, near center > Zoom H1 (built in mics @ 24/48) > Har Bal 3.0 (EQ) > WAV > foobar2000 > FLAC level 8 (24bit/48kHz) 2 flac  

Dark Side of Abbey Road  
  Date Venue - City, State Sound Rating Notes Media  
1. 10/31/23 Madlife Stage And Studios - Marietta, GA A Source: Schoeps CCM4V'S>Sound Devices Mix-Pre 6 II (48/32) ATB/DFC/KFC/ZFC/AARP Clamped To The Rail Of The Balcony DSP: Sound Devices Mix-Pre 6 II>Sound Forge 10.0>CD Wave>flac(16) ID3 Tagged In Foobar 2000 Recorded By: Z-Man Seeded By: Z-Man 2 flac  

Dark Side of the Wall  
  Date Venue - City, State Sound Rating Notes Media  
1. 02/15/20 Greighallen - Bergen, Norway A Source/lineage: Tascam DR-05 (internal mics) > Audacity (tracking, amplify 6dB) > FLAC 2 flac  

Darkside  
  Date Venue - City, State Sound Rating Notes Media  
1. 05/18/24 Artrix - Bromsgrove, England A Taper: trickymicky Recording gear: Zoom H2n internal mics Transfer: SDHC card --> Audacity --> Splitting --> dorenberg --> FLAC level 6 (TLH) --> You 2 flac  

David Gilmour  
  Date Venue - City, State Sound Rating Notes Media  
1. 04/14/84 Zirkus Krone - Munich, Germany A analog master ecording (recorded by jormajeff) Aiwa stereo walkman w/Sony ECM microphone -> Maxell XL2-S cassettes) digital transfer 2022-02 (16-44) 2 flac  
2. 04/24/84 Johanneshovs Isstadion - Stockholm, Sweden A+ Transfer: CD-R from trade 100 years ago > EAC > FLAC Level 8 > you 2 flac  
3. 05/23/84 Beacon Theatre - New York, NY 8 source: aud cassette master sony ecm 33p's>sony d5 1st row loge taped by Jerry Moore lineage: cm>dat>cdr>eac>cd wave>flac transfers & seeded to LL by Rob Berger Pitch-speed corrected by sidewindersf May 2025 Many thanks to Jerry Moore for this great recording and to Rob Berger for transferring and sharing this show. The original files run fast. This file set has been pitch-speed corrected. No other adjustments. original flacs converted to wave>all tracks merged, pitch-speed corrected>tracked with CD Wave editor>TLH>flac8 2 Flac  
4. 05/26/84 Boston Orpheum - Boston, MA A Master[Cass]>CDR(5)>SHN Nakamichi CM-700s >Sony TC-D5M ************************************************************************************ FLAC >WAV >Audacity >(Combine Tracks To A One-Track File, Amplify By 2.3db, Re-Track On Original Index Points*) >FLAC )Level 8) + Tags Via xACT 2.50 By OldNeumanntapr *Originally, 'While We Sleep' Was Split Between Tracks One And Two. This Has Been Corrected To Be On Track #1 Only) 2 flac  
5. 06/03/84 Public Hall - Cleveland, OH a- cdr rip 2 flac  
6. 06/04/84 Memorial Hall - Columbus, OH A cdr rip 2 flac  
7. 06/24/84 Irvine Meadows Amphitheater - Irvine, CA a- cdr rip 2 flac  
8. 07/12/84 Stabler Arena - Lehigh University - Bethlehem, PA A lineage: 107.3 FM WAAF radio (Westwood one broadcast) > unknown reel recorder and reciever > Maxell UD 7" reel (3.3/4 ips) > played on Teac 3300 tape deck into soundforge 4.5 (WAV) with realtek soundcard > FLAC 6 > torrentially yours. reseeded in 2011 with track times and a flac > wav > flac (sb's aligned) reconversion to remove the sbe's. a this and that production. Do not sell this recording. Share freely, losslessly and gaplessly. recorded and digitized for original July 12, 2009 posting by glasnostrd19. 1 flac  
9. 01/16/02 Royal Festival Hall - London, England A+ Recorded on Sonic Studios DSM-6 mics->Sony TCD-D3 Transferred to .wav on a Phillips CDR deck Edited using Soundforge .wav files converted to FLAC8 via Trader's Little Helper An EBR Recording 2 flac  
10. 01/17/02 Royal Festival Hall - London, England A+ Recorded on Sonic Studios DSM-6 mics->Sony TCD-D3 Transferred to .wav on a Phillips CDR deck Edited using Soundforge .wav files converted to FLAC8 via Trader's Little Helper An EBR Recording 2 flac  
11. 01/18/02 Royal Festival Hall - London, England A Core Sound Binaurals > Sony TCD-D8> Wav 16/48> Flac acoustic 2 flac  
12. 01/23/02 Palais de Congrès - Paris, France A It seems that the recorder keeps brushing the mics 2 flac  
13. 01/24/02 Palais des Congres - Paris, France A #ROIO Records (#ROIO CDR 006) silver cds 2 flac  
14. 03/10/06 Konzerthaus - Dortmund, Germany A recorded from row 15 using Sony MZ N910 MD recorder and Sony ECM 717 microphones 2 flac  
15. 03/11/06 Congress Centrum - Hamburg, Germany A Recorded with Sharp MD IM-DR420H(S) and Sony ECM-717 MiC (attached to front collar). Converted in wav in Wavelab 4.0, Effects added: EQ (no bass as it is already dominant), Puncher (+ 1db), Stereo Expander (100%). Note: Noise in Dominoes due to problems with mic. 3 flac  
16. 03/15/06 Le Grand Rex - Paris, France A+ the deck=hi-md ,audio walkman mz -rh10(sony) external mic's on collar=ecm-710(sony) distance=14th row,just behind the mixage table CDWave(chapter edited&Flac Level8) THL(fix SBE's + md5) 2 flac  
17. 03/16/06 L'Olympia - Paris, France A Qu'est ce qu'il y a?" Recorded by Alessandro F. (stratocaster96@libero.it) AIWA CM-P11>SHARP MD-MS702>Soundblaster Live!>GoldWave 5.08>flac 2 flac  
18. 03/18/06 Alte Oper - Frankfurt, Germany A Lineage: Sound Professionals CMC4 - battery box - SB Audigy 2 - CDwave 48khz, 24 bit Downsamled in SF7 for 44khz, 16 bit 3 flac  
19. 03/19/06 Heineken Music Hall - Amsterdam, The Netherlands A Title: Regathering Our Senses (Furry Animal FA025) Taper: Furry Animal Generation: Audience Rec 1 Location: row 12, seat 11 (left aisle from stage) Equipment: SP-TFB-2 Sound professionals binaural mics > SP-SPSB-1 Sound Professionals Battery module + 107Hz bass roll off > Microtrack 9624 digital recorder (1/4" dual stereo line in) in WAV 44.1KHz/16bit > USB transfer to HD > remastering in Adobe Audition 1.5 in WAV 44.1KHz/32bit float > Track splitting and Flac compression in CDWave 1.94.6 > MD5 generated in Trader's Little Helper (TLH) v1.0.0 beta 1 Lineage: WAV (44.1/16) > remaster (44.1/32) > WAV (44.1/16) > FLAC (8) 3 flac  
20. 03/20/06 Heineken Music Hall - Amsterdam, The Netherlands A   3 flac  
21. 03/24/06 Teatro Arcimboldi - Milano, Italy A "It's time to GIG another one!!!" Recorded by Alessandro F. (stratocaster96@libero.it) AIWA CM-P11>SHARP MD-MS702>Soundblaster Live!>GoldWave 5.08>flac 2 flac  
22. 03/25/06 Teatro Arcimboldi - Milano, Italy 8 Recorded by Alessandro F. (stratocaster96@libero.it) AIWA CM-P11>SHARP MD-MS702>Soundblaster Live!>GoldWave 5.08>flac 3 Flac  
23. 03/26/06 Parco della Musica nella Sala S.ta Cecilia - Rome, Italy A "Echoes over Rome" Recorded by Daniele B. Edited by Alessandro F. (stratocaster96@libero.it) Vivanco EM216>SHARP MD-SR70H>Soundblaster Live!>GoldWave 5.08>flac 3 flac  
24. 04/04/06 Radio City Music Hall - New York, NY A "On Manhattan Island" PinkRoioShn - CDR-001 (PRS-CDR-001) Master Audience Recording Orchestra Row G Seat 707 Recorder1 Core Sound Cardiods > M-Audio Microtrack 24/96 > 16bit 44.1 .wav file > Soundforge > CDWave (tracking) > Flac Frontend (level 7, align sector boundaries) > flac 3 flac  
25. 04/05/06 Radio City Music Hall - New York, NY A Schoeps MK41's --> KC5 --> CMC6 --> 744t @ 24/48 Taped/Tracked/Seeded by chun *********************************************************************************************** FLAC >WAV >Audacity (Combine Tracks To A One-Track File, Amplify By 8.2db, Re-Track On Original Index Marks, Downsample to 16bit / 44.1kHz) >FLAC (Level 8) + Tags Via xACT 2.50 By OldNeumanntapr *********************************************************************************************** 2 flac  
26. 04/09/06 Massey Hall - Toronto, ON A+ Two Days On An Island - Day I" PinkRoioShn - CDR-002 (PRS-CDR-002) date/venue: 2006.04.09 Massey Hall, Toronto, Ontario, Canada source/lineage: Recorder 1 / Core Sound Stealthy Cardoids > M-Audio Microtrack > wav @ 16bit/44.1khz > HDD > Adobe Audition 1.5 (remastering) > cdwav (tracking) > TLH > flac Taped from section Floor LSF - Row K - Seat 5 and 6 3 flac  
27. 04/10/06 Massey Hall - Toronto, ON A+ Two Days On An Island - Day II" PinkRoioShn - CDR-003 (PRS-CDR-003) date/venue: 2006.04.10 Massey Hall, Toronto, Ontario, Canada source/lineage: Recorder 1 / Core Sound Stealthy Cardoids > M-Audio Microtrack > wav @ 16bit/44.1khz > HDD > Adobe Audition 1.5 (remastering) > cdwav (tracking) > TLH > flac Taped from section Floor LSF - Row L - Seat 6 and 7 3 flac  
28. 04/12/06 Rosemont Theater - Rosemont, IL A Master: Sonic Studios DSM-6 microphones => bass roll-off => Sony M-1 DAT (11th row center) Transfer: Sony ES DAT deck => Stand-alone CD Burner => EAC => Magix Audio Cleaning Lab => WAV => FLAC Front-end (level 8) 2 flac  
29. 04/13/06 Rosemont Theater - Rosemont, IL A Source: Aud - Sharp MD-DR7, SP-CMC-8 mic with Microphone Madness Mint Box Mini w/bass roll off (195Hz) > Optical transfer to PC using Sony MDS-JB940, Midiman Audiophile 2496 & CEP2.1 > WAV > Flac (level 7 Align on sector boundaries) Tape by: fatoldpig Transfered by: fatoldpig some recorder warts/bumps 2 flac  
30. 04/16/06 Paramount Theater - Oakland, CA A Source: Neumann KM140s > Sound Devices MP-2 > Sony SBM1 > Sony TCD-D7 48k DAT Transfer: DAT Master > Sony TCD-D7 > Tascam US144 mkII > PC > 16/48 wav > CDWAVE > flac16/48 From the master DAT collection of Bill Shaw. 3 flac  
31. 04/17/06 Paramount Theatre - Oakland, CA a- Sonic Studios DSM-6P->Sony SBM1->Sony PCM-M1 PCM-M1->Wavelab 5.0->FLAC Level 8 2 flac  
32. 04/19/06 Kodak Theater - Hollywood, CA A SOURCE: Schoeps MK41 > actives > NBox > (Oade mod) SBM-1 > D100 TRANSFER: D100 > Teac RW-CD22 > hard drive > Sound Forge 8.0 > CD Wave > FLAC Frontend LOCATION: Center Mezzanine, Row D RECORDED BY: "Josephine" 2 flac  
33. 04/20/06 Gibson Ampitheatre - Universal City, CA a- D6 Analog Master -> Untracked CDR -> Me CDR -> EAC -> Soundforge -> FLAC 2 flac  
34. 05/26/06 The Bridgewater Hall - Manchester, England 8.5 Dedicated to John Hall without whose ticket acquiring skills 10 of us would not have seen this show and you would not be enjoying this recording. Thank you from us all. Recorded from Row N directly in front of the right hand PA using Sony PCM-M1 DAT with AT831s Series Microphones through a Low-Z to Hi-Z Input Transformer. Mastered from DAT to Pioneer PDR-609 Stand alone CDR > CD Wave > FLACfrontend > flac In my humble opinion this recording came out a dream however I shall leave it up to you to decide. 3 Flac  
35. 05/27/06 Clyde Auditorium - Glasgow, UK 8 Lineage: Core Sound Binaurals > Sony TCD-D7 DAT > 32kHz/16bit (accidentally recorded in LP mode) > Tascam DA-20 MkII > Edirol UA-1D Digital I/O interface > Cool Edit Pro for Remastering > 44.1kHz/16bit wave > Flac Level 8gu 2 Flac  
36. 05/29/06 Royal Albert Hall - London, England A+ Sonic Studios DSM-6>PA6-XP>Microtrack>Sound Forge>CD Wave Editor>FLAC Level 8 3 flac  
37. 05/30/06 Royal Albert Hall - London, England A Core Sound heb mics > mic24/96 > hp5500 pda Recorded at 24 bit 88.2 KHz, reduced to CD quality using SoundForge 7.0 Recorded from circle, central - hence maybe sounds a little distant. Arrived late & missed Breathe, otherwise complete. 2 flac  
38. 05/31/06 Royal Albert Hall - London, England A Source/Lineage: SP-CMC8>SP-SPSB-8>Sharp MD-MT88>StAudio DSP24>SoundForge8>CdWave1.94.4>FLAC 3 flac  
39. 07/27/06 Clam Castle - Klam, Austria A Lineage: Sound Professionals CMC4 - battery box - SB Audigy 2 ZS - CDwave 48khz, 24 bit 2 flac  
40. 07/29/06 Königsplatz - Munich, Germany A+ Original bootleg discs -> EZ CD Audio Converter -> FLAC level 5 Ripped and shared by Gullveig.org 2 flac  
41. 07/31/06 Theatre Antique - Vienne, France A+ Lineage: Trade -> WAV (with EAC) -> FLAC level 8 (with Trader's Little Helper) -> DIME 3 flac  
42. 08/02/06 Piazza Santa Croce - Firenze, Italy a- Lineage: Aiwa microphone CM-DS6 > Sony Net MD MZ-N910 > Audigy Soundblaster > HD > SoundForge 7.0 > CD Wave > FLAC Frontend (level 6) 2 flac  
43. 08/11/06 Piazza San Marco - Venice, Italy A Recorded by kempfand with Sony HDR-HC3 camcorder. Audio sourced from the original HDV1080i tapes (384 Kbps MPEG-1 Audio Layer-2). 3 flac  
44. 08/12/06 Piazza San Marco - Venice, Italy a- Raindrops and talking Sony Walkman MD Recorder MZ - N710 with stereo external Mic SONY ECM-DS70P > WaveLab > Soundforge 7.0 (for EQ) > CD > WaveLab > dbPowerAmp > FLAC > Trader's Little Helper 2 flac  
45. 08/26/06 Stocznia Gdañska - Gdańsk, Poland A "(Sit Down,) Make Yourselves Comfortable" SNS-MR-005 source: complete excellent audience master recording / recorder 1 lineage: Sony MD MZ-NH700 > Panasonic ECM RP-VC201 mic transfer: Master HiMD > USB transfer to HDD > SonicStage3.3 > Track splitting in CDWave 1.94.8 > FlacFrontend level8 taping location: section A1, about 10m in front of left speaker taper: SNSik (sns3@wp.pl) total time: 170min 29sec 3 flac  
46. 09/05/15 Brighton Center - Brighton, England A+ Sonic Studios DSM-6>PA6-XP>M Audio Microtrack> Wavelab>CD Wave Editor>FLAC Level 8 An EBR Recording 3 flac  
47. 09/12/15 Pula Arena - Pula, Slovenia A source: AT933 - Nady 48-9v - Naiant Tinybox - Marantz PMD620 taper: kozakz 3 flac  
48. 09/14/15 Arena - Verona, Italy A Source Info: Neumann KM140’s > TinyBox > Sony PCM M10 3 flac  
49. 09/15/15 Ippodromo del Visarno - Florence, Italy A Sonic Studios DSM-6>PA6-XP>M Audio Microtrack> Wavelab>CD Wave Editor>FLAC Level 8 An EBR Recording 3 flac  
50. 09/17/15 Théatre Antique - Orange, France A Taped by FLG with Sony PCM-M10 and DPA 4060 mics -> MAGIX SAMPLITUDE MUSIC STUDIO 2015 Coverart by DANY20CENT 2 flac  
51. 09/19/15 König-Pilsener-Arena - Oberhausen, Germany A Source: Audience Zoom H2 Recording Taped by: SF Transferred by: SF Sony Mic ECM 717 > Zoom H2 > 16/44 > CD Wave > dbpoweramp > Flac Level 8 3 flac  
52. 09/24/15 The Royal Albert Hall - London, England A LINEAGE>CSB mics > Zoom H2 > WAV > xACT > FLAC 24/48>AUDACITY DOWNSAMPLE TO 16/44 Taper: lordsnooty 3 flac  
53. 09/25/15 Royal Albert Hall - London, UK A+ Recorded on location (Section Circle R, Row 3) by inu-liger Lineage: Live sound output > Sound Professionals SP-BMC-3 mini binaural microphones w/ SP-EMC-3 Croakie Eyeglass Retainer > Microphone Madness MM-CBM-Mini miniature battery module > Roland R-05 (PCM @ 96/24 w/ a Kingston 32GB SDHC Class 4 Memory Card > PC via USB > GoldWave (editing out pre-concert/post-concert bits, track-splitting) > WAV > foobar2000 w/ flac.exe > Batch downconversion to 44.1/16 > FLAC Level 8 Quality: EX 2 flac  
54. 10/02/15 The Royal Albert Hall - London, England A ARTWORK: Included - created by ethiessen (photos by Metamarc) SOURCE: Audience Recording / Exc. TAPER: METAMARC LINEAGE: Line Audio CM3 > Tascam DR-40 with Phantom Power > WAV to FLAC conversion with Traders Little Helper - ffp with Traders Little Helper-Torrent file with Maketorrent; equalized with Har-Bal; tweaked with Adobe Audition 2.0; cleaned and enhanced with iZotope RX4. Bootleg Title: Rattle That Hall! 3 flac  
55. 10/03/15 The Royal Albert Hall - London, England A Sonic Studios DSM-6>PA6-XP>M Audio Microtrack> Wavelab>CD Wave Editor>FLAC Level 8 An EBR Recording 3 flac  
56. 12/11/15 Allianz Parque - Sao Paulo, Brazil A Lineage: CA11 > CA9200 > Zoom H4n > Audacity (tracking, split) > WAV 96 kHz, 24 bit > TLH > FLAC 3 flac  
57. 12/20/15 Estadio Nacional - Santiago, Chile A Taper: Miguel Villarelo (villarelo@gmail.com) Location: 40 Meters from Stage, Right. Source: Church Audio ST-11 > ST-9100 > Sony PCM-M10 Transfer: PCM-M10 (PCM 24bit @ 96Khz) > USB 2.0 > PC Editing: Adobe Audition CC 2014 > Gain Mod > Some EQing > Hard Limit -0.1dB Tracking & Encoding: Adobe Audition CC 2014 (libsndfile 1.0.25.0) Tags: Mp3tag v2.57 2 flac  
58. 03/24/16 Hollywood Bowl - Los Angeles, CA A Taper: LeifH in Section M3 Source: CA-11 (cardioid) > Bat2B > Sony PCM M10 @ 24/48 > Sandisk 32GB microSD card Transfer: Memory card > PC via USB > Wavepad Master's Edition (edits, amplify, tracking, 16/44.1) > flac (8) via Frontend Patch: DPA 4022(section H)->Tinybox->M10(24/96)->UV22HR(16/44.1)->xACT->FLAC (* first two tracks) 3 flac  
59. 03/24/16 Hollywood Bowl - Los Angeles, CA 8.5 L.A. 1ST NIGHT XAVEL-SMS-066 IEM + AUD Matrix Source Lineage: Silver CDs > XLD (secure and accurate ripper) > FLAC 3 Flac  
60. 03/25/16 Hollywood Bowl - Los Angeles, CA A Recorded by Daspyknows Section J1 Row 21 4 seats off dead center Schoeps MK41/NBox Platinum Tascam DR-2D 24 Bit 48K Processed using Soundforge 11, resample, to 16bit 44.1K TLH to convert to Flac Master 2016.08 3 flac  
61. 03/27/16 The Forum - Inglewood, CA A L.A. 3RD NIGHT XAVEL-SMS-068 Multiple IEM + AUD Matrix Source Lineage: Silver CDs > XLD secure and accurate ripper) > FLAC 3 flac  
62. 03/31/16 Air Canada Centre - Toronto, ON A Source: CA-14 cardioids > Naiant Tinyhead > Sony PCM-M10 @ 24 bit/48 kHz Mastering: .WAV's > Sound Forge Pro 11.0 Build 299 [iZotope Mastering Suite (declick); minor edits, normalize, & fades] > CDWav (tracking) > Trader's Little Helper (level 5) > FLAC > TagScanner 5.1 (tagging) Location: Lower level, Section 106, Row 22, Seat 11 (left side, toward the back corner) Recorded by: Seth Meister Mastered by: Dennis Orr 2 flac  
63. 04/04/16 The United Center - Chicago, IL 8 Section 203, row 6> Edirol R-09 (internal mics) > 24/48 wav> Soundforge 9> 16/44 wav> CD wave splitter> Trader's Little Helper Recorded & FLAC by Alien Rendel 3 Flac  
64. 04/06/16 Auditorium Theatre - Chicago, IL A Source: AKG Niaint actives (ck63) > Niaint tinybox > Edirol R-09HR (24/96) Transfer/Lineage: .wav @24/96> WaveLab 7.2.1> UAD-2(edit/mastering)> UV22HR> .wav@16/44.1> xAct> flac16(tags). Location: Left of board, 3 rows back Taper: sos Edit and mastering: Alex Ford 2 flac  
65. 04/10/16 Radio City Music Hall - New York, NY A 3 sources aud matrix @ 24 bit 48 Khz Mastering: RDWM Center Channel Taper: Edgar Source: at831 - SP-SPSB-11 (Bass Roll-off at 16 HZ) - Edirol R05 at 16 bit 44.1 Khz Position: Front row balcony Right Channel Taper: seremetcc Source: at943 - SP-SPSB-11 - (no bass roll-off) - Sony PCM-M10 at 24 bit 96 Khz Position: Orch - right side Left channel Taper: bnz Source: at943 - SP-SPSB-11 (Bass Roll-off at 107 HZ) - Edirol R09 at 24 bit 48 Khz Position: Orch - left side Info file: bnz 2 flac  
66. 04/12/16 Madison Square Garden - New York, NY a- Recorded by: Mr. Railing Source: AT943cards>SP-SPSB-10>MM-AT-1>H2n(24/48) Transfer: *ebbets field>wavelab>r8b>cdwav>TLH(8)>flac Location: mics split 3 feet on ledge between plexiglass openings Sec 301 Row 1 3 flac  
67. 04/24/16 Royal Albert Hall - London, England A+ Sonic Studios DSM-6>PA6-XP>M Audio Microtrack> Wavelab>CD Wave Editor>FLAC Level 8 An EBR Recording 2 flac  
68. 06/28/16 Schloss Schönbrunn Courtyard - Vienna, Austria a- Lineage: Schoeps MK40> Tinybox> Edirol R-05 (16 bit/44.1 Khz) Transfer: SD/USB > WAV > Soundforge 10 (cleanup, fades & tracking) > TLH > flac(8) Transferred by: ridemyllama Recorded By: ridemyllama 2 flac  
69. 07/02/16 Circus Maximus - Rome, Italy A Taped & transferred by pinkfloyd83 First uploaded 2016-07-18 to YEESHKUL! by pinkfloyd83 Gear: Tascam DR-05 Location: row 10 (between stage and mixing board), almost in line with stage cente line. Lineage: DR-05 (wav @ 16/44) > SD card > HD > TLH (flac 8) > You 2 flac  
70. 07/03/16 Circus Maximus - Roma, Italy A Lineage: Roland recorder -> ????? -> aiff via WeTransfer -> AdobeAuditon (16/44) -> NeroWaveEditor (split tracks) -> TLH -> flac 2 flac  
71. 07/07/16 Anfiteatro Scavi di Pompei - Pompei, Italy a- Taped & transferred by pinkfloyd83 First uploaded 2016-07-30 to YEESHKUL! by pinkfloyd83 Mastering: Ipietri (rdwm) Source : Tascam DR-05 V.2 at 16 bit 44.1 Khz Lineage : wav 1644 > wav 2444 > HarBal 2.3 > Wavelab (Magneto-L3) > wav 1644 > NeroWaveEditor (split tracks) -> TLH -> flac Location: between row 10th and 15th probably, in line with stage cente line. Talker by the recorder 2 flac  
72. 07/08/16 Anfiteatro Scavi di Pompeii - Pompeii, Italy AA Lineage: audience recording at943-12v-r09-24/48 - mastering - 24/48Flac Taper notes: audience was very excited and more cheerful than on day 1. People were shouting "ECHOES" a lot, so Mr.Gilmour made a remark about it. 2 flac  
73. 07/10/16 Arena di Verona - Verona, Italy A (MRDR Master Series Volume 63) Recording: Sony ECM717 microphone > Zoom Transfer: Zoom Master > .wav file transfer > iZotope RX / ozone 5 (mastered) > Peak Pro 6 (post production) > xACT 2.37 > FLAC 2 flac  
74. 07/14/16 Schlossplatz - Stuttgart, Germany A+ Source: Neumann KM140’s > Naiant TinyBox > Sony PCM M10 > HarBal 2.3 (Bass Adjustment) rdwm remaster : wav 1644 > wav 2444 > HarBal 2.3 refinements > Magneto > L3 > wav 1644 > flac plugins used with low level values to preserve dynamic 2 flac  
75. 07/16/16 Parc du Chateau - Chantilly, France A Total: 2:47:10 (hours/ minutes/ seconds) Lineage of original posting: SP-CMC-2 > Roland R-05 WAV44.1kHz/16bit > Adobe Audition (fade in/out) > CD Wave (Track-Splitting) > Flac Level 8 (44.1kHz/16bit) > Foobar2000 (tagging) lineage here: SP-CMC-2 > Roland R-05 WAV44.1kHz/16bit > soundforge (tracking, individual clap reduction and level balancing) > flac (sb's aligned) > torrentially yours. a this and that production. post transfer preps by glasnostrd19. 2 flac  
76. 07/18/16 Bowling Green - Wiesbaden, Germany A+ Source: Schoeps MK4 > NBob actives > Naiant tinybox > Sony PCM-M10 Mic Config: A-B Location: 11 rows from the stage, left side Transfer: Master WAVs > dEdit > FLAC V1.3.1 Editing: Digital editing in Apple Logic Pro X V10.2.1 EQ, compression and volume boost using iZotope Ozone7 V7.0.1299 Single claps removed using iZotope RX 3 Declicker V3.02.812 Fades in Audiofile Engineering Wave Editor V1.5.7 Dithering: MBIT+ Format: 16 bit / 44.1 kHz 3 flac  
77. 07/23/16 Saline Royale d’Arc-et-Senans - Arc-et-Senans, France A Sound Professionals SP-CMC-19 > ZOOM H1 (WAV 16/44 / LO CUT OFF / AUTO LEVEL OFF) > Transfer to PC > Song splitting & editing in Audacity 2.0.3 + Soundforge 8 > Encoded to FLAC8 in AIMP3 3 flac  
78. 07/27/16 Grote Markt - Tienen, Belgium A Taper : the gnome Lineage : Tascam DR-40 (wav 24-96) -> audacity to joint part 1 and part 2 of the first set and edit a few minutes of crowd before the concert -> Trader's little helper to convert to FLAC level 8 -> you It was my first recording with the Tascam and the concert took more place on my SD card that I expected so the card run out of place after 30 min of the second set and I had no other cards on me. Sad. The recording is correct even though the input volume was set a bit to high. I'm happy with how it is sounding but it can be better in comparison with other recordings here. Again, it was my first concert with the Tascam and I had to hide it so, it is not easy to adjust the level correctly without making noises on the recording. I lowered the level for the second set. I was 2 meters behind the golden circle limits - center right. The concert was excellent, with an excellent sound. Not too much rain. I was with my daughter and we really both enjoyed the moment. I was really happy to hear One of theses days. 2 flac  
79. 07/28/16 Grote Markt - Tienen, Belgium A Lineage : SP-CMC-8 => Zoom H2 => SD Card => Audacity => Some EQs => TLH (flac, md5) => seedbox => torrent 2 flac  
80. 09/23/16 Royal Albert Hall - London, UK a- Lineage Zoom H2 Wav 44.1 16 Bit - > Audtion normalise and splitting -> TLH -> Flac Level 8 -> Yeeshkul! 2 flac  
81. 09/28/16 Royal Albert Hall - London, England A Neumann KM140 > Naiant TinyBox > Sony PCM M10 mastered my rdwm 2 flac  
82. 09/29/16 Royal Albert Hall - London, England A+ An EBR Recording Sonic Studios DSM-6>PA6-XP>M Audio Microtrack> Wavelab>CD Wave Editor>FLAC Level 8 2 flac  
83. 09/30/16 Royal Albert Hall - London, England A Sonic Studios DSM-6>PA6-XP>M Audio Microtrack> Wavelab>CD Wave Editor>FLAC Level 8 An EBR Recording 3 flac  
84. 09/20/24 Brighton Center - Brighton, England A+ Taping position: South Stalls Row J Lineage: Tascam DR-05 using built in mics > WAV (24bit/48kHz) > (Soft) EQ / Highpass@45hz > FLAC (24bit/48kHz) 2 flac  
85. 09/20/24 Brighton Center - Brighton, England A+ Taping position: South Stalls Row J Lineage: Tascam DR-05 using built in mics > WAV (24bit/48kHz) > (Soft) EQ / Highpass@45hz > FLAC (24bit/48kHz) Evening show 2 flac  
86. 09/27/24 Circo Massimo - Rome, Italy A+ Lineage: SP-CMC-25 (cardioid) > Edirol r-09 (24bit/48kHz) > HD > SoundForge Pro 17 Suite 2 flac  
87. 09/29/24 Circo Massimo - Rome, Italy A A Hornoxe Recording Lineage: Zoom H1n -> Wav (48kHz/24Bit) -> Magix Audio Cleaning Lab (EQ, stereo panning, some detailed stereo correction of irregularities, Fade In/Out, Split in Tracks) -> 44,1kHz/24Bit -> flac 2 flac  
88. 10/01/24 Circo Massimo - Rome, Italy A A Hornoxe Recording Lineage: Zoom H1n -> Wav (48kHz/24Bit) -> Magix Audio Cleaning Lab (EQ, stereo panning, some detailed stereo correction of irregularities, Fade In/Out, Split in Tracks) -> 44,1kHz/24Bit -> flac 2 flac  
89. 10/02/24 Circo Massimo - Rome, Italy 9 Taper: SNSik Lineage: SP-CMC-8 > SP-SPSB-10 > OM System LS-P5 > WAV (24-bit/96kHz) Location: Row 39, right-center Remaster 1. Re-balance frequencies / EQ 2. Phase correct to center sound 3. Remove many loud claps and whistles 4. Reduce many yells 5. Remove many hard clicks and mic bumps 6. Adjust peaks 7. Reduce sound of audience talking 8. Track and verify setlist 9. Format 24-bit, 48kHz July 2025, SNSik & RMCH Enjoy 2 Flac  
90. 10/09/24 Royal Albert Hall - London, England A Galaxy S24+ Internal Mics > WAV > Nero WAV Editor Mid stalls 40ft from stage. 16/48 recording (i.e. unlikely to burn directly) 2 flac  
91. 10/09/24 Royal Albert Hall - London, England A+ Source: Custom Primo EM182 cardioid capsule stereo microphone —> Custom battery box —> Roland R-07 24bits, 96kHz Mastering: iZotope RX 11 corrections —> iZotope Ozone 9 mastering —> Audacity for splitting —> FLAC 2 flac  
92. 10/10/24 Royal Albert Hall - London, UK A+ Source: Custom Primo EM182 cardioid capsule stereo microphone —> Custom battery box —> Roland R-07 24bits, 96kHz Mastering: iZotope RX 11 corrections —> iZotope Ozone 9 mastering —> Audacity for splitting —> FLAC 2 flac  
93. 10/11/24 Royal Albert Hall - London, UK A+ Source: Custom Primo EM182 cardioid capsule stereo microphone —> Custom battery box —> Roland R-07 24bits, 96kHz Mastering: iZotope RX 11 corrections —> iZotope Ozone 9 mastering —> Audacity for splitting —> FLAC 2 flac  
94. 10/12/24 Royal Albert Hall - London, UK A+ Source: Custom Primo EM182 cardioid capsule stereo microphone —> Custom battery box —> Roland R-07 24bits, 96kHz Mastering: iZotope RX 11 corrections —> iZotope Ozone 9 mastering —> Audacity for splitting —> FLAC 2 flac  
95. 10/14/24 Royal Albert Hall - London, UK A+ Source: Custom Primo EM182 cardioid capsule stereo microphone —> Custom battery box —> Roland R-07 24bits, 96kHz Mastering: iZotope RX 11 corrections —> iZotope Ozone 9 mastering —> Audacity for splitting —> FLAC 2 flac  
96. 10/15/24 Royal Albert Hall - London, UK A+ Source: Custom Primo EM182 cardioid capsule stereo microphone —> Custom battery box —> Roland R-07 24bits, 96kHz Mastering: iZotope RX 11 corrections —> iZotope Ozone 9 mastering —> Audacity for splitting —> FLAC 2 flac  
97. 10/25/24 Intuit Dome - Los Angeles, CA A+ recorded from 8th row floor, right-center; indoor sports arena recorder: Ed Broll lineage: SP-CMC-9 (Audio Technica 898) cardioid microphone pair > Roland R-07 (24bit/48kHz wav) > CoolEditPro/GoldWave/CDWave > FLAC duration: 156mins 2 flac  
98. 10/31/24 Hollywood Bowl - Los Angeles, CA A SP-CMC-4U > Sony A10 > WAV > online download from ijwthstd blog > Audacity > MP3Tag > FLAC 24/48 2 flac  
99. 11/04/24 Madison Square Garden - New York, NY A Source: CA-14 Cardioids --> Bat2b (Input modified with plumbing fittings & J-B Weld) --> Stereo Breakout Cable --> Rode AI Micro --> iPhone 16 Pro Max Taped by "Ectoplasm_addict" Mastering: iZotope RX 11 corrections —> iZotope Ozone 11 mastering --> FLAC 2 flac  
100. 11/05/24 Madison Square Garden - New York, NY A Recorded by bcironmaiden Recorded w/ Schoeps MK4's > Actives > Baby NBox > Roland R-07 > HD > Sony Sound Forge 96khz/24bit > 44khz/16bit > CD Wave Editor Track Split > TLH ( Flac 8 ) > You 2 flac  
101. 11/06/24 Madison Square Garden - New York, NY A Source: Church Audio CA14 cardioids > Field Recorder app > 24 bit/48 Khz WAV Transfer: 24 bit/48 Khz WAV > Audacity (set fades, dither to 16 bit) > CDWAV tracking > Traders Little Helper (FLAC level 8) > tagged with Foobar2000 Recorded and Transferred by: Colin Waldschutz (colinwaldschutz @ gmail.com) 2 flac  
102. 11/09/24 Madison Square Garden - New York, NY A Source: DPA 4060 => Tascam DR-2d Conversion: WAV => Audio Cleaning Lab => FLAC (16-bit) some talking close to the recorder on Luck and Strange 2 flac  
103. 11/10/24 Madison Square Garden - New York, NY A Taper: Edgar Location: Floor Section F Lineage: AT831 (SP­-CMC­-2) > SP­-SPSB @ 107 > Sony PCM-A10 : 16 bit 44.1 kHz Editing: Inez - clean-up (IzotopeRx4) 2 flac  

Echoes  
  Date Venue - City, State Sound Rating Notes Media  
1. 07/21/07 Freilichtbuhne Lorley - ST. Goarshausen, Germany A Source: Audience Mini Disc Recording Taped by: KS Transferred by: KS 2 flac  
2. 05/08/10 Die Borse - Wuppertal, Germany A   2 flac  
3. 03/30/24 Altigone - Saint-Orens-de-Gameville, France A+ Lineage: SP-CMC-8 > Roland R-05 WAV44.1kHz/16bit > Audacity (fade in/out) > CD Wave (Track-Splitting) > Flac Level 8 (44.1kHz/16bit) > Foobar2000 (tagging) Taper : PH Master n°656 Location : 1er rang, côté droit 3 flac  

Echoes of Floyd  
  Date Venue - City, State Sound Rating Notes Media  
1. 05/06/23 Shea Theater - Turner Falls, MA A+ Daud/M, 155:50 Zoom H1 > Wav (44.1/16) > Adobe Audition (minor edits/amplification) > Wav > Trader's Little Helper > FLAC 8 (no SBE) 2 flac  

Echoes of Pompeii  
  Date Venue - City, State Sound Rating Notes Media  
1. 10/24/19 Reggie's - Chicago, IL A Source: Schoeps CCM4V'S>Lunatec V2>Sound Devices 722 (24/44.1) FOB/DFC/KFC/ZFC/AARP Clamped To Front Of Balcony DSP: Sound Devices 722>Sound Forge 10.0>CD Wave>flac(16) ID3 Tagged In Foobar 2000 Recorded By: Z-Man Seeded By: Z-Man 2 flac  

El Monstero y Los Masked Avengers  
  Date Venue - City, State Sound Rating Notes Media  
1. 12/21/08 The Pageant Theatre - St. Louis, MO A+ GEAR USED: SBD audio > Edirol R-09 portable recorder > Sound Forge 4.0 > CDWav > TLH >.flac 3 flac  
2. 12/25/09 The Pageant Theatre - St. Louis, MO 8 TAPER: SHANE E. CALHOON Matrix by: Scott T. GEAR USED: Source 1: ADK A51s (inverted XY 90° stereo pattern, 10' high, inside the SBD cage) > Denecke PS2 > Edirol R-09 Portable recorder. Source 2: SBD > iRiver H320 portable recorder. Sources were combined using SoundForge 9. BONUS: FM > SoundForge 4. CDWav > TLH > .flac files 3 Flac  
3. 12/25/10 The Pageant Theatre - St. Louis, MO A Source 1: Studio Projects C4 Cardiod Caps > Edirol R-09 Portable recorder > Sound Forge 9.0 Source 2: SBD > Tascam DR-07 Portable Recorder > Sound Forge 9.0 Matrix combined sources using: Sound Forge 9.0 > CDWav > TLH > .flac files 3 flac  
4. 12/23/11 The Pageant - St. Louis, MO A Gear Used: Source 1: Audio-Technica AT4040 Cardiod Condenser > Edirol R-09 Portable recorder Source 2: SBD > Tascam DR-07 Portable Recorder Matrix combined sources using: Sound Forge 9.0 > CDWav > TLH > .flac files 3 flac  
5. 12/27/13 The Pageant Theatre - St. Louis, MO A+ Gear Used: Source 1: Studio Projects C4 MKII Cardiod Caps > Edirol R-09 Portable recorder Source 2: SBD > Tascam DR-07 Portable Recorder Matrix combined sources using: Sound Forge 9.0 > CDWav > TLH > .flac files 3 flac  
6. 08/23/14 Forest Park - St. Louis, MO A Gear Used: Source 1: Audio-Technica AT4040 Cardiod Condenser > Edirol R-09 Portable recorder Source 2: SBD > Tascam DR-07 Portable Recorder Matrix combined sources using: Sound Forge 9.0 > CDWav > TLH > .flac files 3 flac  
7. 12/28/14 The Pageant Theatre - St. Louis, MO A+ Gear Used: Source 1: Studio Projects C4 MKII Cardiod Caps > Tascam DR-07 Portable recorder Source 2: SBD > Tascam DR-07 Portable Recorder Matrix combined sources using: Sound Forge 9.0 > CDWav > TLH > .flac files  
8. 08/08/15 Hollywood Casino Amphitheatre - Maryland Heights, MO 8.5 Source 1: Studio Projects C4 MKII Cardiod Caps > Tascam DR-07 Portable recorder Source 2: SBD > Tascam DR-07 Portable Recorder Matrix combined sources using: Sound Forge 9.0 > CDWav > TLH > .flac files 3 Flac  
9. 12/25/15 The Pageant Theatre - St. Louis, MO AA Source 1: Studio Projects C4 MKII Cardiod Caps > Tascam DR-07 Portable recorder Source 2: SBD > Tascam DR-07 Portable Recorder Matrix combined sources using: Sound Forge 9.0 > CDWav > TLH > .flac files 3 flac  
10. 12/22/16 The Pageant Theatre - St. Louis, MO 8.5 Gear Used: Source 1: Studio Projects C4 MKII Cardiod Caps > Tascam DR-07 Portable recorder Source 2: SBD > Tascam DR-07 Portable Recorder Matrix combined sources using: Sound Forge 9.0 > CDWav > TLH > .flac files 3 Flac  
11. 12/22/16 The Pageant Theatre - St. Louis, MO 8 Gear Used: Source 1: Studio Projects C4 MKII Cardiod Caps > Tascam DR-07 Portable recorder Source 2: SBD > Tascam DR-07 Portable Recorder Matrix combined sources using: Sound Forge 9.0 > CDWav > TLH > .flac files 3 Flac  
12. 12/31/16 The Pageant Theatre - St. Louis, MO 9 Source 1: Studio Projects C4 MKII Cardioid Caps > Tascam DR-07 Portable recorder Source 2: SBD > Tascam DR-07 Portable Recorder Matrix combined sources using: Sound Forge 9.0 > CDWav > TLH > .flac files 3 Flac  
13. 08/26/17 Hollywood Casino Amphitheatre - Maryland Heights, MO A- TAPER: SHANE E. CALHOON (tapersec1968(at)gmail(dot)com) GEAR USED: Tascam DR-07 Portable Recorder > Built-in mics > Sound Forge 9.0 > CDWav > TLH > .flac files 3 flac  

Floyd  
  Date Venue - City, State Sound Rating Notes Media  
1. 04/05/24 The Waiting Room - Omaha, NE a- LINEAGE: Samsung Galaxy S9 built-in mics > Axet Audio Recorder > FTP file transfer > Audacity 3.4.2 > MP3tag > TLH 2 flac  

The Floyd Project  
  Date Venue - City, State Sound Rating Notes Media  
1. 01/27/22 Tralf Music Hall - Buffalo, NY A+ A Poignant Pros recording by Binko Lineage: CA14s > Tascam DR-08 (recording to 24-48 .wav) > USB > Adobe Audition 1.5 (EQ, peak limiting, splits & fades) > Xrecode III (conversion to 16/44.1) > TLH (sector alignment, flac 8) 2 flac  

The Gilmour Project  
  Date Venue - City, State Sound Rating Notes Media  
1. 05/13/22 Riviera Theater - North Tonawanda, NY A+ A Poignant Pros recording by Binko Gear / Lineage: CA11s > Tascam DR-08 > USB > Adobe Audition 1.5 (EQ, peak limiting, splits & fades) > Xrecode III (conversion to 16/44.1) > TLH (sector alignment, flac 8) 2 flac  
2. 05/22/22 Penn's Peak - Jim Thorpe, PA A+ ***16 BIT/44.1Khz Fileset*** Schoeps MK41v's>Schoeps KCY 250/5i>Schoeps VST62iu> Sound Devices MixPre-10 II (Recorded at 32 Bit Float/96Khz)from Soundboard area wav>Magix Sound Forge Pro 16 (Fades, Sample Rate Conversion,POW-r Bit depth conversion to 16 BIT)>CDWAV(Tracking)>Trader's Little Helper(FLAC)>Foobar2000(Track Tagging) Recorded By Keith Litzenberger 2 flac  
3. 05/26/22 Sellersville Theater - Sellersville, PA A source : schoeps mk41v > nbob actives > babynbox > a-10 > 24/44.1 wav adobe audition > ozone 8 > xact 2.50 > flac 16/44.1 taper : edtyre 50th Anniversary Of DSOTM Tour 2 flac  
4. 05/28/22 Sony Hall - New York, NY A Source: Nakamichi 700's > Custom made Oade preamp > Sony M10 Location: Dead Center just in front of the SBD Recorded and edited by Michael Buzzeo 2 flac  
5. 06/05/22 Symphony Hall - Atlanta, GA A+ Source: Schoeps CCM4V's>Lunatec V2>Sound Devices 722 (24/44.1) FOB/DFC/KFC/ZFC/AARP Orchestra Center, Row N, Between Seats 17 & 18, 6' High DSP: Sound Devices 722>Sound Forge 10.0>CD Wave>flac(16) ID3 Tagged In Foobar 2000 Recorded By: Z-Man Seeded By: Z-Man A Team Dirty South Recording 2 flac  
6. 07/13/22 Riviera Theater - North Tonawanda, NY A 16 bit version A Poignant Pros recording by Binko Gear / Lineage: CA11s > Tascam DR-08 > USB > Adobe Audition 1.5 (EQ, peak limiting, splits & fades) > Xrecode III (conversion to 16/44.1) > TLH (sector alignment, flac 8) 2 flac  
7. 02/22/23 Capitol Theater - Salt Lake, UT A+ Lineage: (wav 32/48) > Audacity > (24/48) > Foobar2000 > 16 Bit> FLAC 8 Source: Microtech Gefell mg21 “DINa” > mixpre6ii (wav 32/48) Recorded by: Top Hat Crew ( Big Jerry & Ladena) Tracked, Seeded & Mastered Top Hat Crew ( Big Jerry ) A Top Hat Crew Recording 2 flac  
8. 05/27/23 Sellersville Theater - Sellersville, PA A source : schoeps mk41v > nbob actives > babynbox > a-10 > 24/44.1 wav adobe audition > ozone 8 > xact 2.51 > flac 16/44.1 taper : edtyre 2 flac  
9. 06/05/24 Sellersville Theater - Sellersville, PA A+ MK41v's>Nbob Cables>Baby NBox>Sony PCM-A10 (recorded at 24 BIT/48 Khz) Wav>Sound Forge Pro 16 (Gain adjustment,Fades,Sample Rate Conversion to 44.1Khz, POW-r Bit depth conversion to 16 BIT) )>CDWAV>Trader's Little Helper(FLAC)>Foobar2000(Track Tagging) Recorded By Nicky C Processed By Big Red Audio 2 flac  

Honey Island Swamp Band  
  Date Venue - City, State Sound Rating Notes Media  
1. 02/09/23 Jam Cruise 19 - Pantheon Theater - MSC Divina, Ocean A Mic config: 6" stereo bar, Rycote INV-6 shocks, WindTech clamp, WNS 100 screens, mics aimed outside stacks about 90 degrees, Clint's heavy metal stand @ 6.5 ft ~ Source: Neumann KM 150's>Gakables xlr>Sound Devices 744t @24bit/48kHz Transfer,editing,mastering & conversion: SD744t master file @24bit/48kHz/CF>Sound Forge Pro 16.1>CD Wave v1.98(tracking)>FLAC16 via TLH v2.8.4(level 8), tag w/Tag Scanner6.1.15, ffp & md5-TLH Notes: ~ S.F. 16.1 (fade out, cFx limiter +6.0db to -0.10db, resample highest quality w/ anti-alias filter, POW-R#1 dither to 44.1/16) ~ ~ Editing performed in 24bit/48kHz realm ~ ~ Recording, transfer, editing, mastering & conversion by Steven Weld ~ ~ Many Thanks to the Band & crew, Jam Cruise 19 and staff for allowing us to record and share the music ~ ~ Thanks to Clint E. for the clamp space!! 1 flac  

Infloyd  
  Date Venue - City, State Sound Rating Notes Media  
1. 12/01/17 Unknown - Den Bosch, Holland AA edirol r05 and sony ecm-717 mic-soundforge-flac. upped/balanced the sound. no eq. 1 flac  

Interstellar Echoes  
  Date Venue - City, State Sound Rating Notes Media  
1. 03/25/17 Unknown - Cumming, GA AA Source: AKG C451E w/ CK3 > Sound Devices Mixpre > Tascam DR-680 MKII @ 2496 > SDXC Transfer: SDXC > Samplitude Pro X3 Build 35 > TLH v2.7.0 (flac8, ffp) > Foobar2000 v1.3.10 (Live Show Tagger) Location: FOB, DFC, ORTF clamped to a table 9' Recorded and processed by Jeff Mitchell seeded to etree 2017-03-27 2 flac  
2. 06/20/20 The Earth Brewing Company - Roswell, GA A+ Source: Schoeps CCM4V'S>Lunatec V2>Sound Devices 722 (24/44.1) FOB/DFC/KFC/ZFC/AARP 6' From Stage, 6 1/2' High DSP: Sound Devices 722>Sound Forge 10.0>CD Wave>flac(16) ID3 Tagged In Foobar 2000 Recorded By: Z-Man Seeded By: Z-Man A Team Dirty South Recording * First Time Played # Show Notes: The soundboard was sidestage and was not digital, therefore a tablet could not be used to control the sound. Hard to mix without going back and forth from the board to out front. On a few songs, the vocals got a bit saturated and a little distorted as a result. 2 flac  
3. 08/27/22 37 Main - Avondale, GA a- Recording: Roland R-07 -> Audacity 2 flac  
4. 01/07/23 Terminal West - Atlanta, GA a- Source: Schoeps CCM4V'S>Lunatec V2>Sound Devices 722 (24/44.1) FOB/DFC/KFC/ZFC/AARP Clamped To The Rail On The Front Of The Balcony DSP: Sound Devices 722>Sound Forge 10.0>CD Wave>flac(16) ID3 Tagged In Foobar 2000 Recorded By: Z-Man Seeded By: Z-Man A Team Dirty South Recording 2 flac  
5. 08/19/23 Fredrick Brown JR. Ampitheater - Peachtree City, GA A Source: Schoeps CCM4V'S>Sound Devices Mix-Pre 6 II (48/32) FOB/DFC/KFC/ZFC/AARP Clamped To The Rail Of The Front of The Soundboard Area, 6 1/2' High DSP: Sound Devices Mix-Pre 6 II>Sound Forge 10.0>CD Wave>flac(16) ID3 Tagged In Foobar 2000 Recorded By: Z-Man Seeded By: Z-Man A Team Dirty South And Home Team Recording 2 flac  
6. 05/10/24 Terminal West - Atlanta, GA A Source: Schoeps CCM4V'S>Sound Devices Mix-Pre 6 II (48/32) FOB/DFC/KFC/ZFC/AARP 35' From Stage, 6 1/2' High DSP: Sound Devices Mix-Pre 6 II>Sound Forge 10.0>CD Wave>flac(16) ID3 Tagged In Foobar 2000 Recorded By: Z-Man Seeded By: Z-Man 2 flac  

Just Floyd  
  Date Venue - City, State Sound Rating Notes Media  
1. 01/11/25 Turbinenhalle 2 - Oberhausen, Germany A Master - Audience recording recording position: middle of the second row Equipment: Zoom H4N with Sound professional microphones SP-CMC-8 sound-quality: exc- Flac  

Les Claypool's Fearless Flying Frog Brigade http://www.lesclaypool.com
  Date Venue - City, State Sound Rating Notes Media  
1. 08/19/00 The Fillmore - San Francisco, CA a- source: Neumann U89 (hypers)> AD-1000> DA-P1 @ 48k transfer: Fostex D-5> VX Pocket 440> Sound Studio (Rec, fades, tracking)> Spark XL (48>44 conv, track split)> xACT> SHN 2 flac  

The Machine  
  Date Venue - City, State Sound Rating Notes Media  
1. 02/??/99 Northern Lights - Clifton Park, NY A Source: AKG 481 > MV-100 > D-100 by Tom Reizes @ 16/44.1 Transfer: MDAT > Fostex D-15 > Tascan DA-3000 Master: Wavelab 10 (tracking, remove DC offset) > FLAC 1644 Thanks to Tom Reizes for the DAT! 01. Frankenstein (soundcheck) 2 flac  
2. 07/23/05 The Visualite Theater - Charlotte, NC A+ Lineage Sony R300> Dak Wave Editor> CD Wave Editor> TLH flac8 Source akg-b2000's>sound device mp2> tascam da-p1 Taped by taperroy Transferred by taperroy 2 flac  
3. 10/07/05 Penn's Peak - Jim Thorpe, PA AA source: Dat Master -> ? -> cD-R -> EAC to wav -> FLAC frontend (level 8) 4 flac  
4. 11/05/05 Die Glocke Glosser Saal - Bremen, Germany A Philips CDR 870 > Wav > Flac Source Sony MD MZ-G 750 + Sony ECM 719 Mic 2 flac  
5. 10/06/06 Penn's Peak - Jim Thorpe, PA A Recorded by Keith Litzenberger & Nicky C Source: Schoeps MK4V's>nbox>Edirol R-09>Wavelab 5 (Fades, resample,bit depth conversion)>CDWAV>FLAC Location: On the back rail of the PIT dead center. 2 flac  
6. 11/24/06 Keswick Theater - Glenside, PA A Schoeps MK4V's>Schoeps VMS02IB>Edirol R-09>Wavlab5>Cdwav>flac Recorded By Nicky C, Gear loan and processing by Keith Litzenberger 2 flac  
7. 01/25/07 Visualite Theater - Charlotte, NC A+ lineage: Sony R300> Dak Wave Editor Source AKG C2000's> Sound Device MP-2> Tascam DA-P1 2 flac  
8. 03/31/07 Paramount Theater - Middletown, NY A+ AKG 414 XLS's>Edirol R-4>SF8>CDWav>FLAC Recorded and Transfered By Keith Litzenberger 3 flac  
9. 06/23/07 Penn's Peak - Jim Thorpe, PA a- AKG C414B-XLS (Subcardioid)Canare Star Quad cables>Apogee Mini-MP>Edirol R-4 CH 1 & 2 Schoeps MK4V's>Schoeps KCY 250/5I cable>Schoeps VMS02IB>Edirol R-4 CH 3 & 4 FOB on Micstand @12ft Dead center at back of the Pit. Postproduction: Edirol R-4>Soundforge 8 (Fade in/out, mix of both sources)>Wavelab 5 UV22HR dithering to 16bit/44.1khz>CD WAV>FLAC Recorded & Processed By Keith Litzenberger 2 flac  
10. 04/19/08 Magic City Music Hall - Johnson City, NY A Notes:1st Generation Recording.Sony Stereo Mic>Sony D3 Cassette Deck>CD 2 flac  
11. 10/03/08 Magic City Music Hall - Johnson City, NY A Notes:My Master Recording:Nakamichi 300 Mis W/CP4 Shotguns>Sony D8 Dat Master>Harmon Kardon CDR 20 Home Burner>CD 2 flac  
12. 12/31/08 Penn's Peak - Jim Thorpe, PA a- Source: Sony MS 957 mic > Sony D7 DAT > Audacity > WAV > FLAC Transfered by C Unger 2 flac  
13. 01/17/09 Maryland Theater - Hagerstown, MD A Lineage: R-09 w/BMC-2 mics -> Wav -> Cool Edit 2000 (fades) -> CD Wave (splits) -> Flac Front End (Flac conversion) 2 flac  
14. 03/07/09 Paramount Theater - Middletown, NY A Schoeps MK4V's>Schoeps KCY 250/05I>Schoeps VST62UI>Sound Devices 702 SD702>Firewire>PC>Soundforge 9 (Fades, Sample Rate/Bit Rate Conversion)>CDWAV>FLAC Recorded By wkl_taper from Center Orch Row D 3 flac  
15. 06/12/09 Keswick Theatre - Glenside, PA A Schoeps MK4V's>Schoeps KCY 250/05I>Schoeps VST62UI>Sound Devices 702 SD702>Firewire>PC>Soundforge 9 (Fades, Sample Rate/Bit Rate Conversion)>CDWAV>FLAC Recorded By wkl_taper from Center Orch Row D 3 flac  
16. 06/19/09 Sherman Theater - Stroudsburg, PA A Source:Neumann KM150's>Aerco MP2>Sound Devices 744t (@24/28) Transfer: Sound Devices 744t >Soundforge 9(Fades, Conversion to 16bit/44.1khz)>CDWAV>FLAC Recorded By Keith Litzenberger 2 flac  
17. 08/11/09 Artpark - Lewiston, NY A Source: at835b > Edirol R4 @ 24/48 Transfer: Edirol R4 > PC > Sony Sound Forge 7.0 > 16/44 > CDWAVE > Traders Little Helper Taper: Adam Hudson Transfer: Adam Hudson 2 flac  
18. 11/13/09 Paramount Theatre - Middletown, NY A Source: Schoeps MK4V's>Schoeps KCY 250/05I active cable>Schoeps VST62ui>Sound Devices 744t>Soundforge 9 (Fades, Sample/Bit Rate Conversion to 16/44.1)>CDWAV>FLAC Recorded By Flying Gonz & Daughter 2 flac  
19. 12/18/09 Riviera Theatre - North Tonawanda, NY A+ Lineage 722>Firewire>Macbook>xACT(join wav files)>Sound Studio 3(fades, normalize peak, track)> xACT(encode, tag, fingerprint)>flac24 Location North Tonawanda, NY Source DPA 4021>Sound Devices 722 (24/96) ORTF/FOB/DFC 5' stand above sitting audience 20' from the stage Taped by Lenny Stubbe Transferred by Lenny Stubbe 2 flac  
20. 01/13/10 Visualite Theater - Charlotte, NC A Lineage Sony R300> DAK Wave Editor>CD Wave> TLH Location Charlotte, NC Source SBD & AKG c2000's> Mackie DFX6> Tascam DA-P1 Taped by Taperroy Transferred by Taperroy 2 flac  
21. 01/17/10 WorkPlay Theater - Birmingham, AL AA Lineage CF > HD > Wavelab 6 > CD Wave > FLAC Source Schoeps CCM 4 Lg (ORTF) > AETA PSP-3 > Sound Devices 702 Taped by Dennis Tyler Transferred by Dennis Tyler 2 flac  
22. 01/29/10 Scottish Rite Auditorium - Collingswood, NJ A Schoeps MK41's>Schoeps VST62ui>Aerco MP2>Sound Devices744t + Schoeps MK8/MK21>VST62ui>Sound Devices MP2>Sound Devices 744t SD744t>Soundforge Pro 10 (Fades, iZotope 64 BIT Sample Rate Conversion /iZotope MBIT+ Bit depth conversion to 16 Bit/44.1khz)>CDWAV>FLAC All Flac Files Tagged with Artist, Venue, Date and Track Name in Foobar2000 From 1st row Mezzanine, clamped to rail 5 seats off center. 2 flac  
23. 11/26/10 Keswick Theater - Glenside, PA A Schoeps MK41's>Schoeps VST62iu>Sound Devices 744t (24Bit/48KHZ) 1st Set: 4th Row in front of Right PA stack - 2nd Set:20th row center SD744t>Sound Forge Pro 10 (fades, iZotope 64 BIT Sample Rate Conversion /iZotope MBIT+ Bit depth conversion to 16 Bit/44.1khz)>CDWAV>FLAC Recorded & Processed By Keith Litzenberger 2 flac  
24. 12/11/10 THE NATIONAL - RICHMOND, VA A+ C02 > UA5 > Microtrack II (16/48) - Inside Soundboard Cage, Left of Center, 9' Stand Taped by Sean Wahlberg Transferred by Sean Wahlberg Microtrack II > Soundforge 8.0 (resample/edit) > CDWAVE (tracking) > FLAC 2 flac  
25. 08/28/12 Artpark - Lewiston, NY AA Source: at835b > Edirol R4 @ 24/96 Transfer: Edirol R4 > PC > Sony Sound Forge 7.0 > 16/44 > CDWAVE > Traders Little Helper > FLAC 2 flac  
26. 04/05/14 Calvin Theatre - Northampton, MA A Audacity (normalize, tracking, fades) > WAV (16bit) > Trader's Little Helper > FLAC (6) Location Northampton, MA Run time 02:18:44 Source (FOB just ROC, row H seat 104) SP-CMC-2 > SP-SPSB-11 > Sony PCM-M10 (24bit/44.1kHz) Taped by bcc32065 Transferred by bcc32065 Adam Minkoff - bass, vocals Ryan Ball - guitar, vocals Scott Chasolen - keys, vocals Tahrah Cohen - drums 2 flac  
27. 10/23/15 NYCB Theater - Westbury, NY AA Neumann KM184 Mics > Lunatec V2 > Korg MR-1000 Korg MR-1000 > Audio Gate > Adobe Audition CS6 > Ozone 5 > Traders Little Helper 16/44.1 2 flac  
28. 01/14/17 City Winery - Atlanta, GA a- Lineage:- DR-05 ver 2.01 internal mics (omni), 24/96, record level 0, Sandisk 4 gig micro SD card > Audacity (split/name/down sample to 16/44) > Traders Little Helper (Flac Level 6). Middle of the room, directly in front of the soundboard. No processing, warts and all. 2 flac  
29. 01/14/17 City Winery - Atlanta, GA AA DR-05 ver 2.01 internal mics (omni), 24/96, record level 0, Sandisk 4 gig micro SD card > Audacity (split/name/down sample to 16/44) > Traders Little Helper (Flac Level 6). 2 flac  
30. 05/28/17 Strangecreek Festival Music - Greenfield, MA A Telefunken FET M-60 (TK62) + SBD > SD 788T (24/48) > CF > MacBook Pro > Adobe Audition > Flac > xACT 2.38 Recorded & Mastered By Scott Medeiros 2 flac  
31. 09/13/19 Camp Kee-wanee - Greenfield, MA A Wormtown Music Festival source: Neumann km184 + SB > Sound Devices MixPre 6 transfer: SD> USB> Samplitutde 11 (16/44.1)> cdWave> FLAC recorded/transfered by Rob Clarke 2 flac  
32. 10/19/19 Wildey Theatre - Edwardsville, IL A+ Neumann SKM 184 mics Cardioid caps > Tascam DR-07 Portable recorder > Sound Forge 9.0 > CDWav > TLH > .flac files Thanks to Wayne H. for the use of his mics. 2 flac  
33. 11/08/19 Garde Arts Center - New London, CT AA Lineage: SS DSM6/L > Tascam iXJ2> iPhone XR > Twisted Wav (app) > AirDrop (Transfer to Mac/PC) > Wavelab 6.1 > CDWAV > FLAC Recorded by: Relayer35 Comments: This is part one of my "The Machine" weekend. One of the earliest Pink Floyd cover bands (if not "the" earliest), they've been around for 31 years. They played Friday night in New London, CT and Saturday in Waterbury, CT. Both cities are about an hour away from me, and the shows were completely different. Friday they played all of "The Wall", while Saturday's setlist contained all of "Wish You Were Here," "Animals" and "Dark Side Of The Moon". I had never seen these guys before, nor had I been to either of these venues. I was pretty impressed with all of it. The production is not as big as Aussie Floyd or Brit Floyd, but the music is as good or better, and that's what counts. This was the first time I saw a production of "The Wall" in it's entirety. It really is a masterpiece! The recordings came out pretty nice. I had two rigs running each night. Results were similar on each rig, so I went with the Sonic Studios version for each night. The crowd wasn't too noisy either night. There are a few moments of chatter here and there but nothing real distracting. Artwork is included in the torrent, with photos from the actual show. 2 flac  
34. 11/09/19 Palace Theater - Waterbury, CT AA Lineage: SS DSM6/L > Tascam iXJ2> iPhone XR > Twisted Wav (app) > AirDrop (Transfer to Mac/PC) > Wavelab 6.1 > CDWAV > FLAC Recorded by: Relayer35 Comments: This is part two of my "The Machine" weekend. One of the earliest Pink Floyd cover bands (if not "the" earliest), they've been around for 31 years. They played Friday night in New London, CT and Saturday in Waterbury, CT. Both cities are about an hour away from me, and the shows were completely different. Friday they played all of "The Wall", while Saturday's setlist contained all of "Wish You Were Here," "Animals" and "Dark Side Of The Moon". I had never seen these guys before, nor had I been to either of these venues. I was pretty impressed with all of it. The production is not as big as Aussie Floyd or Brit Floyd, but the music is as good or better, and that's what counts. I think I enjoyed this show a bit more than "The Wall" show. Sound was slightly better and the additional musicians (mostly during "The Dark Side Of The Moon") added to the feel of the show. The guy in the pig costume was a blast too! The recordings came out pretty nice. I had two rigs running each night. Results were similar on each rig, so I went with the Sonic Studios version for both nights. The crowd wasn't too noisy either night. There are a few moments of chatter here and there but nothing real distracting. Artwork is included in the torrent, with photos from the actual show. 2 flac  
35. 12/27/19 The Warehouse - Fairfield, CT AA Lineage: SS DSM6/L > Tascam iXJ2> iPhone XR > Twisted Wav (app) > AirDrop (Transfer to Mac/PC) > Wavelab 6.1 > CDWAV > FLAC Recorded by: Relayer35 2 flac  
36. 01/24/20 Center for Arts in Natick - Natick, MA A An Imperfect Gravy Recording (IPG-409) Lineage: Tascam DR-07mkII @ 16/44.1 [internal mics] > PC > Audacity 2.0.3 (amplification, tracking, normalization) > TLH (FLAC 8) > you 2 flac  
37. 01/25/20 Center for Arts in Natick - Natick, MA AA An Imperfect Gravy Recording (IPG-410) Lineage: Tascam DR-07mkII @ 16/44.1 [internal mics] > PC > Audacity 2.0.3 (amplification, tracking, normalization) > TLH (FLAC 8) > you 2 flac  
38. 02/22/20 Stadium Theater - Woonsocket, RI A Lineage: SP-CMC-2 (AT831) > SP-SPSB-8 > Tascam iXJ2> iPhone 6 > Twisted Wav (app) > AirDrop (Transfer to Mac/PC) > Wavelab 6.1 > CDWAV > FLAC Recorded by: Relayer35 2 flac  
39. 09/12/20 Garden State Plaza - Paramus, NJ A Lineage: SP-CMC-2 (AT831) > SP-SPSB-8 > Tascam iXJ2> iPhone XR > Twisted Wav (app) > AirDrop (Transfer to Mac/PC) > Wavelab 6.1 > CDWAV > FLAC Recorded by: Relayer35 A Kitty Lickin' Discs Production 2 flac  
40. 10/03/20 Imperial Lot - Westport, CT A Lineage: SP-CMC-2 (AT831) > SP-SPSB-8 > Tascam iXJ2> iPhone XR > Twisted Wav (app) > AirDrop (Transfer to Mac/PC) > Wavelab 6.1 > CDWAV > FLAC Recorded by: Relayer35 Comments: I got to say, I really like this "drive-in" format of shows. It's nice not being in cramped seats in old theaters. I know from a logistical and financial standpoint, it's not ideal... but I certainly wouldn't be opposed to these things once things get back to normal. This band continues to impress me each time I see them....and lately they are the only band I see because they are the only ones playing! It's impressive how they do this with just the four of them. They've been around for over 30 years, so they have this down. I really like that even though I just saw them three weeks ago, the set was very different. They played a little bit longer than they did in Newark which is nice as well. This will likely be my last show for a while. I have a few standard shows planned early next year (some were rescheduled from this year), but at this point I highly doubt those will happen. The Kitty Lickin' Discs Mobile Recording Studio (TM) was back in action for this one. I remembered wind screens this time around, and was parked in the first row pretty much directly in front of the left speaker. Even so close to the speaker, I still got great stereo seperation as the mic's were attached to the left and right side view mirrors of my car. With the crowd so far apart, and mostly all behind me, there is very little crowd noise at all. One of the cleanest and clearest recordings I've ever made. I actually ran three seperate rigs, as this format gives me some chance to experiment with things, but while the other two recordings came out okay, neither sounds as good as this one, so this is the one you get! Artwork is included in the torrent, with photos from the actual show. 2 flac  
41. 10/16/21 Ridgefield Playhouse - Ridgefield, CT A+ Lineage: SP-CMC-2 (AT831) > SP-SPSB-8 > Tascam iXJ2> iPhone XR > Twisted Wav (app) > AirDrop (Transfer to Mac/PC) > Wavelab 6.1 > CDWAV > FLAC Recorded by: Relayer35 Comments: This show was originally scheduled for 3/21/2020, but was postponed during the early stages of the pandemic. This was one of the only bands I saw during the pandemic, as these guys did some drive-in shows last fall. This time, we were back in a full theater with a packed house. The seats are close together here, and with the mask requirement, I can't say this was the most comforable show I've seen. Still good to be able to go to real concerts again. Joe Pascarell (RIP) 2 flac  
42. 02/05/22 The Colonial - Pittsfield, MA A LINEAGE>TASCAM DR40>AUDACITY>YOU 2 flac  
43. 03/12/22 Academy of Music - Northhampton, MA A+ Lineage: SP-CMC-2 (AT831) > SP-SPSB-8 > Tascam iXJ2> iPhone XR > Twisted Wav (app) > AirDrop (Transfer to Mac/PC) > Wavelab 6.1 > CDWAV > FLAC Recorded by: Relayer35 Comments: I'm still shocked at the passing of founding member, lead singer, and guitarist Joe Pascarell. This was the first Machine show I've seen without him. Nothing against Adam and Ryan who take over vocals and guitar respectively. They do a great job! But I miss Joe's stage presence and personality. I enjoyed the show. This might be my favorite setlist I've seen them play, but I miss Joe. RIP. The sound quality on this recording is excellent. It was recorded very close to the right speaker rack. Sound is crisp and clear. Most of the noisy audience was behind me, so they aren't that present on this recording. Artwork is included in the torrent, with photos from the actual show. 2 flac  
44. 08/05/22 Batavia Downs Gaming center - Batavia, NY A 16 bit version A Poignant Pros recording by }{eywood Gear / Lineage: Tascam DR-08 > USB > Adobe Audition 1.5 (EQ, peak limiting, splits & fades) > Xrecode III (conversion to 16/44.1) > TLH (sector alignment, flac 8) 2 flac  
45. 10/13/23 The Academy Of Music - Northampton, MA a- Zoom H1 > Wav (44.1/16) > Adobe Audition (minor edits/amplification) > Wav > Trader's Little Helper > FLAC 8 (no SBE) 2 flac  

Nick Mason  
  Date Venue - City, State Sound Rating Notes Media  
1. 06/11/22 Gasometer - Vienna, Austria A Lineage: Edirol R-05 (internal mics) 24/48 > 16/44 > Wavelab6 > EAC > FlacFrontend > Flac Level 5 2 flac  
2. 06/13/22 Tempodrom - Berlin, Germany A+ taped + mastered by: RCM uploaded by: RCM filesize: 988 mb time: 2 hr 24 min 50 sec RC.489a_aud.cmc-8.m10.flac.16 SP-CMC-8 > SP-SB-11 > Sony PCM-M10 > 24bit/48khz > (downsampled 16/44) Secure Digital SD-card>USB2.0 Interface>soundforge/audioedit>Wav-Splitter>flac.frontend lev.8>flac 2 flac  

Nick Mason's Saucerful Of Secrets http://www.thesaucerfulofsecrets.com/
  Date Venue - City, State Sound Rating Notes Media  
1. 05/21/18 Half Moon, Putney - London, England 8 Lineage: Tascam DR-05 using built in mics > WAV (24bit/96kHz) > Reaper v4.76 and iZotope RX4 Advanced > FLAC (16bit/44.1kHz) 2 Flac  
2. 05/24/18 Half Moon, Putney - London, England A Sonic Studios DSM-6>PA6-XP>M Audio Microtrack> Wavelab>CD Wave Editor>FLAC Level 8 An EBR Recording 2 flac  
3. 09/09/18 Den Atelier - Luxembourg, Luxembourg A Audience recording Original bootleg discs -> EZ CD Audio Converter -> FLAC level 5 Ripped and shared by Gullveig.org 2 flac  
4. 09/10/18 Olympia - Paris, France A Lineage: SP-CMC-8 > Roland R-05 WAV44.1kHz/16bit > Adobe Audition (fade in/out) > CD Wave (Track-Splitting) > Flac Level 8 (44.1kHz/16bit) > Foobar2000 (tagging) 2 flac  
5. 09/11/18 Electric Halle - Dusseldorf, Germany A Lineage recording (2018 09 11, Pittylabelle): -> Position: Last row of inner space -> Recorder: Olympus LS-12 via Mic-In jack, plug-in-power “On”, sensitivity “High” -> Microphone: Special OKM Rock “Variant” (external binaural in-ear stereo microphone) -> WAV-File 16 Bit / 44,1 kHz 2 flac  
6. 09/20/18 Teatro Degli Arcimboldi - Milan, Italy A Taper : Nipote (Platea Bassa, Fila 5, Posto 7) Renaster : RDWM Lineage : Tascam DR-05 v2 -> wave 16/44 -> RDWM Remaster (HarBal 2.3, Magneto 1.5, L3) -> NeroWaveEditor (split tracks only) -> TLH -> flac 2 flac  
7. 09/23/18 Portsmouth - Guildhall, England A Lineage: Recorder 1: An EBR Recording Sonic Studios DSM-6>PA6-XP>M Audio Microtrack> Wavelab>CD Wave Editor>FLAC Level 8 Recorder 2: Lordsnooty Mastering: Reaper DAW with Universal Audio and Waves plugins. Sources not native 96k are upsampled to 96k with SOX for HD processing. Reduced to 48k with SOX for the 24 bit stereo and quad masters. Reduced to 44.1k (SOX) and dithered to 16 bit (Waves IDR) for stereo CD. The quad master is 4.1 and presented in a 5.1 file format to ensure compatibility. The FLAC format uses no extra space for the digital zero C channel. Quadraphonic surround allows separation of the multiple audience recorders front to back. This is not a discrete surround mix, but a more immersive realistic presentation of the live stereo mix in the room. Both recordings together reenforce the sound. EQ and dynamics balanced for the most natural live sound possible. No aggressive high end boosting. You can turn this up! For the quad mix, R2 is biased to the fronts and R1 is biased to the rear. Both recordings together present the original stereo soundstage left to right more than they allow for front to back presentation. 2 flac  
8. 03/12/19 Queen Elizabeth Theatre - Vancouver, BC A Recorded on location (Row A, Front Row, central position) by inu-liger Lineage: Live sound output > Sound Professionals MS-BMC-3 Master Series Premium binaural microphones w/ SP-EMC-3 Croakie Eyeglass Retainer > Microphone Madness MM-CBM-Mini miniature battery module > Roland R-05 (PCM @ 96/24) > PC > GoldWave (editing out pre-concert/post-concert bits, track-splitting) > WAV > foobar2000 w/ flac.exe > Batch downconversion to 44.1/16 > FLAC Level 8 Quality: EX 2 flac  
9. 03/15/19 The Masonic - San Francisco, CA A+ Source 1 Taper 1: Sharethetape Lineage: Sound Professionals SP-CMC-25 mics > Zoom H1 (24 bit, 96kHz) > edits (Track marks, volume adjustment) > TLH > FLAC (Level 8) Location: Section B3, row 5, seat 1 (right of center) Source 2 Taper 2: Vortexzephyr Lineage: CA-11 mics on hat > Zoom q2n @24/96 > WAV > cut, levels boosted, channels balanced > TLH > FLAC Location: Box seat section E (left of center) 2 flac  
10. 03/31/19 Stiefel Theater - St. Lous, MO A GEAR USED: Nokia Lumia 920 cell phone > Audio Recorder Pro app > Built-in mics > Sound Forge 9.0 > CDWav > TLH > .flac files 2 flac  
11. 04/07/19 Palace Theater - Columbus, OH A Source 1 Taper: Phishblowz Lineage: Internal Mics > Zoom h2n > WAV 16bit/44.1 kHz Location: Far right, in line with the speaker stack Source 2 Taper: Gitard Lineage: SP-CMC-08 (AT-943) > SP-SPSB-11 (@69Hz) > Zoom H2N 16/44.1 > PC > GoldWave > Flac Location: Mainfloor 4 Row N - Stage Left 100 feet back from left stack 2 flac  
12. 04/30/19 Friars Aylesbury Waterside Theater - Aylesbury, UK A Audience recording Original bootleg discs -> EZ CD Audio Converter -> FLAC level 5 Ripped and shared by Gullveig.org 2 flac  
13. 07/03/19 Klosterhof Wiblingen - Ulm, Germany A Lineage: Edirol R-05 (internal mics) 24/48 > 16/44 > Wavelab6 > EAC > FlacFrontend > Flac Level 6 2 flac  
14. 07/17/19 Arena Santa Giuliana - Perugia, Italy A+ Umbria Jazz Festival 2019 Taper: Andrea82 Source: AT943 mics > SP-SPSB-10 battery box > Tascam DR-2d [24/48] Editing: tracking, fade in/out > Ipietri mastering > WAV [24-48] > Conversion to 16-bit/44.1khz > xACT > FLAC Mastered from the raw 24-bit master files by RDWM 2 flac  
15. 07/18/19 Piazza Della Loggia - Brescia, Italy A (MRDR Master Series Volume 108) Recording: Sony ECM717 > Sony MZ-R700 MD Transfer: MiniDisc Master > .wav file > iZotope RX 8 / ozone 9 (mastered) > xACT 2.50 > FLAC 2 flac  
16. 07/27/19 Torwar Hall - Warsaw, Poland A Taper: gaballus Possition: almost behind the desk-mix Equipment: ZOOM H2N external mic OLYMPUS ME51S, wave 24.48 Mastered by rdwm Photos by Bizon (special thanks) Artwork by Jaraslesny Tracking with CD Wave, metadated & converting to flac level 8 with Foobar2000 by Jaraslesny 2 flac  
17. 04/19/22 New Theater - Oxford, UK A Sonic Studios DSM-6>PA6-XP>Tascam DR100 MkIII> Wavelab>CD Wave Editor>FLAC Level 8 An EBR Recording 2 flac  
18. 04/23/22 Royal Albert Hall - London, UK A Sonic Studios DSM-6>PA6-XP>Tascam DR100 MkIII> Wavelab>CD Wave Editor>FLAC Level 8 An EBR Recording 2 flac  
19. 04/26/22 Brighton Dome - Brighton, UK A Lineage: Sennheiser AMBEO Smart Headset > iPhone 8 Plus > Apogee MetaRecorder (24/96 CAF) > REAPER v6.54 > 24/96 FLAC 8 2 flac  
20. 04/27/22 St. Davids Hall - Cardiff, Wales A+ Lineage: Source 1: Church Audio CA-14 omnis > CA-9200 > Edirol R-07 (@24/96) > Cool Edit Pro 2 Source 2: Edirol R-07 (@16/48) > Cool Edit Pro 2 Matrix: Movie Studio Platinum > Cool Edit Pro 2 > CDWave > TLH Source 1: Recorded 15' back from house left stack Source 2: Recorded 50' back from house left stack Recording by boombox & mrunhalf Matrix & artwork by boombox, with thanks to mrunhalf for the excellent photos 2 flac  
21. 05/04/22 Usher Hall - Edinburgh, Scotland A+ Recorded from roughly the middle of the stalls with a Zoom H2, using the 90-degree front mics at 48kHz 24-bit. The intro and audience tape tracks start when the house lights went down. I've done fairly minimal processing, trying to preserve the huge dynamic range in the original recording: swap and balance channels, multiband compressor to apply 0-8 dB cut between 200-500 Hz with a long time constant, limit applause peaks and normalise. Checksums: .md5 made with md5sum, .ffp made with metaflac --show-md5sum. 2 flac  
22. 05/06/22 Apollo Manchester - Manchester, UK A Linage: Tascam DR-05 (internal mic)>Audacity (Normalise, Fade in & out)>FLAC Recorded from the stalls Row L Seat 41 - Facing the stage, the left side of the stalls. Although quite near the front, there is more 'room' on the recording than I prefer but quite listenable. Great Manchester show - see if you can spot at least one musical nod to the city. The recording is shared without any processing other than above. I may get around to remastering at some point. I may even try using spleeter, deverb etc to see if I can improve it. 2 flac  
23. 05/10/22 Portsmouth Guildhall - Portsmouth, UK A Lineage: Sennheiser AMBEO Smart Headset > iPhone 8 Plus > Apogee MetaRecorder (24/96 CAF) > REAPER v6.54 > 24/96 FLAC 8 2 flac  
24. 05/14/22 Varket - Randers, Denmark A+ Source: Zoom H2n 48kHz/24Bit -> Pro Tools -> Wav -> Flac Recorded from balcony, center. 2 flac  
25. 05/16/22 Det Konleige Theater - Copenhagen, Denmark A source: tolvis master audience, Zoom H2 (internal mics), front row center length: 130.30 2 flac  
26. 05/28/22 Klub Wytorina - Lodz, Poland A SNS-MR-193 source: EX- audience recording lineage: Sony HiMD MZ-NH700 > Sony ECM-719 transfer: Master HiMD in PCM mode > USB transfer to PC > Sonic Stage 4.3 > Audacity 3.1.3 (fade in/out) > CD Wave Editor 1.98 (wav splitting)> Trader's Little Helper 2.8.4 (TLH) FlacFrontend level8 > flac taping location: FOS 2 flac  
27. 05/30/22 Budapest Park - Budapest, Hungary A Source: Xiaomi Redmi Note 9 -> Sound Forge 10 (Normalization&EQ&Tracking) 2 flac  
28. 06/03/22 Moni Lazariston - Thessaloniki, Greece a- Taper: pantelis79 Lineage: Internal Mics > Edirol R-09 > WAV (48kHz, 16-bit) > Flac Location: 5th row, center-right 2 flac  
29. 06/12/22 Forum Karlin - Prague, Czechoslovakia a- Lineage: internal mics (hat mounted) Tascam DR-05X (24-96 wave) > Audacity (amplify/EQ/split tracks/downsampled 16/44) > Foobar2000 (flac lev 8) > TLH (checksum) Position: center of the concert hall, in front of the mixing desk Taped & mastered by: pf_jack photo by Will Ireland (special thanks) 2 flac  
30. 06/15/22 Den Atelier - Unknown, Luxembourg A+ Source: Custom Primo EM182 cardioid capsule stereo microphone —> Custom battery box —> Roland R-07 24bits, 96kHz Mastering: iZotope RX 08 corrections —> iZotope Ozone 9 mastering —> Audacity for splitting —> FLAC 2 flac  
31. 06/20/22 Jahrhunderthalle - Frankfort, Germany A+ Audience HD Recording Zoom H2 > Sony ECM 717 (44.1/16) 2 flac  
32. 07/01/22 Laeiszhalle - Hamburg, Germany A taped + mastered by: RCM uploaded by: RCM filesize: 891 mb time: 2 hr 27 min 52 sec RC.492a_aud.cmc-8.m10.flac.16 SP-CMC-8 > SP-SPSB-11 > Sony PCM-M10 > 24bit/48khz > (downsampled 16/44) Secure Digital SD-card>USB2.0 Interface>soundforge/audioedit>Wav-Splitter>flac.frontend lev.8>flac 2 flac  
33. 07/02/22 E-Werk - Cologne, Germany A+ ARTWORK: Yes SOURCE: Audience Recording / VG (+) - Exc. TAPER: METAMARC LINEAGE: Church Audio CA-11 (Croakie Mount) > Roland R-05 > Converted WAV audio files to flac 8, sector aligned and tested with Traders Little Helper - ffp with Traders Little Helper - Torrent file with Maketorrent > Torrent file cleaned and enhanced with iZotope RX8 and Adobe Audition 3.0 2 flac  
34. 07/05/22 Haus Auensee - Leipzig, Germany A- Zoom i6 microphone on iPhone 8 using Retro Recorder to .wav I've then used Adobe Audition 1.5 to play with levels etc, in particular clipping some of the applause back a bit and boosting the between song stage chat. There were two accidental cuts made when I bumped my recorder and dislodged the microphone. They both occur in Echoes. The first one happens as the first verse begins so there's a noticeable cut there. The second was right at the end, as the applause starts, and you probably won't even notice it. 2 flac  
35. 07/06/22 Messe und Congress Centrum - Halle - Meunster, Germany A+ Lineage recording (2022 07 06, Pittylabelle): -> Position: Row 13, seat 18 of inner space -> Recorder: Olympus LS-12 via Mic-In jack, plug-in-power “On”, sensitivity “High” -> Microphone: Special OKM Rock “Variant” (external binaural in-ear stereo microphone) -> WAV-File 24 Bit / 88.2 kHz Lineage production (2022 07 07, Pittylabelle): -> Editing: iZotope RX 5: Volume adjustment, phase offset correction -> Editing: iZotope Ozone 8: Mastering (EQ, Dynamic EQ, Maximizer) -> Editing: Sound Forge Pro 13.0: Track editing -> Conversion: Sound Forge Pro 13.0: Downsample and dither to 16 Bit / 44.1 kHz, at highest quality -> Coding: TLH: Align on sector boundaries (Level 8), WAV to FLAC 2 flac  
36. 09/22/22 Shubert Theater - Boston, MA A+ Recording Info: AT943 -> Roland R-09HR Mastering Info 1: Audacity (Tracking) Mastering Info 2: RDWM Massaging Location Info: In the clouds Recorded by Hunting Sound Man Mixed and Mastered by RDWM 2 flac  
37. 09/23/22 Miller Theater - Philadelphia, PA A Schoeps MK41's>Baby NBox>Roland R-07 from Left Center Balcony Row A Wav>Magix Sound Forge Pro 16 (Fades,Sample Rate Conversion to 44.1Khz/BIT Rate Conversion to 16 BIT))>CDWAV(Track Splitting)>Trader's Little Helper(FLAC)>Foobar2000(Track Tagging) Recorded By Joe Burns Prossesed By WKL 2 flac  
38. 09/25/22 Providence Performing Arts Center - Providence, RI A Taper : Farve4 Lineage: SP-CMC-8c > SP-SPSB-4 > Sony PCM A-10 > Internal Memory Card > WAV 48kHz/32-bit 2 flac  
39. 09/26/22 Capitol Theater - Port Chester, NY A+ recorded by spitback: Recording: Schoeps MK41's> Nbob actives > Zoom F3 Transfer: SD Card > 32/96 Wav > usb > iMac > Audacity Mixing and Editing > 16/44.1 Aiff > xAct > FLAC (level 8) Recording location: 2nd Row Center Loge 2 flac  
40. 09/27/22 Lincoln Theater - Washington, DC a- Source: DPA 4061 > Zoom F3 (32/48) Transfer: F3 > iMac. Processing with Audacity. Tracked via Sound Studio, FLAC via xACT. Recorded by vwmule and nylifer 2 flac  
41. 09/29/22 Akron Civic Center - Akron, OH A Source: Tascam Dr-02 internals Lineage: DR-02 > USB > Adobe Audition > FLAC Location: Orch 3., Row Z 2 flac  
42. 10/03/22 Chicago Theater - Chicago, IL A+ Source: AUD; AKG(63) Naiant actives > tinybox > Sony A10(@24/96) Lineage: .wav @2496> WaveLab 11> xAct> flac2496 Location: FOB, DFC, Row J Taper: sos Mastered by Alex Ford 2 flac  
43. 10/04/22 State Theater - Minneapolis, MN a- CA-14 omni mics - Sound Professionals 12v battery box - Sony PCM a10 (24-bit 48 khz) - Ozone 9 (mastering, 16-bit 44.1 KHZ) - Audacity (split tracks) - Flac 16-bit 44.1 khz Taper notes - this recording was muddy, and needed a lot of EQ to tame the bass. This tour seems to have a lot of taper coverage, so I consider this one for the completists. The person next to me would occasionally imitate guitar sounds and make cat noises, Guy Pratt yelled at some person in front of me, a strange vibes all around. 2 flac  
44. 10/07/22 Royal Oak Music Center - Royal Oak, MI A Tascam DR-07X > WAV > Audacity (adjust levels & split tracks) > FLAC24/96 2 flac  
45. 10/08/22 Massey Hall - Toronto, ON A 16 bit version A Poignant Pros recording by Binko Gear/Lineage: CA14s > Tascam DR-08 (recording to 24-48 .wav) > USB > Adobe Audition 1.5 (EQ, peak limiting, splits & fades) > Xrecode III (conversion to 16/44.1) > TLH (sector alignment, flac 8) 2 flac  
46. 10/08/22 Massey Hall - Toronto, ON A Lineage: Core Sound High End Binaurals -> Roland R-05 -> Soundforge -> CDWave -> FLAC + add tags Recorded and edited by BurnBoy 2 flac  
47. 10/11/22 Theater St. Denis - Montreal, QC A Recorded by jmr source / lineage: near the stage, far left side > CA 14's > Zoom H1 (24/96) > Adobe Audition 3.0 (file merge and trim) > Har Bal 3.7 (EQ) > Reaper (channel level balance, mastering) > WAV > foobar2000 > FLAC level 8 (16bit/44.1kHz & 24bit/96kHz) 2 flac  
48. 10/12/22 Beacon Theater - New York, NY A Audio Technica U853 cardioid mics (4.7k mod) > Church Audio ugly battery box > Sony PCM-A10 > WAV (24/48) Mixing and mastering: Sound Studio (very light dynamic compression for applause) > FLAC (16/44.1) > Tag > FLAC Recorded and mastered by neil d 2 flac  
49. 10/14/22 Clowes Memorial Hall - Indianapolis, IN A Source: Sound Professionals CMC-08s (AT943s)->SP-SB10->Roland R05-> Audacity->CDWave->TLH Taper: ironchef Total time: 129:46 (2:09:46) 2 flac  
50. 10/17/22 Texas Trust Theater - Grapevine, TX A Taper: Chris Lenox Seating Position: Section 104, Row G, Seat 12 Remaster: rdwm EQ: HarBal Phase and image tuning : iZotope RX Final treatment: Magneto and L3 Split with CD Wave and convert to flac with TLH 2 flac  
51. 10/18/22 Bass Concert Hall - Austin, TX A+ aud mk4 Audience->Schoeps MK4-Naiant Tinybox-Sony PCM-M10->recorded by seedy recorded from the pit row 2 in the middle Mastered by Rick0725 Tracked with CD Wave editor (wave 24.48); Metadated & converted to flac (level 8) with Foobar 2000 by Jaraslesny. Artwork by Jaraslesny Photos by seedy 2 flac  
52. 10/20/22 Paramount Theater - Denver, CO A lineage: Sony ECM-717 (mic) / Sony PCM-M10 (recorder) > 24/48 > 16/44 (down sampling, cuts & fades and normalization using Audacity) > CD wav (track splitting) > MP3Tag (for file tagging) > FLAC (using Traders Little Helper) Level 8 2 flac  
53. 10/22/22 Madison Center For The Arts - Phoenix, AZ a- Sony A10 > CA14 cardioid > Audacity > xAct > SBE > FLAC Captured 12th row center Recordist: TAKRL 2 flac  
54. 10/25/22 Orpheum Theater - Los Angeles, CA A SP-CMC-4U -> A10 -> Soundforge -> FLAC 2 flac  
55. 10/28/22 Fox Theater - Oakland, CA A Recorded by Daspyknows 10th row dead center Schoeps BabyNbox MK4 NBox Tascam DR-2D 24 Bit 48K Processed using Soundforge 13, resample, to 16bit 44.1K TLH to convert to Flac 2 flac  
56. 11/01/22 The Centre For Performing Arts - Vancouver, BC A Recorded on location (Center Orchestra, row S, center view of stage) by inu-liger Lineage: Live sound output > Sound Professionals MS-BMC-3 Master Series Premium binaural microphones w/ SP-EMC-3 Croakie Eyeglass Retainer > Microphone Madness MM-CBM-Mini miniature battery module > Roland R-05 (PCM @ 96/24) > PC > GoldWave (editing out pre-concert/post-concert bits, track-splitting) > WAV > foobar2000 w/ flac.exe > Batch downconversion to 44.1/16 > FLAC Level 8 Quality: EX 2 flac  
57. 07/14/23 Freilichtbhne Loreley - St. Goarshause, Germany A Lineage: Edirol R-05 (internal mics) 24/48 > Wavelab6 > EAC > FlacFrontend > Flac Level 5 2 flac  
58. 07/16/23 Spodek - Katowice, Poland A Lineage: SP-CMC-8 (hat mounted) > SP-SPSB-10 > OM System LS-P5 (24/96) > iZotope RX/Audacity (clean/EQ/amplify/split tracks/downsampled 16/44) > Foobar2000 (flac lev 8) > TLH (checksum) Taped by: JP Remastered by: Iku 2 flac  
59. 07/24/23 Teatro Grande - Pompeii, Italy A+ Taper: xilo Recording gear: DPA4061-MMA-Metarecorder24.48-HarBal.Audition.Waves.mastering-16.48FLAC Duration: 2h 11m 47sec 2 flac  
60. 09/21/23 The Enmore Theatre, Enmore - Sydney, Australia A PCM10 > Audacity > CDWAV > You philandjenny 101 2 flac  
61. 09/22/23 Enmore Theater - Sydney, Australia A * SOURCE: [AUD] = Audience Recording. * LOCATION: [SEATED], A Little To The [RIGHT OF CENTER], [16 ROWS FROM THE STAGE]. * EQUIPMENT: A [TASCAM DR-07 MK II] Audio Recorder, Utilizing The [INTERNAL MICROPHONES]. * TYPE: [ST] = Stereo. 2 flac  
62. 09/25/23 Riverside Theater - Perth, Australia A Recorded with Zoom iQ6 mic on an iPhone6, using RetroRecorder to record to .wav. Adobe Audition 1.5 used to do some EQ, adjust levels and split tracks. 2 flac  
63. 06/11/24 Victoria Hall - Stoke-On-Trent, UK A Source : Master audience recording Lineage : Tascam DR-05 (Internal mics 24/48) > Audacity (fade in/out, track splits, amplify +4.1dB) > WAV (16/44.1) > TLH(FLAC level 8) 2 flac  
64. 06/19/24 O2 Apollo - Manchester, UK A+ Sound Professionals SP-CMC-8 Microphones Sound Professionals SP-SPSB-11 Mini Battery Module with Bass Roll-Off (16Hz) Edirol R-09HR 44.1kHz / 16 bit CD Wave Editor>Trader's Little Helper>FLAC level 8>Dime 2 flac  
65. 06/22/24 The Glasshouse - Gateshead, UK A+ Core Sound Binaural Microphone Set (Fixed Flat Response) -> Tascam DR-05 (44.1KHz / WAV 16 bit) -> Cubase Pro 10 + various EQ and whatnot/Audacity/Traders Little Helper Taper didn't show lineage this is what he was using on all of his posts so it may be correct or not 2 flac  
66. 06/24/24 Wales Millennium Centre - Cardiff, Wales A Lineage: Sound Professionals SP-CMC-9 cardioids > SP-SPSB-20 > Edirol R-07 (@24/96) > Cool Edit Pro 2 > CDWave > TLH Recorded 20' back, in line with house right stack 2 flac  
67. 06/25/24 The Lighthouse - Poole, UK A Lineage: Sony ECM-717>Yamaha Pocketrak 2G>USB>Audacity (no EQ used)>Traders Little Helper-SBE's fixed 2 flac  
68. 06/26/24 Brighton Dome - Brighton, UK A Sonic Studios DSM-6>PA6-XP>Tascam DR100 MkIII> Wavelab>CD Wave Editor>FLAC Level 8 An EBR Recording 2 flac  
69. 06/29/24 Royal Albert Hall - London, UK A+ Core DPA 4060>Core Battery Box>Tascam DR-05X> Wavelab>CD Wave Editor>FLAC Level 8 2 flac  
70. 07/04/24 L'Olympia - Paris, France A+ recorded from the back of the second balcony. Zoom H1 (48/24) + Zoom h4N (48/24) + samsung s21 fe (lossy aac 256/48) -> cakewalk -> wav -> LTH -> flac Main source is zoom. I added from my phone to get slightly clearer mediums. 2 flac  
71. 07/16/24 Kasematten - Graz, Austria A Linage: Edirol R-05 (internal mics) > Wavelab6 > EAC > FlacFrontend > Flac Level 5 2 flac  
72. 07/19/24 Piazza Della Loggia - Bresicia, Italy A (MRDR Master Series Volume 108) Recording: Sony ECM717 > Sony MZ-R700 MD Transfer: MiniDisc Master > .wav file > iZotope RX 8 / ozone 9 (mastered) > xACT 2.50 > FLAC 2 flac  
73. 07/31/24 Stadtpark Open Air - Hamburg, Germany A+ CA-14 (card) > SP-SPSB11 > Sony PCM 10 (24bit/96khz > Secure Digital SD-card>USB2.0 Interface>soundforge/audioedit>Wav-Splitter>flac.frontend lev.8>flac 2 flac  

One Of Those Pink Floyd Tribute Band  
  Date Venue - City, State Sound Rating Notes Media  
1. 07/11/21 Die Kantine - Koln, Germany A+ Minimax-master-series #1307 Master - Audience recording recording position: front "row", a bit on the left side, Zoom/Mics on the table Equipment: Zoom H4N with Sound professional microphones SP-CMC-8 sound-quality: excellent 3 flac  

P-Floyd  
  Date Venue - City, State Sound Rating Notes Media  
1. 07/07/07 The Barn - Slog, Sweden A Lineage: SP-CMC-8->Zoom H4->Sound Forge->FLAC 3 flac  

Pigs On A String  
  Date Venue - City, State Sound Rating Notes Media  
1. 11/04/23 Earth Brewing Company - Roswell, GA a- Neumann KM 150’s > V-3 > Sound Devices 744 24/96 > Logic Pro > Sound Studio > xACT Recorded and Seeded by David Dyche Lot of background chatter thats why an a- 2 flac  

Pigs On The Wall  
  Date Venue - City, State Sound Rating Notes Media  
1. 09/15/18 Redneck Country Club - Stafford, TX A "Thanks for the Lime" Sony HDR-PJ260 Handicam MP4 > ShotCut > FLAC 100% 2 flac  
2. 08/02/23 The Post HTX - Houston, TX B++ Apple iPhone 5 internal microphone > Voice Record Pro > Gain -7.14 > WAV > ShotCut (fades and splits) > FLAC 100% This was my second time seeing Pigs on the Wall and my second time at the Post HTX and the band and venue were fantastic! I got there early and got the table in the back of the floor dead center. The sound came out excellent with the phone on the table pointed at the stage as most people were sitting down in front of me and nobody stood in front of me. People were walking by in front of the table but I don't think it affects the recording. I invited the sound engineer to share my table so that they could watch my stuff when I would leave to get a beer, etc. He said a couple of things to me here and there which got picked up but it is not too bad. There are a couple of parts of the show where the audience got loud but the music still comes through. The sound engineer said that the band would be stopping at 10PM so at 10:04 I thought the second to last song was the last song and stopped recording, and so I missed the start of the last song, hence the title of this recording. Iphone and crowd talking near taper 2 flac  
3. 03/21/25 Post HTX - Houston, TX 7.5 Apple iPhone 5 internal microphone > Voice Record Pro > Gain -7.14 > WAV > ShotCut (fades and splits) > FLAC 100% some crowd noise 2 Flac  

Pink Floyd http://www.pinkfloyd.com
  Date Venue - City, State Sound Rating Notes Media  
1. ??/??/39 "Let There Beeb More Light" - Various, England AA Echoes The History of Pink Floyd 6 disc set with artwork . Music and interviews. Westwood One. 6 flac  
2. ??/??/39 Saarlandehalle - Saarbrucken, West Germany A LP > Zoom H2n (24/96 Wav) > Flac (Level 8) This is a raw rip of the clear vinyl reissue lp that started showing up around 2018 or so. The album is hand numbered, and this copy is number 155 or 166, if we are to believe that. I have left all four sides of the LP intact as four long wav files, and I have not processed the files in any way. Bear in mind that my turntable is not the best, but this file set should work as a good reference for anyone reasearching this date and the different versions available. I have also included some photos of the album sleeve and the discs themselves. Pictures of Pictures of Pink Floyd. 2 flac  
3. ??/??/67 Total Eclipse- various live/studio 4-disc set - Unknown, Unknown a-   4 flac  
4. 05/06/68 Palazzo Dello Sport - Rome, Italy A Continuing my never-to-be-quenched thirst for vinyl, here's a great offering from the European anti-CD label Sodium Haze Records. Pressed in perhaps batches of 50-100 pieces (correct me if I'm wrong there), your chances of snagging one are very limited... you'd better not blink or it will go away. Side one features three tunes from the "Rome Goes Pop! program(me): Astronomie Domine, Set The Controls For The Heart Of The Sun, and Interstellar Overdrive. The first two tracks are sourced from a VPRO-FM radio rebroadcast on 1988-04-29. The third track is an audio rip from the television broadcast on ARD TV (West Germany) from 1968-05-18. The quality is simply stunning. This is a 2 side vinyl reproduction 1 flac  
5. 06/05/68 Piper Club (1st International Pop Festival) - Rome, Italy A Source: fm > unknown > cdr > shn 1 flac  
6. 03/27/69 St. James' Hall - Chesterfield, UK a-   2 flac  
7. 05/09/69 University Of Southampton - Hempshire, England B++ Lineage: C-90 Cassette(0) > Reel to Reel tape (0) > DAT(0)(48kHz) > wav (16bit/48kHz) > flac (16bit/48kHz) Playback Deck: Reel to Reel Tape - Revox A77 4-Track (azimuth adjusted) / DAT Tape - Fostex D-5 (even recording) This is the raw files, no processing was applied, nothing's changed. The Reel to Reel tape was transferred to DAT June 1995 The DAT tape was transferred to wav April 2016 2 flac  
8. 05/12/69 Paris Cinema - London, England A Continuing my never-to-be-quenched thirst for vinyl, here's a great offering from the European anti-CD label Sodium Haze Records. Pressed in perhaps batches of 50-100 pieces (correct me if I'm wrong there), your chances of snagging one are very limited... you'd better not blink or it will go away. Side one features three tunes from the "Rome Goes Pop! program(me): Astronomie Domine, Set The Controls For The Heart Of The Sun, and Interstellar Overdrive. The first two tracks are sourced from a VPRO-FM radio rebroadcast on 1988-04-29. The third track is an audio rip from the television broadcast on ARD TV (West Germany) from 1968-05-18. The quality is simply stunning. Side two is pre-FM sourced from the program(me) John Peel's Night Ride: Granchester Meadows (Daybreak), Cymbaline (Nightmare), Green Is The Colour (The Beginning/Beset By Creatures Of The Deep), and The Narrow Way. The last track is of mention as it contains vocals. For those of you unfamiliar with the extra titles, these tracks were performed on the road during 1969 as part of a concept piece "The Man and The Journey". The versions presented here are notable for their differences from the normal concert routine. The sequence of songs on this album are simply superb. Hope you like it. Lineage: LP->Echo Layal 3G->Sound Forge 6.0 ->light brushing with click and crackle removal tool -> Flac via TLH, level 6, sectors aligned and verified, track integrity checked and verified. 1 flac  
9. 08/09/69 Paradiso - Amsterdam, Netherlands A+ SB > unknown tape gen > WAV > FLAC Someone graciously offered me this little golden nugget to torrent. Donated anonymously in order to protect future trading sources. Reportedly taken from the soundboard of the gig, this is a passage from Povey's ITF book on that performance: "Hilversum 3 Radio were recording this show for a future broadcast, but after a microphone failure early in the show the band were forced to perform an instrumental set and as a result the show was never broadcast" So we've got a short set of 4 numbers with absolutely no vocals, but the SQ is amazing, even before you take the age of the recording into consideration. 1 flac  
10. 09/17/69 Concertgebouw - Amsterdam, Netherlands A   2 flac  
11. 10/25/69 Festival Actuel - Mont de l'Enclus - Amougies, Belgium B+   2 flac  
12. 12/06/69 AFAN Lido Indoor Sports Centre - Port Talbot, Wales A Lineage: Cassette Master> Maxell UDXL II Cassette > Nakamichi 700> Cakewalk UA-1G > Audacity 1.3 > Wav (24bit/96kHz) ----> Samplitude10 (32bit float/96kHz) > Wav (16bit/44kHz) > CDWave (1.98) > FLAC ***Lord Snooty's Notes*** This tape originates from NJ whose name I had seen in old copies of 'Terrapin' so I asked the late Bernard White for his address. I contacted him in the early 90's and he sent me this tape which was the only part of his master remaining. I subsequently made a DAT copy of a cassette that was 'doing the rounds' labelled Aberavon. This additionally included STC and was from the same source, this was of unknown gen, but was given to me to transfer as a 2nd gen copy, although I have no evidence of this. I seem to recall that yyz a member of this forum was involved in lending this 2nd gen tape to a mutual friend so he may have some additional info. There is a 3rd tape of lesser quality which appeared briefly some years ago with a bit more content and also a small snippet of ASOS on 8mm film. ***Littlepieces' Mastering Notes*** This is a mono recording that was processed as two channel stereo. The left channels output is generally 1.6db higher than the right and the recording has a small phase shift of about 4 samples most of the time. The level of the first 70s is lower than the rest of the recording and the entire recording is running a bit fast. I manually aligned the channels to correct the phase shift, increased the gain of the right channel 1.6db, adjusted the speed, and removed a few noises. Other than the 1.6db gain increase in the right channel, the gain of the first 70s was not increased in order to match the level of the rest of the recording. The magnitude of the increase would have required the reduction of a significant hiss increase in order for it to be mostly transparent and that sort of process is not appropriate for a release of this nature. It's interesting to note that on the first 50s of the common 2nd gen, the left channel is almost completely dropped out. Of course, like all versions of this recording, it has some overmodulation/distortion during the higher output segments, but it is a definite improvement on the common 2nd gen, clearer and with less hiss. Unfortunately, as noted, this transfer is missing STC. The correct order for the concert is: Astronomy Domine, Green Is The Colour, Careful With That Axe, Eugene, Interstellar Overdrive, Set The Controls For The Heart Of The Sun, A Saucerful Of Secrets. 1 flac  
13. 01/18/70 Fairfield Hall - Croydon, UK a-   2 flac  
14. 01/23/70 Theatre des Champs-Elysees  - Paris, France a- 1970-01-23 Waters Gate (orig french press) vinyl rip_1644 --------------------------------------------------------- * 44.1Khz 16bit version * lineage: 1st original french press "Waters Gate" LP > FLAC 192Khz 24bit > WAV 192Khz 32bit float > Restorations (*) > downsample and dither > WAV 44.1Khz 16bit > split into tracks > FLAC 44.1Khz 16bit (*) Restorations : - declick (manual and automatic) - removed ultrasonic broadband noise from ~60Khz to ~96Khz - speed correction - gain adjustments date: january 23th, 1970 venue: Theater Comedie Des Champs Elysees, Paris, France source: AM radio b/c (source/recorder 1) 1 flac  
15. 02/11/70 Town Hall - Birmingham, UK B+   2 flac  
16. 02/11/70 Town Hall - Birmingham, UK A Pink Floyd 1970-02-11 Birmingham, 2nd gen stratcat58 tapes (16bit/44.1kHz) Pink Floyd Town Hall, Birmingham, England 11 February 1970 Lineage: 2nd gen Maxell XLII-S and XLII cassettes (bet.1992-96) > Technics RS-B565 > Focusrite Saffire Pro 14 > Reaper v4.76 > FLAC (24bit/96kHz) > vince666 > header change to 88.2 Khz > WAV 88.2Khz/32bit float > speed correction > WAV 88.2Khz/32bit float > resampled to 44.1Khz and dithered to 16bit > WAV 44.1Khz/16bit > track splits > FLAC 44.1Khz/16bit 1. The Embryo .................................. 11:50 2. Main Theme From More ........................ 11:29 3. Careful With That Axe, Eugene ............... 10:12 4. Sysyphus .................................... 11:39 5. Heart Beat, Pig Meat ........................ 5:46 6. Oenone ...................................... 6:19 7. Moonhead .................................... 4:21 8. The Violent Sequence ........................ 7:59 9. Set The Controls For The Heart Of The Sun ... 13:36 10. The Amazing Pudding ......................... 22:57 Total running time 1 hours 46 mins 14 secs *Neonknight's notes* We believe that this is the best copy yet of this great show. Stratcat58's 2nd gen is smoother, closer and more detailed than the 3rd gen we torrented in July. It also has better high end. From the outset it is apparent that the cymbals and hi-hats appear where they were previously buried; always a good sign. In fact you can follow all the instruments more clearly, including during the quieter passages which are less dominated by hiss than our previous copy. Side B's TAP on the 3rd gen ends fractionally later than the 2nd gen so the 3rd gen cannot be a copy of this 2nd gen version. The third gen's lineage was master (probably a cassette) > reel > reel > Nak Dragon > stratcat58's cassettes. Stratcat58 arranged a loan of the 2nd gen cassettes and the lineage for them is master > reel > Nak Dragon > cassettes. Stratcat58's source's source (the owner of the 1st gen) visited with his reel many years ago and our man made two copies, one to cassette and the other to reel. The reel was the source of the 3rd gen cassette that we posted. It's as though two gens have been shaved off, not just one, for this Nak Dragon provenance. The audience chatter before The Embryo is more complete on some other copies e.g. the taper's comment at the very beginning of the recording, "I can't get the hang of his thing", is not present here. Additionally, the opening to side B, Heart Beat Pig Meat, is a bit steadier on lordsnooty's tapes than stratcat58's and his copy has some extra tuning. Stratcat58's tapes are fuller and closer than the lordsnooty version but his copy is cleaner. It's best to keep both! The taper was probably towards the back of the auditorium and possibly had their recording levels set low, at least some of the time. The way the high end falls off indicates that basic equipment was used. The recording levels have probably been subsequently optimised during copying. It's difficult to draw any clear conclusions about the Town Hall's acoustics but they may well have contributed to the overall ambience of this recording. Those not familiar with it might be a bit put off at first but my experience is that it ceases to be distracting when your ear dials into the sound. If you are outside of the UK or have never been to Birmingham it's worth taking a moment to to get a feel for the Town Hall's neo-classical architecture by looking it up on wikipedia. Internal pictures from the time suggest that the hall was quite long and slim with a balcony at the end furthest from the stage. As I mentioned in the 3rd gen text file, here the Floyd are recycling material from the Zabriskie Point sessions and working out what to do next. Little memorabilia from the concert appears to exist. The only thing I could find was a ticket on google image search. I tried contacting the Friends of Birmingham Town Hall in 2012 and they were unable to assist. 11 February 1970 was a Wednesday and the concert started at 19.45. It was promoted by big name promotor Roy Guest, who had joined NEMS Enterprises in the autumn of 1968. Most copies of the concert from the late 1970's onwards started out from a major tape collector in San Diego who sold and traded using low quality unbranded cassettes. His collection was passed to another collector who continued distributing tapes and then another one after that. There is also a guy from Wales, DT, who was probably the source of the San Diego trader in case anybody reading this recognises themselves or can offer a lead. The guy who owned the 1st gen reel that was the source for the tapes used for this release retired from trading and moved away. *Vince's mastering notes* Most of my notes are going to be the same as what i've just described for the previous work on the 3rd gen cassettes, since they have many things in common... so, i start by "recycling" a few points from there, which are perfectly true for these new cassettes, too... especially the point which brought me to choose the final 88,2Khz sample rate for the both of them. This recording did run very fast so, before actually performing the classic speed correction process, I made a header change to 88.2Khz which automatically "forces" the audio to play at a lower samplerate (and then at a lower speed) without actually altering the samples, so, i preferred to perform this header change to simply bring the recording much closer to the correct speed with no true resampling (and digital speed correction is a resampling process). But the choice to switch to 88.2Khz needs that the whole recording will need to stay at this new samplerate (but a good point of the 88.2Khz samplerate is that the conversion to 44.1Khz to make a CD version is more easy/transparent than when you go from 96Khz to 44.1Khz, which would involve much more complex maths to do the trick as 96000 isn't a multiple of 44100). So, with the recording played at 88.2Khz, and then much closer to a correct/reasonable speed, i finally started to think about the classic speed correction process, and it must be noted that the 88.2Khz header change alone did bring the first 9 minutes (or so) of "The Embryo" just to a quite correct speed (within a very small error I will explain later in more detail) so these first minutes weren't subjected to any resampling process as I simply left them alone as they sounded quite right that way... but let's go to the actual work I did... First of all, I must say that this recording isn't just the typical "easy" speed correction work as the speed varies a lot of times throughout the whole recording and, moreover, there are a whole lot of slight speed fluctuations and also a noticeable amount of wow and flutter (and my guess is that the W&F just belongs to the previous generations of this recording, as I seem to remember it's present on any versions of this gig). But, this time, I did choose to work in an even more careful and meticulous way as on the previous one... so, in the first moment, I simply checked the speed virtually second by second by trying the needed corrections "on the fly" without applying them and so I mapped the whole recording with a lot of markers to put in evidence all the segments which needed to be corrected differently (with a lot of markers I mean a few hundred markers!). This way, with this very detailed map of the recording, I could actually correct both the "overall" speed and the small/sudden fluctuations with the first (and only) processing pass, small segment by small segment (at times, tiny segment by tiny segment). On the contrary, on the previous 3rd gen, to make the work a bit easier, I had made a first "overall" correction applied on relatively long segments and then I addressed the short fluctuations within the same "just corrected" segments while applying a second correction process over the first one. And so, the much longer and detailed checking work I had made before brought me to the final result by also processing the recording the least possible... but, actually, after I finished the whole work and was finally making a properly relaxed listening, I caught a handful short things which at that point I did correct in a second processing step... but, hey, it's a matter of a few minor things here and there which are 1 second long each, at max... so not really a big deal, but these few "extra" corrections may have been a bit distracting while listening (or, at least, they were definitely distracting to my ears)... Thus, the result of the processing itself is still more "transparent" than on the previous 3rd gen and, after all, this 2nd gen is a better sounding source just as a starting point. But, since the Birmingham recording is perhaps the most "difficult" in terms of fluctuations and tape related problems of the whole PF recordings story, of course there are still small/light fluctuations here and there and there is still the infamous wow and flutter (more noticeable on some songs, less noticeable on others). I will explain the wow and flutter and the "within a small error" point in more detail... After the initial header change, the first nine minutes of The Embryo came gracefully extremely close to the right speed... I mean that they may still be a hair fast (with "a hair" I mean a fraction of a percentage, say around 0,5%) and it would have been unwise to subject them to processing for such a tiny difference, since they just sounded very nicely in raw shape... and, while trying to find the best correction ratios for this recording I could experiment a few interesting things myself... the wow and flutter may appear to be more noticeable than on some other sources, not certainly because there is more or a deeper wow and flutter oscillation, but simply because the sound is clearer and better defined, so the instruments are more clear and detailed and, of course, the wow and flutter might also be heard more distinctly... if you think about it, the wow and flutter is a continuous and quite periodic speed fluctuation and the clearer you can finally hear the instruments, the clearer you will also detect the W&F, because if you have a confused and muffled sound, you will have the W&F somewhat masked just by the less defined sound itself, since the speed oscillation is detected just on the actual "useful" content and not on the hiss or on the background noise or on any other "non music related" noises. So, in other words, we have better sound and so we can "appreciate" the flaws of this recording in a "better" way and, anyway, I'd prefer to see quite only the "half full" glass of a better sounding tape anyday! The second point I'd like to mention is a sort of an easy way to tame what i've just explained here above about the W&F... in fact, I noticed that, when there is a noticeable continuous W&F speed oscillation, if I keep the overall speed a hair faster then the W&F speed fluctuation oscillates in a speed-range which, for example, goes from the correct speed to a hair fast or, anyway, it ranges mostly on the faster side... and, to my ears, such situation sounds noticeably better than if I try to put the overall speed to the "correct" value and leaving the W&F oscillation ranging also to the slower side as it definitely gives me the impression of a tape machine losing some power and I found it very annoying... so, in general, I tended to stay a hair fast throughout the whole recording because it makes the W&F much less annoying... so, a small error (around 0,5% or so) to the fast side sounded noticeably better than a "just exact" overall speed... and I add that, with the W&F and some minor fluctuations still present, it makes not really sense in talking about the "perfect" speed but it may be much more useful to directly stick to something which makes the recording more enjoyable, which is just what I tried to do. And, believe me, it needed quite a bit more work than the 3rd gen to make the recording how it is now and with the lightest hand I could in applying processing individually on hundreds of small to tiny segments... so, as the other 3rd gen one, at a certain (even longer to arrive) moment, I simply decided to stop working and consider it ready otherwise i would have risked to never finish to work on it as these Birmingham recordings are just those which you could keep improving for years and with countless hours of meticulous manual editing. So, the speed may still be not just perfect at moments and the W&F is still there but, hey, to my ears this time I finally have the impression of being phisically there attending the gig and it's indeed a nice upgrade in sound quality over any other circulating versions, including the recent 3rd gen cassettes which just sounded like a sort of miracle when they finally surfaced only a few months ago. No other kind of processing was done, so no level changes, no normalization, no NR, no EQ, etc... Stratcat58 cassettes / Neonknight tape transfer / Vince666 mastering, October 2017 2 flac  
17. 02/28/70 Leeds University Union - Leeds, Yorkshire, UK A MASTER REELS > DAT @48KhZ/16bIT > WAVE (PROTOOLS) @48KhZ/16bIT 2 flac  
18. 03/12/70 Auditorium Maximum - Hamburg, West Germany a- Vinyl LP (condition - Mint) > Technics SL-1200MK5 > SF10 > WAV > FLAC > 24/192 2 flac  
19. 03/12/70 Auditorium Maximum - Hamburg, West Germany A There are 2 versions that I have. Both are very good * 44.1Khz 16bit version * lineage: 1st press german Big Pink (SMML) LP > FLAC 192Khz 24bit > WAV 192Khz 32bit float > Restorations (*) > downsample and dither > WAV 44.1Khz 16bit > split into tracks > FLAC 44.1Khz 16bit (*) Restorations : - declick (manual and automatic) - manual decrackle on a few spots - removed ultrasonic broadband noise from ~60Khz to ~96Khz - speed correction - gain adjustments (included also the mono version) date: march 12th, 1970 venue: Kleiner Saal, Auditorium Maximum, Hamburg University, Hamburg, Germany 2 flac  
20. 03/13/70 Audimax der Technische U - W. Berlin, West Germany a- Lineage: 2nd gen cassettes (Maxell XLII 90) > *Technics RS-B965-M > Focusrite Saffire Pro 14 > Audacity 2.0.3 > FLAC (24bit/96kHz) > Bert13 > TLH > WAV (24 bit/96kHz) > Adobe Audition 3.0.1 32 bit float/96kHz (see mastering notes below) > FLAC(24bit/96kHz) xACT used to create FFP *The Technics RS-B965-M is a modified deck - for details see the Tapeheads.net forum 2 flac  
21. 03/14/70 Meistersinger Halle - Nürnberg, West Germany A+ http://www.hokafloyd.com/CD3/Massed_Gadget_Of_Hercules/The_Massed_Gadget_Of_Hercules_1970_1974.htm PF - The Massed Gadgets Of Hercules 1970 – 1974 - Godfather GR BOX 09 Several Species Of Some Unique Performances Gathered Together In A Box And Making A Joy Fantastic 10 CD Box-Set with five shows. INCLUDING: 5 Double Trifold Cardboard Sleeve CDs (Pictured) • 28 PAGE BOOKLET (Scans here) • 1972 US TOUR BOOK REPLICA disc 1 & 2 2 flac  
22. 03/14/70 Meistersinger Halle - Nürnberg, West Germany 8 lineage: Telefunken Magnetophon 301 master reel > wav > flac 2 Flac  
23. 03/15/70 Niedersachsenhalle - Hannover, West Germany A A remaster in 44.1k (CD resolution) from the 32k master for anyone who cannot play 32k audio files. Sample rate converted with Pro Tools highest quality setting. This will be desirable over the on-the-fly SRC built into many media players. Technically this is a LOSSY conversion in a higher quality format (any digital SRC is lossy). However, since the only way to listen to the master LOSSLESSLY would be with hardware DACs that support 32k, this SRC version done under controlled conditions may be desirable. Note that the filler tracks (OOTD,Echoes) from 5-21-1972 from the original DAT have not been included here as there are far better and more complete recordings available. 2 sources of different quality and unknown generation > 32k DAT > SHN > ProTools(SRC@44.1+levels) > AIFF > FLAC 1. Careful with that Axe, Eugene 2. Cymbaline 3. A Saucerful of Secrets 4. The Embryo 5. Interstellar Overdrive 6. Set the Controls for the Heart of the Sun 7. Consequently 8. Set the Controls for the Heart of the Sun (no eq version) 9. Consequently (no eq version) Notes from the 32k source: Its a 32khz version that appears to be or related to GBC's, described as follows. -littlepieces *********GBC comments********************************** 1ST GENERATION 32khz unprocessed Label -.- Date & Place Niedersachsenhalle, Hannover, Germany, March 15th 1970 Sound Quality Disc 1 is VG+, Disc 2 is EX- Source Audience Generation cass[1] > DAT(2)@32khz > SHN > WAV > Soundforge 8 (reindex) > Cdwave (split) > FLAC@32khz Disc 1 (55:04m) 1. tunings (0:29m) 2. CAREFUL WITH THAT AXE, EUGENE (8:14m) 3. tunings (0:29m) 4. CYMBALINE (8:32m) 5. tunings (0:16m) 6. A SAUCERFUL OF SECRETS (14:11m) 7. THE EMBRYO (9:14m) 8. INTERSTELLAR OVERDRIVE (13:38m) Disc 2 (30:43m) 1. SET THE CONTROLS FOR THE HEART OF THE SUN (11:43m) 3. THE AMAZING PUDDING (19:00m) Comments well i thought the other unprocessed sources were the best versions out there, but i was wrong. What a really nice surprise, this comes from a DAT@32khz (some other DATs at 48Khz were resampled from this one, so originally it is 32khz), and being 32khz or whatever, this sounds nice. Sounds brighter, clearer & louder than the other sources, specially StC & AHM which sound superior to the rest of the recording as on the other versions. Also, frequencies here look pretty nice really, and i dont hear this was processed at all. I received this as a long SHN dump straight from the DAT, it came with StC as first track as on many other versions, so i moved it before AHM to make the right setlist. Also, i removed 16 seconds of applause repeated at the end of IO. I have the original untracked/unedited SHN file if you want that. Now, about the imperfections of this recording. One thing about the 'swoshing cymbals' that are native to this recording, at first i thought that a pre-recorded tape was used cos on the louder parts you hear like 2 different bands playing, but i really think now that maybe the media the taper used was damaged, cos the sowshing noise and the 'pre-recorded' tape thing only appear on the louder parts. When the music gets quiet you dont hear anything strange noise or swoshing cymbales on the back, except the hiss. First 3 tracks are mostly damaged by this, but Embryo & IO are almost free of this imperfection. Now the interesting stuff. StC & AHM sounds clearly different, brighter and better defined than the rest of the recording. The announcement before AHM is from the main source, you can hear the sudden change of sound. I have many theories about this, but the fact of that patch on the announcement before AHM makes me think this is from 2 different recorders (StC & AHM being recorder 2 and the rest being recorder 1). Of course. We've seen too many releases of recordings that are patches from 2 recorders, like 1972-11-15 or 1972-10-21 where one recorder was used for the music mainly and the other for the audience/chatter parts. I think this is another case, but i dont have any more info about this apart of my research. About the performance, this is one of my favorites shows, they were really on fire that night. -gbc ************************************************** **************** This originally had STCFTHOTS as track 1. but... The trackorder has been changed and is not correct. According to 'In The Flesh' by Povey and Russell the correct order should be: Astronomy Domine/Careful With That Axe, Eugene/Cymbaline/A Saucerful Of Secrets/The Embryo/Interstellar Overdrive/Set The Controls For The Heart Of The Sun/The Amazing Pudding (Consequently) Considering setlists of the period, consistent sound quality of STCFTHOTS and Consequently vs the rest, the extra isolated applause bit after IO applause cuts off which suggests the removal of a song, the above comment sounds reasonable. I can also see someone making a production decision to open the disc with one of the better sounding tracks vs audience banter from the lesser source since the alleged opening song is missing. So that's the track order I went with. Additional remaster notes: In ProTools the files were sample rate converted to 44.1k with the highest quality settings. The lever dropped drastically early in track 1 on the master. This was corrected. All level correction in the positive direction with no limiting of any kind. STCFTHOTS and Consequently have a loud 240Hz tone in the recording (likely some artifact from the original recorder or subsequent dub). This was reduced with Waves Linear Phase EQ. Un-eq'd versions are included as extra tracks. Some very loud microphone bumps were removed from CWTAE. The little repeated bit at the start of Embryo and other "silent" pauses removed. The master is a 32k recording which means a top frequency responce of 16kHz. ANY digital eqing in the high end tends to do more harm than good in these types of recordings IMHO. Thanks to the many people involved from taping to transferring, sharing and note taking. As usual, no selling, share with everyone and try not to molest the poor thing any further with mp3. JFE 2008 2 flac  
24. 03/20/70 Akademiska Foreningens, Stora Sal - Lund, Sweden a- Original lineage: Cassette (master) > DAT (3) @48khz > CDR (2) > SHN Speed correction: SHN > WAV > Audacity > FLAC level 8 2 flac  
25. 03/20/70 Akademiska Foreningens, Stora Sal - Lund, Sweden A Reeling In Pink Floyd" DVD 2 - Tape 3: 1970.03.20 Akademiska Foreningens, Stora Sal, Lund, Sweden original source/lineage: audience / cass[M] > DAT@48khz > wav > shn@48khz new source/lineage: audience / cass[M] > DAT@48khz > wav > shn@48khz > wav > Adobe Audition 1.5 > TLH > flac@48khz 1 flac  
26. 04/11/70 Gymnasium, SUNY - Stony Brook, NY a- Pink Floyd – Mind Your Throats Please - In Concert 1970 Not On Label (Pink Floyd) – PFA702 15 x CD, Compilation, Deluxe Edition, Limited Edition, Numbered, Unofficial Release 2 flac  
27. 04/22/70 Capitol Theater - Port Chester, NY a- Pink Floyd – Mind Your Throats Please - In Concert 1970 Not On Label (Pink Floyd) – PFA702 15 x CD, Compilation, Deluxe Edition, Limited Edition, Numbered, Unofficial Release 2 flac  
28. 04/29/70 Fillmore West - San Francisco, CA A Silver 2CD > EAC > wav > Adobe Audition (Remove Duplicates in Disc 2 track 1) > TLH > FLAC Rec1+2+3 (the longest composite of three sources.) Recorder 1: Mono ambient mics recorder. Also known as soundboard. (Bert13's revision) Recorder 2: Stereo audience: STCFTHOTS, ASOS, IO (Bert13's revision) Recorder 3: Randy reels (1/4" Reel to Reel 3-3/4IPS > CD-R) This is the complete version of the revised Bert13 version of Fillmore West patched with recorder 3. All the unpleasant noises that existed at 12kHz have been removed and the sound is very easy to hear. I think this is the best version of Fillmore West. 2 flac  
29. 04/29/70 Fillmore West - San Francisco, CA a- Pink Floyd – Mind Your Throats Please - In Concert 1970 Not On Label (Pink Floyd) – PFA702 15 x CD, Compilation, Deluxe Edition, Limited Edition, Numbered, Unofficial Release 2 flac  
30. 04/30/70 KQED TV Studios - San Francisco, CA A Pink Floyd – Mind Your Throats Please - In Concert 1970 Not On Label (Pink Floyd) – PFA702 15 x CD, Compilation, Deluxe Edition, Limited Edition, Numbered, Unofficial Release 2 flac  
31. 05/01/70 Santa Monica Civic Auditorium - Santa Monica, CA A Taper: Dub Taylor Recording equipment: Nagra R2R > 5" Reel Master Playback: Tandberg R2R > Revox B-77 > M.M.'s 1st Generation Reels Transfer: Reel[1] > Sony DAT > DAT(0) > Audigy 4 Pro > Nero Wav Editor > CDWav > CDR(0) > CDR(1) > EAC > FLAC 2 flac  
32. 05/01/70 Santa Monica Civic Auditorium - Santa Monica, CA a- various 2 flac  
33. 05/01/70 Santa Monica Civic Auditorium - Santa Monica, CA a- various 2 flac  
34. 06/27/70 Bath & West Showground - Shepton Mallet, UK a- Pink Floyd – Mind Your Throats Please - In Concert 1970 Not On Label (Pink Floyd) – PFA702 15 x CD, Compilation, Deluxe Edition, Limited Edition, Numbered, Unofficial Release 2 flac  
35. 06/28/70 Kraalinge Bos - Rotterdam, Netherlands a- Pink Floyd – Mind Your Throats Please - In Concert 1970 Not On Label (Pink Floyd) – PFA702 15 x CD, Compilation, Deluxe Edition, Limited Edition, Numbered, Unofficial Release 2 flac  
36. 07/12/70 Reiterstadion Soersfestival - Aachen, West Germany a- Pink Floyd – Mind Your Throats Please - In Concert 1970 Not On Label (Pink Floyd) – PFA702 15 x CD, Compilation, Deluxe Edition, Limited Edition, Numbered, Unofficial Release 2 flac  
37. 07/16/70 Paris Cinema - London, England A+ BBC Mono Master Source: BBC sound archive mono master Lineage: Master > DAT > CDR > Soundstudio > Shorten > SHN (also given as: Master > DAT(?) > CDR(?) > SHN) 1 flac  
38. 07/16/70 Paris Cinema - London, England 8.5 Lineage: Cartridge: Ortofon Rondo Red (MC) Turntable: Thorens TD165 MkII (modified with in-built symetrical 20dB MC pre-preamplifier) (RIAA) Amplifier: Denon PMA-1500R Loudspeaker set 1: Infinity Alpha 40 4-channel DI Amplifier: Behringen DI-4000 Mixer: Behringer Xenyx 1616FX Amplifier 2: Phonic DMX 2501 Loudspeaker set 2: Wharfedale EVP-S15 Headphones 1: Sennheiser HD 540 reference Headphones 2: AKG K-501 Audio-interface: E-MU 1616M PCI PC Hardware: Intel Core i7-920, 6GB RAM, 1x 640GB HDD (system), 1x 1TB HDD (data) Operating System: Windows 7 - 64bit Audio Editor: Adobe Audition 3.0.1 FLAC convertor: FLAC frontend 1.7.1 2 Flac  
39. 07/18/70 Hyde Park - London, UK a- Pink Floyd – Mind Your Throats Please - In Concert 1970 Not On Label (Pink Floyd) – PFA702 15 x CD, Compilation, Deluxe Edition, Limited Edition, Numbered, Unofficial Release 2 flac  
40. 09/26/70 Electric Factory - Philadelphia, PA A Electric Factory Master 48k - (Sept 26,1970 Philedelphia,PA) Ex (2cd) Comments: Aud- Master[Reel]>DAT(4)>FLAC48khz a transfer from DAT. the sound is the same as hrv. i suspect they used a DAT for their release. i do only notice one slight difference. this one has a tiny bit less hiss. hrv has a little more, maybe to increase the high end? anyway, this version is untouched. speed is ok. i wonder why AHM wasn't recorded. 102:05 transferred from DAT to PC digitally via Tascam DA-302 > S/PDIF > M-Audio 2496 2 flac  
41. 09/27/70 Fillmore East - New York, NY A Audience / Cass[Low]>CDR(?)>FLAC > WAV > Adobe Audition 1.5 (Minor Editing) > Cdwav (Track Spliting > TLH > FLAC ********************************************************************* FLAC Tags Via xACT 2.50 By OldNeumanntapr ********************************************************************* 1 flac  
42. 10/16/70 Pepperland Auditorium - San Rafael, CA A+ Sony TC-252 7" RtR > Reel[1] 1/4“ RtR Tape > Revox A77 RtR Deck > Tascam US-200 > Adobe Audition@32/96 > 24/96 > iZotope RX 2 Advanced > Voxengo HarmoniEQ > Samplitude X > TLH > FLAC 2 flac  
43. 10/23/70 Santa Monica Civic Auditorium - Santa Monica, CA AA Master source: 1 Sennheiser 805 shotgun microphone > Uher 4000 1/2 track R2R Recorder @ 7 1/2 ips on 5" diameter 3M Scotch tapes (recorded by Dub Taylor) R2R copy 1st generation Tandberg 9000X (playback) > Teac AN-180 Dolby > Revox B77 7" reel @ 3.75 ips (copied by Mike Martin) Cassette copy 2nd generation Playback Teac A-2300 no Dolby > Maxell XLII in unknown cassette deck no Dolby (copied by Rick Sheehy) Transfer: Nakamichi MR-1 (balanced) no Dolby -> Apogee PSX-100SE at 24 bit 96KHz Mastering in ProTools HD2 (by JFE) ******** Additional lineage:(all repairs by -M-) 2013 Audacity and Adobe Audition 3.0 (clean up & 16-44) 2015 iZotope RX4 Advanced (minimize tape squeaks and microphone bumps) & Adobe Audition 3.0 (combine all tracks) > CD Wav > TLC (Flac Level 8) song information embedded with Stamp ID3 tag editor clean up notes: These edits attempt to clean up the many technical blemishes found on this tape. I've made 4 different transfers of this recording over the years but I like JFE's transfer of Rick's cassette the best so far. The un-decoded Dolby sure makes for some clear sounding cymbals and in this case without a big hiss problem. This blemish clean-up was performed on each of my previous transfers. Finally became motivated to spend the time to do it again to this version. The tape flip patch in AHM was done this time by JFE and it is transparent (great job). The patch was created from earlier passages combined to fill the missing piece. Even though hundreds of small glitches were repaired there are still numerous audio disturbances remaining on this tape. In addition to the clean up the low frequencies have been increased to make this sound more like the R2R. There was some tape squeal in a few places that has been minimized using Izotope RX 4 advanced spectral repair tools (August 2015). Got some practice using the iZotope software. Crank up the volume and take this for a spin. It's a much smoother ride now. For historical reference only and not intended for resale or any commercial purposes. Hope you enjoy the results. -M- (October 2013 with additional repairs performed in August 2015) FLYING M PRODUCTIONS 2 flac  
44. 11/06/70 Concertgebouw - Amsterdam, Netherlands A The Flaming Cow In Concert (Lulubelle Goes To Concertgebouw) 16bit/48Khz LP Transferred on 2020-02-09: Denon DJ151 => Art Pro Audio USB Phono Plus => Adobe Audition Not too much information on the lineage from the cover. Unfortunately this is the maximum output we could achieve with the equipment at hand. This is transferred raw, did not apply any click and pop removal. 01 Astronomy Domine (Blue Side) 02 Fat Old Sun (Blue Side) 03 Cymbaline (Orange Side) 04 The Embryo (Orange Side) 05 Atom Heart Mother (Black Side) 06 Green Is The Colour (Purple Side) 07 Careful With That Axe, Eugene (Purple Side) 08 Set The Controls For The Heart Of The Sun (Red Side) 09 Saucerful Of Secrets (Yellow Side) 2 flac  
45. 11/07/70 De Doelen - Rotterdam, Netherlands a- Cass(1)>DAT(5)>WAV>FLAC 2 flac  
46. 11/07/70 De Doelen - Rotterdam, Netherlands 8.5 Lineage: Silver 2CD > EAC > TLH > FLAC Source 1: 4th Gen (Stratcat58 tapes) Source 2: 3rd Gen (Bert13 revision) The best quality 4th gen source is used primarily, and the missing parts are patched with 3rd gen source and edited to the longest version 2 Flac  
47. 11/11/70 Konserthuset - Göteborg, Sweden A Records were played on a Technics Sl-1200MK2 turntable, using a Layla 3G console directly into a Dell computer. There was no sound card used during the recording process (the Layla generates a virtual card). Music recording was directly processed by Sound Forge 6.0. Too much high-quality percussion existed within the recordings to use a vinyl restoration suite. A digital spot remover was used manually to remove the larger clicks and crackles, then an automatic remover was used afterwards. Results were real-time compared with the raw wav file, both by monitoring from the computer, and by auditioning a test-pressing on a home-theatre system. Unfortunately, there was a major flaw found in the vinyl on side one at around the 5:15 mark. That was 'jiggled' as much as possible after rerecording the entire side and starting over. Side Four (Pictures Vol 2, Side Two) presented special problems. As is generally known, the recording of Atom Hear Mother starts out fine, but gradually gets faster and faster. A map was made by consensus, of the many pitch changes relative to the beginning of the piece. Unfortunately, it isn't just a linear speed change, where it would be easy to "just slow it down". The pitch of known musical interludes was manually compared and adjusted via the Sound Forge "pitch bend" and "pitch shift" functions. It quickly got confusing and very complicated to do all the changes relative to one another, and about 15 seconds could not be totally corrected. After a while, keeping any adherance to any form of zero crossing had to be discarded. This is because the pitch shift did not always occur during a zero crossing, and nothing could be done about it. Sometimes you will hear a zero-crossing noise during the speed corrections. The end product is not perfect, no one involved was totally happy with it. To do better would have required starting over again, and it might not be any better after finishing. It is listenable to, however and is a major improvement over the original recording. The very slight pitch change of the end relative to the beginning of Atom Heart Mother *may* be part of the original performance. This is a different version of this song than the version on Volume 1! For you sticklers about original recordings, the original untouched fourth side is presented as track four A small amount of noise reduction was used on all record sides. Fortunately, the lowest level of the sound recording is way above the lowest level of surface noise. A sample was made of "dead space", both before and after the recording. The lower volume level was used to remove noise. No EQ of any sort was used. 2 flac  
48. 11/12/70 Falkoner Centret - Copenhagen, Denmark A Lineage: Shure SM57>Philips cass.recorder>cassm(Philips C90 low noise)>DAT>DAT. Transferred on a Tascam DA-20 in April 2020. Re-indexed in Fission. Length: 89:19m DAT acquired from German trader Roland R. circa 2005. The lineage is as I received it 15 years ago - Roland was pretty disciplined in keeping up with these things. Don't expect an upgrade but I noticed a 16/48 DAT was not being seeded here. Great November 1970 show! 2 flac  
49. 11/13/70 Vejlby Risskovhallen - Århus, Denmark B++ Lineage: Low Gen Cass> Sony TC-WE475 dual deck> stereo sound card (Maddog Predator 5.1 DSP)> Dell SoundMax (ADI 198X integrated audio driver)> Goldwave> CD Wave> FLAC. 2 flac  
50. 11/14/70 Ernst-Merck-Halle - Hamburg, West Germany A The source for this CD-r release is a reel to reel tape recorded at 3 3/4 ips. I received it in trade from a guy in Chicago. This was one of the first shows I ever received in trade. I got it early in 1973. At that time it was only identified as Germany 1970. Many years later another tape trader told me he thought it was a fairly rare, low generation recording of 1970-11-14 Ernst-Merck Halle Hamburg Germany. There are some bad edits on the reels I have. The sound made by releasing the pause on a reel to reel deck. I have left these intact for the most part since they also contain some program material. A few years ago I did the first analog to digital transfer of this tape. I gave it out to one person and they copied and traded it. For this new release I have remastered it from my reel to reel tape. I think it's better than the first one. Mics and recorder unknown > generation unknown Reel to Reel Scotch 207 recorded at 3 3/4 ips > Playback Deck: Akai GX-747 > Nikko 32 Band EQ > Akai DR16 Digital Hard Disk Recorder > Sony PCM-R500 DAT Recorder > Sony DAT Tape > HHB CDR-800 Compact Disc Recorder > HHB CDR > WAV > SHN 2 flac  
51. 11/21/70 Altes Casino - Montreux, Switzerland A+ Source: Audience Sound Quality: EX/EX+ Lineage: Claimed Master Reel > DAT(0)@48khz > WAV@48khz > SHN@48khz Total time = 142:24m (has 20 seconds of silence so actual timing is around 142m) 2 flac  
52. 11/21/70 Altes Casino - Montreux, Switzerland A+ Source 1: g_b_c, "Embryonic Madness" PinkRoioShn-CDR-026 (PRS-CDR-026) Lineage: Recorder 1 / cass[M] > cdr(?) > shn > wav > Adobe Audition 1.5 (minor editing) > cd wav (tracking) > TLH > flac Source 2: Recorder 2 Lineage: Cass/1 > DAT/2 > cdr/? > EAC > wav > shn 2 flac  
53. 11/22/70 Altes Casino - Montreux, Switzerland A+ Lineage: 2 x Sennheiser MD-421 > Uher 4200 reel recorded at 19 ips > Audio CD > EAC > FLAC The taper, Victor, used the following setup to record both shows: 2 x Sennheiser MD-421 > Uher 4200 reel recorded at 19 ips. Concerning his rig at the time, he had the following to say about it... "I had my UHER "custom unbuilt" in multiple parts, so I could sneek it in more discretely. Then I built a whole "neck-holder" (like the ones Bob Dylan'd use to hold the harp), a heavy construction sewed in a tough-tissued jacked (often way to hot to bear at concerts...) and the two mics were placed niftily beside each ear hidden by the dutiful long hear..." He said he has never released these shows directly from the master tapes, but did say, specifically concerning the 11/21/70 show, that “the ‘compilations’ I spoke about, we made them on cassettes only, so if it's the compilations circulating, it very much looks like that probably somebody copied them from these cassettes = 2nd or even 3rd generation.” He did mention that he used to have a number of parties and that, quite likely, what we have in our collections comes from someone copying this “compilation” tape, which would mean that most lineage we have could possibly be bogus. Him and a buddy of his would usually record the same show and then combine their smaller, 13cm reels into a large reel by splicing their masters together. He describes their method as follows... "Since we had both a Revox at home that can take the big reels as opposed to the UHER which can only take 13 cm spools and one big reel can hold up to 3 (or 4) small spools, we always recorded on the UHER Side 1 of spool A, and then Side 1 of Spool B and then Side 1 of Spool C and then Side 1 of spool D and then continued the recordings (either he or me) continuously on Side 2 of Spool D and then Side 2 of Spool C and then Side 2 of Spool B and then Side 2 of Spool A. When all spools were full, we scotched them together on one big reel... We never wasted expensive tape to copy onto. Especially since we're really buddies (from childhood), if either one of us wanted to listen to the tape, he'd have it, no problem. So why bother copy (except excerpts on cassette)?" The transfers required Victor to do some repairs to his reel deck and bake the tapes, which he said took him about three days. These are the raw files as received. MOB will be creating a definitive version for Harvested in the near future patching all the missing bits from an alternate recorder. Please DO NOT REMASTER or share on DIME (I will be doing that as soon as we get some seeders here). 2 flac  
54. 11/26/70 Killesberg Halle 14 - Stuttgart, West Germany a- Lineage: Low gen Chrome Maxell Epilaxial XLII 60 cassette (1986) > *Technics RS-B965-M > Focusrite Saffire Pro 14 > Audacity 2.0.3 > WAV 24bit/96Khz > (right channel removed) > speed correction > WAV 32bit float/96Khz > resampled to 44.1Khz (and dithered to 16bit) > WAV 16bit/44.1Khz (stereo made with two identical mono channels) > splitting tracks > FLAC 16bit/44.1Khz *The Technics RS-B965-M is a modified deck - for details see the Tapeheads.net forum 2 flac  
55. 11/27/70 Niedersachsenhalle - Hannover, Germany a- Recorder 1, low gen (16bit/44.1kHz) Pink Floyd Niedersachsenhalle, Hannover, West Germany 27 November 1970 Recorder 1 Lineage: Maxell Epilaxial XLII-90 and 60 (1985/6) low gen cassettes > *Technics RS-B965-M > Focusrite Saffire Pro 14 > Audacity 2.0.3 > FLAC (24bit/96kHz) > Reaper v4.54 > FLAC (16bit/44.1kHz) > CDWave 1.98 > FLAC (16bit/44.1kHz) *The Technics RS-B965-M is a modified deck - for details see the Tapeheads.net forum xACT used to create FFP Total running time 2 hours 9 mins 26 secs This is a really nice copy of an inspired performance. You may recall my explanation of the date for this concert when I transferred the Recorder 2 ‘Hoka tape’ in February 2012. Back then I explained how ‘T136' and all the other tapes collectors have listed as 1970-11-14 should be re-labelled Recorder 1, Hannover 1970-11-27 2 flac  
56. 11/28/70 Saarlandhalle - Saarbrucken, West Germany A+ Revisions with Adobe Audition 3.0.1: - editing out run-in and -out grooves - speed correction - automatic click removal - some slight EQ on the Pictures of Pink Floyd Restoration Project patches and AHM - a few left over pops and glitches manually cleaned up - re-sequenced Notes: The main source I used is the unprocessed Pictures of Pink Floyd Vol. I & II, Topsound Quality Records – QR 179101 LPs rip, originally released in 1971, transferred to CDR and circulated in 2005. The (speed corrected) Pictures Of Pink Floyd Restoration files were used for: - a fragment of ambience before Fat Old Sun - a fragment of ambience at the start of Libest Spacement Monitor (ground hum removed) - a fragment at the start of Green Is The Colour - Atom Heart Mother I found the transfer of the original LPs to have the best fidelity and it responded quite well to the automated click removal process. Revised by Bert13 August 2, 2020 1 flac  
57. 11/29/70 Zirkus Krone - München, West Germany a- Pink Floyd 1970-11-29 Munich, low gen stratcat58 tapes (16bit/44.1kHz) Pink Floyd Zirkus Krone, Munich, Germany 29 November 1970 Lineage: Maxell Epitaxial XLII 60 cassettes (1985/6) > Technics RS-B565 > Focusrite Saffire Pro 14 > Reaper v4.76 > FLAC (24bit/96kHz) > Adobe Audition 3.0.1 > flac (32bit/96kHz float) > speed correction > FLAC (24bit/96kHz) > WAV (24bit/96kHz) > ClickRepair 3.9.8 > Reaper > FLAC (16bit/44.1kHz) xACT used to create FFP Total running time 1 hour 48 mins 22 secs After the high points of Friday 27th and Saturday 28th November, this gig was a much more straight run through of the band's current repertoire. Stratcat58's copy is possibly a 2nd gen. His tape is noticeably brighter than the circulating 2nd gen and my transfer adds additional top end to the Beechwoods version you probably have in your collection. There are some cuts in these tapes that are not on other versions. My thanks, as ever, to goldenband for his speed correction advice and, once again, to Bert13 for dealing with the corrections for me because some sliding adjustments were required. Both tapes run slow and my transfer was faster than the one by Beechwoods. Values of between +0.4 to +3.65% were applied. Goldenband wasn't 100% satisfied with the values. FOS isn't sitting exactly in the pocket, for example, but it was the best we could do without painstaking second-by-second correction. Bert additionally filtered out some interference between 15 and 16 kHz and put the recording through click repair, medium setting. After further discussion and tests, I subsequently used a strong setting on ClickRepair decrackle to further clean up the recording. I would usually be wary of doing this but on this occasion it was successful. The songs are arranged in the following order on the tapes: A - AD & AHM, B - FOS & Cymbaline, C - Emb, GITC and CWTAE, D - STC & ASOS. Bert re-sequenced AHM. Stratcat58 cassettes / Neonknight tape transfer / revisions by Bert13, February 2017 2 flac  
58. 12/22/70 City Hall - Sheffield, UK a- Lineage: 2 x TDK AD normal position 2nd gen cassettes > *Technics RS-B965-M > Focusrite Saffire Pro 14 > Audacity 1.3 > FLAC > Reaper v4.78 (with iZotopeRX2, Waves linear phase eq, UA precision multiband) > FLAC (24bit/96kHz) Reduction for CD: 96k > 44.1k with SOX in XLD. 24 bit > 16 bit with Waves IDR *The Technics RS-B965-M is a modified deck - for details see the Tapeheads.net forum 2 flac  
59. 12/22/70 City Hall - Sheffield, UK A Lineage: 2nd Gen Recording on TDK AD Cassettes played on NAD 6220 tapedeck into M Audio Soundcard via phono leads > raw WAV files > MOB Remaster > WAV > FLAC Source tape provided by Pete Austin Remastering by MOB Artwork by RonToon Produced by Harvested Records NOTES FROM PETE: The origins of this copy of the recording are as follows: I went to University in Sheffield in the UK in October 1981. Sometime in my first year there (not sure if it was 81 or 82) I noticed an advert on a noticeboard in the University's Student Union building by a guy offering rare tapes of Pink Floyd and a number of other bands. I bought this recording on a TDK AD C60 and C120 Cassette (see the photos) from the guy who turned out to be a post-graduate. From my recollection (and it is 27 years ago!) the tapes I got were from his first gen copy from the masters. They are definitely not from vinyl (you can just tell!!!) and it predates the CD or CDR bootleg era. Ironically I think the cassettes have survived well because I only played them a few times as I was more into Stones and Clapton at the time. I guess it could be as little as four or five times prior to me finally capturing them as digital files.I was prompted to transfer it to digital format by two things: 1) I downloaded a couple of the bootlegs from the same date via the internet and I thought, "This is not half as good quality as I remember my tapes being" 2) A friend was clearing out his loft (attic) and offered me a little used NAD tapedeck, so now I had no excuse not to investigate my hunch that I had a better copy of this recording The finished item is superb. I have really enjoyed getting back into this whole 68-72 Floyd era. I think the desire to get the best version of Sheffield 1970 out to the fan-base has made me go back and take an even greater interest in the legitimate and (ever expanding) bootleg stuff from this era. A final, but very important note. A big "thank you" to John Johnstone (a colleague from work) who suggested I offered up the raw WAVs of the tapes to the Harvested Team. What an excellent piece of advice! NOTES FROM MOB: Pete's tapes were in really good condition, despite their age. The original recording was done with mono equipment, and the music was well centered between the 2 channels of the tapes (generally, old tapes tend to have fluctuations between channels, even if the original recording is mono, but it was not the case here). The hiss was very stable throughout the tapes, with almost no sign of warble. The main problem with the recording was the speed. The tapes ran too fast, and the speed was not constant throughout the show (this is a well known problem of old analog tape recorders, very dependent on the battery levels fluctuations during a concert). Alan's Psychedelic Breakfast was almost at correct speed, but the speed of the following tracks increased progressively during the songs. The real difficulties began with A Saucerful Of Secrets, because the batteries were probably unloading faster. The speed was different depending on the part of the song, so I had to apply speed correction on a case by case basis. Atom Heart Mother was even worse, the very end really too fast. After dealing with the speed issues, I carefully applied slight EQ to enhance some particular frequencies that were buried in the original recording (probably due to the original recorder and mics characteristics). An important note is that I didn't try to dehiss the recording. As a result, this remaster still has a good amount of hiss. After all, this is a 2nd gen and you cannot have a significant reduction of hiss without degrading the music clarity. Moreover, I wanted to keep the sound as natural as possible, because the best sounding version of that concert until now was the highly processed "Disgusting Hardly Music", remastered from Pete's tapes too, but with a lot of NR applied. I wanted this new remaster to be a nice alternative to DHM: people who can't stand hiss and don't mind about digital NR artefacts can still enjoy DHM, while people who prefer unprocessed recordings should definitely adopt "Rise & Shine" (of course it's not striclty "unprocessed" because I corrected the speed, applied some EQ and carefully cleaned the drop-outs and tape flaws, but anyway this still sounds "natural", unlike the other versions I heard). As usual with all my remasters, I also manually cleaned every tape flaw that I could detect (cuts, small drop-outs, pops, crackles ...). Here are the comparisons we did with the other RoIOs from that concert: - "Allen's Psychedelic Breakfast" (from Circus Sun APSB 1270 A/B LP): full of vinyl clicks and pops - "A Psychedelic Night" (Triangle Records PYCD 038 & 039): this silver bootleg CD is muffled and denoised to death - "Alan's Psychedelic Christmas": 3rd or 4th gen from VHS, too dehissed - "Pink's Psychedelic Last Night" (Highland HL176): again, very processed (NR) - "Alan's Psychedelic Master Tape" (Ayanami-227): certainly not from mastertape (Ayanami often claims to have the masters while it's wrong) and over-processed - "1st Gen": this RoIO is the only other "unprocessed" version apparently circulating, but it sounds more distant than Pete's 2nd gen; I guess the title "1st gen" is not correct, it's more probably 2nd or 3rd gen. - "Disgusting Hardly Music" (FOS-CDR-001 ): music is very clear but NR artifacts are obvious To summarize, we think that this new release "Rise & Shine" has the following benefits: - it's the only Sheffield RoIO with "natural" sound (apart from the so-called "1st gen" which is sounding much more distant) - it's the only Sheffield RoIO with correct speed for all the tracks - it's the only Sheffield RoIO with the drop-outs and tape flaws corrected (in particular, you can check the very beginning of Careful's scream: the abrupt cut in the master recording is magically fixed ;-) ) Thanks to Pete for approaching us with this project and supplying us with the great source material. And, of course, thanks to MOB, the James Guthrie of bootlegs! Enjoy and share freely! RonToon (February 2009) 2 flac  
60. 01/17/71 The Roundhouse, Chalk Farm - London, UK A Source - LTD Edition Acetate Vinyl Record Label: Uninvited Mole Release: Implosion at the Roundhouse 12/100 copies Previously Unreleased Generation of this Recording, I've not sound better. Much higher quality recording than currently I can find surfacing (Even on here), sounds direct from the reel to vinyl I've been told. Tops seem much clearer Recorded in 24/96 LOSSLESS Normal EQ, Click, Pop, Hum and minimal Hiss Reduction (Only When Required) Lineage: REEL ? > Vinyl > Technics 1210 MKII > Allen & Heath Xone 62 Mixer > EMU 1212M > Cubase 6 > Audition CC 2015 > WAVES VST > FLAC FRONT END LEVEL 5 1 flac  
61. 02/12/71 Lecture Theater, U of Essex - Colchester, UK A Pink Floyd 1971-02-12 Colchester, 2nd gen [16-44] Pink Floyd Lecture Theatre Block 6 & 7, University of Essex, Wivenhoe Park, Colchester, England 12 February 1971 Lineage: 2nd gen Maxell XLII 90 cassettes (1988/9) > Technics RS-B565-MH > Tascam SD-20M > WAV (24bit/96kHz) > Reaper v5.983 > FLAC (24bit/96kHz) > Adobe Audition 2.0 for speed correction and track divides > FLAC (16bit/44 Total running time 1 hour 36 minutes 43 seconds This 2nd gen has good top end and punchiness and gives a greater sense of being in the room than other sources I have heard. It is also more complete. On the downside, the recording is more hissy than I would generally expect for a second gen. In skilled re-mastering hands - sympathetically tackling the hiss and removing the occasionally audible mains hum - I have no doubt that this capture would rank amongst the best sounding Pink Floyd 1971 audience recordings. The taper for this concert was Chris B. Chris used to live in Bromley, Kent. If you are reading this, Chris, I understand that back in the day you had four or five shows that nobody else has. I'd love to help you archive your recordings. Colchester is the last in a recent series of releases of tapes I borrowed from a German collector friend. My thanks, once again, to pelino for speed correcting my transfer. Neonknight, September 2020 2 flac  
62. 02/13/71 Farnborough Technical College - Farnborough, UK a- Lineage: cas(1)>DAT(2)>FLAC Playback: Tascam DA-20mkII>Waveterminal 2496>CEP (@16-bit, 44.1kHz)>WAV>CD Wave>FLAC Editing: Normalize, fades Transfer: Travis Simpson 2 flac  
63. 02/13/71 Farnborough Technical College - Farnborough, UK A http://www.hokafloyd.com/CD3/Massed_Gadget_Of_Hercules/The_Massed_Gadget_Of_Hercules_1970_1974.htm PF - The Massed Gadgets Of Hercules 1970 – 1974 - Godfather GR BOX 09 Several Species Of Some Unique Performances Gathered Together In A Box And Making A Joy Fantastic 10 CD Box-Set with five shows. INCLUDING: 5 Double Trifold Cardboard Sleeve CDs (Pictured) • 28 PAGE BOOKLET (Scans here) • 1972 US TOUR BOOK REPLICA disc 3 & 4 2 flac  
64. 02/24/71 Halle Münsterland - Münster, West Germany 8.5 Lineage: Sony C-90CR Chrome Cassette > *Technics RS-B965-M > Focusrite Saffire Pro 14 > Audacity 1.3 > FLAC (24bit/96kHz) *The Technics RS-B965-M is a modified deck - for details see the Tapeheads.net forum xACT used to create FFP 2 Flac  
65. 02/25/71 Großer Saal, Musikhalle - Hamburg, West Germany 8.5 http://www.hokafloyd.com/CD4/M-502_Sigma_97/M-502_Sigma_97.htm PINK FLOYD - M - 502 - Sigma 97 Matrix Disc 1: Sigma 97 Disc-1 1A31800503 IFPI LT029 Matrix Disc 2: Sigma 97 Disc-2 1A31800506 IFPI LT029 Matrix Disc 3: Sigma 97 DVD 5A31800103 (P) 2013 Made In Japan 2 Flac  
66. 02/26/71 Stadthalle - Offenbach, West Germany 8.5 New High Definition transfer from Marbal's own 1st Generation backup reel. Artwork production by Beechwoods. Lineage History: - Master Recording (1971-02-26): Philips EL3302 cassette deck, stock external mic, no Dolby. - Cassette to Reel to Reel (~1981): unknown cassette deck > Philips N4510 reel to reel > BASF 1/4" tape - 1st Gen Reel (2011-10-11): Pioneer RT707 > Tascam HD-P2 (WAV 24bit/96kHz) ===> Adjustments (WAV 32bit float/96kHz) > WAV (16bit/44kHz) > CDWave (1.98) > FLAC 2 Flac  
67. 04/03/71 Sportpalais Ahoy - Rotterdam, Netherlands A- Recorder 1: Pink Floyd 1971-04-03 Rotterdam, Recorder 1, unknown gen stratcat58 tapes (24bit/96kHz) Lineage: TDK SA90 cassettes (1985/6) > Technics RS-B565 > Focusrite Saffire Pro 14 > Reaper v4.76 > FLAC (24bit/96kHz) Recorder 2: LIVE IN ROTTERDAM (MAF/R&D) April 3, 1971 Sportpaleis Ahoy, Rotterdam, Netherlands Lineage: AUD(src2)>Live In Rotterdam LP>PCM(declicked)>CD-R>EAC>SHN Recorder 1 is a mono recording that was transferred to analog stereo format in the lineage. The left channel alone is used here. The right channel is full of broken connection crackling sounds. Recorder 2 is genuine stereo. Arranging the recording R2-Rch left, R2-Lch center, R1 right, seems to extend and complete a stereo image. Some live mix panning can be heard to flow across these recorders. The performance is reinforced with a more complete mix in a wide stereo image. The songs and fragments captured by the mono R1 alone are restored as well as possible for a complete show. Imagine you got a seating upgrade at track 4 if it helps. The recordings were cleaned of the worst artifacts like mains hum and thumps from hitting the microphone. The louder parts overwhelm the recording devices a bit leading to the classic 'inside out' audience recording with the quiet sections now louder than the originally louder parts. All mastering and restoration work from speed correction, synchronizing recorders, artifact and noise removal or reduction, eq surgery and correction, and dynamics work using Reaper DAW with Waves & UA plugins and iZotope RX spectral editor. Recorder 2 was upsampled to 96k with SOX prior to work. Jimfisheye, April 2022 2 flac  
68. 05/15/71 Crystal Palace Bowl - London, England A Lineage: Maxell XLII-90 & Maxell XLII Epilaxial 60 low gen cassettes > *Technics RS-B965-M > Focusrite Saffire Pro 14 > Audacity 2.0.3 > FLAC (24bit/96kHz) > Reaper v4.61 > FLAC (16bit/44.1kHz) *The Technics RS-B965-M is a modified deck - for details see the Tapeheads.net forum xACT used to create FFP 2 flac  
69. 05/20/71 The Ballroom, Strathclyde University - Glasgow, Scotland B+ Lineage: Unknown gen Maxell XLII90 chrome cassette (1996) > Technics RS-B565 > Focusrite Saffire Pro 14 > Reaper v4.76 > FLAC (24bit/96kHz) 2 flac  
70. 05/25/71 Grosser Saal Musikhalle - Hamburg, Germany AA Lineage : 2X vinyl LPs > Echo Audio Fire 4 > WAV 24bit/96Khz > declick and speed correction > downsampling > FLAC 16bit/44.1Khz 2 flac  
71. 06/04/71 Philipshalle - Düsseldorf, West Germany B+ Lineage: 5th or 6th gen Maxell XLII cassette (1997) > Technics RS-B565 > Focusrite Saffire Pro 14 > Reaper v4.61 and iZotope RX4 > FLAC (24bit/96kHz) xACT used to create FFP 2 flac  
72. 06/05/71 Berliner Sportpalast - W. Berlin, West Germany a- ineage: Maxell UD60 normal position cassettes (1978) > Technics RS-B565 > Focusrite Saffire Pro 14 > Reaper v4.76 > FLAC (24bit/96kHz) > tezeta > Reaper v5.17 > FLAC (24bit/96kHz) 2 flac  
73. 06/12/71 Palais des Sports - Lyon, France 8.5 French AM Radio Broadcast (Incomplete) FLAC Tags Via xACT 2.50 By OldNeumanntapr 1 Flac  
74. 06/19/71 Palazzo della Mostra EIB - Brescia, Italy B+ Lineage: Maxell XLII 90 3rd gen cassettes (1992-96) > Technics RS-B565 > Focusrite Saffire Pro 14 > Reaper v4.76 > FLAC (24bit/96kHz) > tezeta > Reaper v4.76 > FLAC (16bit/44.1kHz) 2 flac  
75. 06/19/71 Palazzo della Mostra EIB - Brescia, Italy A Nipote : Found new recordings is always a great surprise and a great satisfaction for all that like the Pink Floyd's music live. Some weeks ago, MrPinky, one of the big (Italian) collector on the world, told me that he had a new recording from Brescia and send me the files that the taper digitalized. The taper is Pasquale Perulli, that was one of the lucky that attended at the show. For who don't know, this show was many problems for location, first Milano, after Bologna and in the end Brescia. Pasquale was in the first row, near the barriers, two meters from the stage, only accredited photographers was from him to the band. He put the microphone between the barriers and during the concert he made small adjustments to the tone, to improve the sound and try to prevent distortions, since he had a speaker nearby. In his hands he had a 8mm camera, and he made some video too. Pasquale made it for personal use only, and for all this years he was out from trader groups. Now, he want share his recording. The raw recording is very nice, but I asked at our friend Renzo (RDWM) to put his touch. A very big thanks to Pasquale Perulli for his recording, and to MrPinky, always magnificent person. Renzo (RDWM) : Before all treatments, all files have been leveled to have a perfect dual-mono - pitched with Celemony Capstan using very very low value setting -pitched at A=440 - EQ-ed with HarBal - applied Waves Trueverb disabling "early reflection" flag in order to open the sound and get some air between instruments without the "body" of a reverberation - final level using Magneto and Waves L3 All plugins used with low value settings 2 flac  
76. 06/19/71 Palazzo della Mostra EIB - Brescia, Italy A Lineage: Uher 4400 with Shure 545 in configuration N:O:S (look pdf) -> Master BASF -> Revox A77 1/4 -> Digi002 -> Macbook pro -> Reaper 6 -> flac with TLH -> Y! Here for the first time the complete gig from Brescia recorded by Renzo Storti. Renzo Storti is a sound technician that worked for radio, cinema and with University of Padua. He recorded the concert with a Uher 4400 with Shure microphone; he adjusted the levels during concerts while a friend moved the two microphones that were placed on stands. The tapes were played a few times after the concert, then they were left safe without ever being touched. About ten years ago Renzo decided to digitize the tapes to make a CD to give to his friends present at the event. With the fiftieth anniversary of the concert, Renzo came into contact with Andrea Borsotti, a member of Y! and soul of research. Renzo made a new transfer in 24/96, and yesterday in Padua we organized an event with a preview of this recording. The quality is incredible, perhaps one of the best audience recording of 1971, an incredible document that finally sees the light in complete raw version. 2 flac  
77. 06/20/71 Palazzo dello Sport EUR - Rome, Italy B++ Lineage: CDR from Digital Floyd Project > EAC (secure) > FLAC (level 5) Taped by: ? 2 flac  
78. 06/26/71 Amsterdamse Bos - Amsterdam, Netherlands a- An excellent performance by the band and great stereo audience recording by the N brothers. I transferred Preclicktrack's LPs using some very expensive audiophile gear connected up to my Saffire. * Clear Audio Innovation Compact * Clear Audio Stradivari V2 cartridge * Clear Audio Tangential tone arm TT3 * Amp - Leema Acoustics - Tucana II * Not sure what interconnect we used to connect to the phono stage * Phono stage - Pro-Ject Audio Phono Box RS. RS set to fixed input impedance, gain RIAA 60dB RCA * Turntable to phono stage cable - The Chord Company, Sarum Super Aray RCA cable * Mains conditioner for all connected equipment - Sigma, IsoTek EVO3 Both sides were copied at the same level. Side A contains tracks 1,2,5 and B 3,4. I used ClickRepair in automated mode to find and repair clicks and crackles: 1. Declick 60, wavelet x 3, reverse, pitch protection 2. Decrackle 60, wavelet x 3, reverse Side A of the LP is notably quieter than B and I added gain in iZotope to even the recording out. Speed correction assistance was provided by tezeta. He applied a simple reduction of .75 semis to STC and ASOS using Elastique in Reaper v5.17. I believe that this copy supersedes the version Preclicktrack and I released in 2014 but the differences, for general listening purposes, are quite subtle. The track marks are in the same positions so you can compare the two. Neonknight transfer / Preclicktrack LP, July 2017 1 flac  
79. 07/01/71 Stiftshoff - Ossiach, Austria B++   2 flac  
80. 07/01/71 Stiftshoff - Ossiach, Austria A raw transfer of my 3rd gen cassettes that I received in a trade with an experienced collector in January 1996. This transfer has a nice ambience and seems warmer and more upfront than the 2nd gen DAT source that does the rounds. You may note that GITC is 2.5% fast but after that the recording quickly settles down so no speed correction was judged to be necessary. Stereo audience recordings of Pink Floyd were relatively rare in 1971 and it is nice to hear reasonably good separation between the channels most of the time, particularly when listening on headphones. Further adjustments, as part of a re-mastering, would be beneficial for some of the tracks. The songs were arranged in the wrong order on my tapes: A - GITC / CWTAE / FOS B - AHM / ASOS C - ASOS (continues) / Echoes / STC D - STC (continues) / Cymbaline Mixed tape stock was used by my source. I never liked it when this happened but on this occasion it does not appear to have had a detrimental affect. Sides A to B are on a Maxell XLII-S 90 and the second tape is a Maxell XLII 90. After setting satisfactory input levels for side A, I found side B to be louder so turned down both channels. Side C would have been too quiet so I made a further adjustment. Side D was a good match for side C, so no further changes were necessary. I would not ordinarily alter my recording levels when songs are split between sides but it was necessary for ASOS, otherwise there would have been a distinctive drop in volume. Neonknight, November 2013 2 flac  
81. 08/06/71 Hakone Aphrodite - Hakone, Japan A Source: Audience Recording Lineage: Sigma-133 Boot 2CD > WAV > EAC > FLAC * Live at Hakone Aphrodite, Hakone, Kanagawa, Japan 6th August 1971 (Stereo & Mono: 2 Different Sources) 4 flac  
82. 08/07/71 Hakone-Ashinokohan Sheikeigakuen-Jofudai - Hakone, Japan   Sigma 283 (2021) Lineage: My Original Silver --> EAC --> WAV --> THL --> Flac8 --> You This version is the 2CD+1Bonus CDR 2 Flac  
83. 08/09/71 Festival Hall - Osaka, Japan A cass[3] > *Technics RS-B965-M > Focusrite Saffire Pro 14 > Audacity 2.0.3 > FLAC (24bit/96kHz) 2 flac  
84. 08/09/71 Festival Hall - Osaka, Japan A Pink Floyd - (1971-08-09) Osaka 1971 50th Anniversary Edition Sigma 278 (2021) Lineage: My Original Silver --> EAC --> WAV --> THL --> Flac8 --> You Excel with Sigmas Updated. 2 flac  
85. 08/13/71 Festival Hall - Melbourne, Australia A Pink Floyd 1971-08-13 Melbourne, stratcat58 3rd gen (24bit/96kHz) Pink Floyd Festival Hall, Melbourne, Australia 13 August 1971 Lineage: Maxell XLII 90 cassette (bet.1992-96) > Technics RS-B565 > Focusrite Saffire Pro 14 > Reaper v4.76 > FLAC (24bit/96kHz) > vince666 > WAV 96Khz/32bit float > speed correction > WAV 96Khz/32bit float > dithered to 24bit > track splits > WAV 96Khz/24bit > FLAC 96Khz/24bit *Neonknight's notes* Karmamania is the authority on this date and copies linked to his 1st gen set the benchmark. I feel that stratcat58's tape sounds generally better than the 1st gen. It has stronger high end and you can hear more detail but you can also sometimes hear some distortion in the right channel that's not present on the 1st gen. Karmamania's 1st gen also has more tuning up before AHM and Cymbaline. Worth keeping both I would say. Karmamania explained on the Brain Damage website that the master was recorded using a Sony TC80 mono portable cassette recorder, smuggled in a schoolbag, and a BASF cassette. The original tape ran out after five and a half minutes into Saucerful. The show was recorded about fifty yards from the stage in the stalls. For more details see karmamania's text files and http://www.brain-damage.co.uk/concerts/pink-floyd-australia-august-1971.html Go-Set magazine commented: "Pink Floyd are very serious and involved as they play. The only showmanship is that of concentration, listening to one another, waiting for their separate parts, weaving those adventurous, inventive space patterns." *Vince's mastering notes* The recording did run fast from approx 4,5% to approx 6%... each song was corrected with a fixed speed change, no variable corrections/changes made... no EQ, no NR, no level change, etc. Stratcat58 cassette / Neonknight tape transfer / Vince666 mastering, August 2017 2 flac  
86. 08/13/71 Festival Hall - Melbourne, Australia A 2nd gen metal cassette [16-44] Pink Floyd Festival Hall, Melbourne, Australia 13 August 1971 Lineage: 2nd gen Sony metal 100 minute cassette (1990-92 type) > Technics RS-B565-MH > Tascam SD-20M > Reaper v5.983 > FLAC (24bit/96kHz) > Adobe Audition 2.0 for speed correction, editing and track divides > FLAC (16bit/44.1kHz Total running time 1 hour 32 mins 18 secs Thank you for sending your tape on a 10,000 mile journey to me CCE338 - certainly the longest trip a cassette has gone on for a neonknight Yeeshkul release and it was definitely worthwhile. I would also like to thank pelino for his speed correction work and for moving the songs around so they are in the correct order. CCE338's metal cassette was copied from his karmamania 1st gen tape. You no doubt have a transfer and re-master of the 1st gen in your collection. 2 flac  
87. 09/18/71 Pavillion de Montreux - Montreux, Switzerland A Lineage: First Generation Reel to Reel > DAT > PCM > DAT [clone] > Sony DTC-A7 > SoundBlaster > Cool Edit Pro > wav > Soundforge (speed correction, several edits/patches, set fades) > CDWave (tracking) > Flac Frontend (level 7, align sector boundaries) > flac 2 flac  
88. 09/19/71 Pavillion de Montreux - Montreux, Switzerland 8.5 Source: Reels > PCM > ??? > DAT(c) Transfer: DAT(c) > Sony PCM-R500 > SPDIF > Tascam HD-P2 > CDWave > FLAC DAT Provided By OldNeumanntapr Transfer By Terry Watts WAV >Audacity (Track Splits) >FLAC (Level 8) Via xACT 2.37 (Date Is Unconfirmed And Could Possibly Be A Duplicate Of A Portion Of The Previous Night's Show From 9/18/71) SetlistFM has different setlist for both nights This has to be incomplete One of These Days Green Is the Colour Careful With That Axe, Eugene Echoes Fat Old Sun Atom Heart Mother A Saucerful of Secrets 1 Flac  
89. 09/23/71 KB Hallen - Copenhagen, Denmark A Lineage: Silver 2CD > EAC > TLH > FLAC 2 flac  
90. 09/30/71 Paris Cinema - London, UK A+ "LEGENDARY PINK GENTLEMAN RECORDS IN MONO, BROADCASTS IN STEREO VIA THE BBC" 01. Fat Old Sun 14:13 02. One of These Days 7:56 03. Embryo 10:28 04. Echoes 26:51 05. Blues 4:53 TT = 54:21 Tr 1, 2 and 4: (Arnold_Layne) Source: BBC 7" Reel 7.5ips 2 track stereo > Technics RS1500 > Tascam DA3000 > 24/96 BWF Format > FLAC Tr 3 and 5: (Kbrubaker/Neonknight/LPP) WNEW stereo broadcast > Maxell XLII Cassette (low) > *Technics RS-B965-M > Focusrite Saffire Pro 14 > Audacity 1.3 > Wav (24bit/96kHz) > Adjustments (32bit float/96kHz) > Wav (24bit/96kHz) > CDWave (1.98) > FLAC (24bit/96kHz) I'm a big fan of the stereo versions of these broadcasts recently made available thanks to the boundless generosity of the folks on Yeeshkul. Though purists may prefer to listen to the original mono rec, I thought I'd make this stereo mix since there's such great sound to begin with it would seem a shame not to share such great sounding stereo simulations as a complete performance. Though there is a very noticeable difference in the stereo image of the two broadcasts, I wanted more continuity between them, so I flipped the channels on the WNEW tracks so that the drums are in the left channel, as they are biased to the left in the Rock Hour broadcast. The WNEW DJ dropped the station tag during Rick's organ solo in "Embryo", which I found distracting, so I patched in the mono version from HRV's BBC Archives RevB over that. And finally, I faded out "Echoes" early to remove the Rock Hour announcer's closing words for better overall flow in the set. Enjoy! - tezeta, July 2016 1 flac  
91. 10/04/71 Roman Amphiteatre - Pompeii, Italy A+ This is the original audio from the film, NOT the audio from the official DVD (audio track on "Director's Cut" DVD has additional reverb and effects). The present soundtrack is faithful to the original film. 2 flac  
92. 10/05/71 Roman Amphiteatre - Pompeii, Italy A+   1 flac  
93. 10/10/71 The Great Hall - Bradford, UK A- Original source lineage: Cass(1) (Fuji Film FX Pure-Ferrix C-60 x 2) > Onkyo TA-RW 244 > Tascam DA-20 MkII > DAT@48Hhz > Monster Coaxial Cable > Cool Edit Pro > wav@16/48 > shn@16/48 > flac@16/48 Additional source lineage: flac > Adobe Audition 3.0.1/Capstan 1.1.0* > flac@16/48 * - cleaned up of digital silence, overlap (AHM and Cymbaline), a few clicks, ticks and dropouts - speed adjusted 98.6 shrink - copied right channel to left - de-amplified -2dB - speed wobble at the very start of CWTAE corrected with Capstan - ground hum filtered out during quieter passages 2 flac  
94. 10/16/71 Civic Center - Santa Monica, CA A+ excellent for its age *Lineage* *PA recorder: "Pink Floyd Santa Monica 1971 soundboard reel to reel" Ebay find supported privately by members of the Y! community 1/4” 7” open reel with mono program in both channels. The right channel is much stronger and higher fidelity. This is telltale of an originally mono recorded tape played back on a stereo machine. The single magnetic stripe on the tape ends up more under one channel in the stereo head than the other. This sounds like a microphone placed in front or very close to one of the front main PA speakers. There are telltale “soundboard recording” elements - but as captured nearly directly from the speaker with a mic instead of plugged in directly. There are also open room sounds and nearby people. There is a layer of saturation like you might expect from recording a PA speaker with a 1960’s dictation quality recorder and mic. At the same time this preserves an up close detailed and dynamic capture vs distant audience recording sound. Calling this a soundboard would have been an honest mistake since the sound is recorded nearly directly from the PA speaker connected to the soundboard. It sounds more soundboard-like than not. The open room sounds and conversation give it away that it isn't. The song order on the reel: Side A - AHM, Embryo, Cymbaline, 1.7 sec fragment of beginning of STC, filler Side B - CWTAE, FOS, STC, tuning and announcement fragment, Blues (incomplete), filler The reel was likely left spooled to side B. The evidence here further indicates this reel to be a generational copy itself. The STC fragment and the complete STC (complete on “side B”) are on opposite sides of the tape. Blues is on the opposite side it should be and there is remaining tape space after it cuts off (that was then recorded with filler). Three transfers were made of the reel. Unknown studio This transfer has almost no low end and extra saturation on the highs and high mids. This was likely done in the early digital age with a hardware CDr recorder or DAT deck. Telltales being 16 bit file format and the blurred but edgy at the same time sound of the AD converters in those machines. This transfer has the most stable high end of the 3. Mystery Room This transfer nailed the azimuth and has the best tape transport stability. A very high level of expertise showing there. Something went wrong however. The sound is washed out with extreme low levels and no high end at all. Something awkward like an errant playback eq setting on the deck perhaps. It’s also possible that this is a striking example of the original recorded magnetic stripe being out of alignment and a textbook playback alignment missing the mark. Or a little of both. I suspect more the former. That being said, this transfer still contains the best low end. A_L This transfer sounds the most overall correct out of the box. There is a tape flatness issue that was beyond the ability of the playback deck transport resulting in high end wow and flutter. This transfer has the best low mid thru high mid sound and is free of the added saturation in the original unknown studio transfer. *Audience recorder: Pink Floyd 1971-10-16 Santa Monica, low gen HG tape [24-96] Low gen TDK SA90 cassettes (1987-89) > Technics RS-565 > Focusrite Saffire Pro 14 > Reaper v4.61 > FLAC (24bit/96kHz) The audience recording comes from somewhere in the middle of the room. No one surround speaker stack is more discernible or in close proximity. *Neonknight’s original notes* Pinkrudy's cassettes have better high end than other versions I have heard and are not affected by the low end hum that is present on the 1st gen that most people reading this will have in their collection. The sound is also more airy and you can hear greater detail. The recording was made by Al who was 15 or 16 at the time, so all credit to him for doing such a good job. When the concert first surfaced in 1985 Al was very generous in sharing it, so there could be a number of different sources doing the rounds. The song order on the tapes and speed corrections are as follows: Side A - CWTAE/FOS +3.36%, Embryo +2.47% Side B - Cymbaline +1.58%, Blues +1.29%, Echoes (part 1) +2.47% Side C - Echoes (part 2) +4.83%, ASOS +3.97%, STC +3.67% Side D - AHM +3.08% Howard Gil tape supplied by pinkrudy / Neonknight tape transfer, May 2016 *Mastering* Mastered with Reaper DAW with iZotope, Waves, and Universal Audio plugins. The reel source - being a recording of the main PA and thus almost soundboard like - plus an audience recording from out in the room reinforce each other well if combined. This requires very precise sync alignment between sources which is easily handled with lossless Elastique Pro veri-speed pitch/time correction in Reaper. The right channel alone of each recording is used here. The left channels offered no extended content or fidelity for either recording. You hear the sound of the close drum mics on the snare and toms in the PA speaker recording while the cymbals are far away. (Cymbals are often un-mic’d because they project in the room by themselves and they’re actually already a problem bleeding into the vocal mics.) Vocals and guitar are up close and detailed. The room recording has present cymbals and more keys/organ especially as it projected from the surround speakers. Some elements of their surround in motion mixing are preserved between the two recordings especially in STCFTHOTS and Cymbaline. The choice between the original transfer and the A_L transfer is difficult. Using both together would be a magical best case but would only be possible if the sync between them could be made perfect. Even the slightest slightest drift between copies from the same original source will flange. If you get them to 99% sync with Elastique Pro in a DAW, sometimes you can get lucky with iZotope RX adaptive azimuth correction and it nails it. This was one of those lucky times. I was able to blend between the 3 transfers of the PA speaker recording reel for the most complete fidelity. The 5.1 surround presentation in this master has the mono PA recorder front L,R and the audience recorder rear L,R. The center channel is a blend of the mono PA recorder with isolated cymbals from the audience recorder to put Nick’s drum kit back together front and center and then have the (mono remains of) the PA speakers firing front L,R. The audience recorder brings up the room from the rears. There’s certainly more missing with the surround than preserved but some front to back motion is preserved. The stereo mix has the PA recorder just left of center 15%, the center drums centered, and the audience is harder right at 65%. The L,R pans go 100% for the featured surround parts in STC and Cymbaline to preserve the panning in stereo. The loud section in the first track CWTAE, is overloading the recorders. It cleaned up OK-ish. The sound opens up on the 2nd track. Some genuine surround play elements captured in STC and this track comes across properly with the whispered vocals and delicate parts clearly audible. As these things often go, the PA speaker recording cuts out before the end of the show. The 2nd half of Blues, Echoes, and ASOS come form the mono audience recorder alone. *Release formats* 2 recorder 5.1 master 24/96 & 24/48 2 recorder stereo master 24/96 & 16/44.1 PA recorder 24/96 & 16/44.1 audience recorder 24/96 & 16/44.1 Original raw PA reel transfer 16/44.1 Mystery Room raw PA reel transfer 24/96 A_L raw PA reel transfer 24/96 All FLAC level 8. Sample rate reduction for SD versions with SOX codec. 16 bit conversion with Waves IDR. Raw versions are indexed and speed corrected (lossless) but otherwise unprocessed original digital files in the original sample format and the original stereo format with inferior left channel. Jimfisheye - Nov 2019 2 flac  
95. 10/17/71 Convention Hall - San Diego, CA A Lineage: 2nd gen TDK SA-C90 cassette (1979) > Technics RS-B565 > Focusrite Saffire Pro 14 > Reaper v4.76 > FLAC (24bit/96kHz) > Adobe Audition 3.0.1 > flac (32bit/96kHz float) > speed correction > flac (24bit/96kHz) > wav (16bit/44.1kHz) Tracked with CD Wave, encoded to flac 8 with TLH. xACT used to create FFP 2 flac  
96. 10/28/71 Hill Auditorium - Ann Arbor, MI A- 2nd gen > DAT(?) > CDR > ? > shn@44.1kHz/16bit shns converted to flac level 8 with foobar2000 v0.8.3, verified to be bit identical Reeling in Pink Floyd CD DVD1 source Needs left channel increase various mic bumps still a solid recording 2 flac  
97. 10/31/71 Fieldhouse - Toledo, OH B++ Unknown Mics, recorder and media > unknown > CD-r > Playback Deck: HHB CDR-800 Compact Disc Recorder > Behringer Ultragraph Digital DEQ1024 - 31 Band 24 Bit Digital Graphic Equalizer > Akai DR16 Digital Hard Disk Recorder > HHB CDR-800 Compact Disc Recorder > CD-r > WAV > Audacity > CD Wave Editor > FLAC all digital work done using at least 16 bit 44.1 Khz sampling rate 2 flac  
98. 11/05/71 Assembly Hall, Hunter College CUNY - New York, NY A- Lineage: Maxell XLII Epilaxial 90 unknown gen cassettes> *Technics RS-B965-M > Focusrite Saffire Pro 14 > Audacity 2.0.3 > FLAC (24bit/96kHz) > Reaper v4.61 > FLAC (16bit/44.1kHz) *The Technics RS-B965-M is a modified deck - for details see the Tapeheads.net forum xACT used to create FFP 2 flac  
99. 11/06/71 Emerson Gym - Cleveland, OH A "Finally, Now I Understand" date/venue: 1971-11-06 Emerson Gym, Case Western Reserve University, Cleveland, Ohio source/lineage: audience / analog master or low gen > cdr(?) > EAC > flac new source/lineage: audience / analog master or low gen > cdr(?) > EAC > flac > AudioMuxer (join wav's) > Reaper v4.61* > wav > iZotope RX 7 Advanced** > wav > Adobe Audition 3.0.1*** > TLH > flac > iZotope RX 7 Advanced**** > wav > TLH > flac * speedcorrection with Elastique 3.1.4 Pro ** de-clip & gain adjustments *** graphic EQ to tone down the lower frequencies & some click removal (Bert13) **** further cleanup up of artifacts, distracting noises, & some minor adjustments 2 flac  
100. 11/10/71 Pavillon de la Jeunesse - Quebec, QC a- avillon de la Jeunesse, Quebec City, Quebec, Canada 10 November 1971 Lineage: Maxell XLII Epilaxial 90 & 60 low gen cassettes > *Technics RS-B965-M > Focusrite Saffire Pro 14 > Audacity 2.0.3 > FLAC (24bit/96kHz) > Reaper v4.61 > FLAC (16bit/44.1kHz) *The Technics RS-B965-M is a modified deck - for details see the Tapeheads.net forum xACT used to create FFP 2 flac  
101. 11/16/71 Lisner Auditorium - Washington, DC AA source/lineage: audience / analog master or low gen source > cdr(?) > original silvers > EAC > wav > flac new source/lineage: audience / analog master or low gen source > cdr(?) > original silvers > EAC > wav > flac > TLH > wav > iZotope RX 7 Advanced* > Reaper^ > iZotope RX 7 Advanced* > wav > cd wav > TLH > flac * piecing the show back together and cleanup ^ speedcorrection with Elastique Pro 2 flac  
102. 11/16/71 Lisner Auditorium - Washington, DC A Catalog: RSC CD 104 Oil Well Misc.: Audience SIAE - ADD, Volume I, Scancode: 8013013410423 Produced: Made in Italy (P) 5/1995 2 flac  
103. 11/20/71 Taft Auditorium - Cincinnati, OH A *Sources* Recorder 1: Pink Floyd 1971-11-20 Cincinnati, Recorder 1, low gen HG tapes [24-96] Lineage: Low gen Maxell XLII-S cassettes (1996/97) > Technics RS-B565 > Focusrite Saffire Pro 14 > Reaper v4.61 and iZotope RX4 > FLAC (24bit/96kHz) Recorder 2: 1971-11-20 - Live In Taft - [1st Gen Rec 2] - Taft Auditorium, Cincinnati, Ohio Lineage: cass/1 > DAT/2 > cdr/? > EAC > wav > shn *Notes* Recorder 1 is closest to the stage and has some very good fidelity captured. Recorder 2 is out into the room by the sound of it and significantly lower fidelity. However, it adds to the sound and room ambience and even reveals occasional fragments of the original surround mix due to proximity to the surround speakers vs recorder 1. Although both recordings are monophonic, the quad surround format is needed to present the front to back perspective and to allow for more of the sound from recorder 2. The stereo mix is presented in a listenable perspective (rather then presenting the recordings hard L/R as data) and as such features much less of recorder 2 sound. Both recorders 1 & 2 are mono recordings transferred to stereo format tape. The right channel contains a superior recording in both recordings and is used alone for both here. Recorder 1 has some surprising fidelity but its raw condition makes it a challenge to present. The recording is dolby encoded and doesn’t decode well on the tape deck. Transferring the tape without dolby results in the most complete sound even if unnaturally bright and dynamically altered. The particular combination of dolby pre eq and emphasis with the louder lead guitar parts results in thin piercing high mid bursts exaggerated as much as 30db. Recorder 1 cuts at the end of the seagull section in Echoes. Recorder 2 alone is the source for the end of Echoes and Blues. *Mastering* I balanced recorder 1 as well as possible in eq and dynamics. The level fluctuation from the dolby pre emphasis and possibly from recording device compression in addition was corrected as well as reasonable. (ie. You don’t want to just turn down the quieter parts - captured with higher fidelity and dynamics than the loud parts - to be academic.) The shrill emphasis around 3.8k that was going out of control, especially during the loud lead guitar parts, was dynamically eq’d into place. I synchronized both recorders together to the correct speed. The humble rear recorder restores some natural ambience and surround mix elements as well as the end of Echoes and Blues. I left the recorders to start and stop as they did between songs with no production to smooth anything over. You get the perspective the tapers running their machines at the show. Audio tools used include Reaper for the main DAW, iZotope RX, Universal Audio and Waves plugins. Speed correction and sync work was done in Reaper using the lossless Elastique Pro 3 algorithm. The quad master is 24 bit 96k 4.0 in a 5.1 container with digital zero C & Lfe channels to insure compatibility in all media players. The stereo master puts recorder 1 just left of center and recorder 2 right for the most natural presentation. Every attempt was made to restore the sound to the fullest quality without damage. Compromises that are often made for challenging recordings for commercial presentation are strictly avoided in favor of preservation of all remaining content, damaged as it might be. *Release formats* 2 recorder quad master (in 5.1 format) 24/96 & 24/48 2 recorder stereo master 24/96 & 16/44.1 All FLAC level 8. Sample rate reduction for SD versions with SOX codec. 24 to 16 bit conversion by truncation. Jimfisheye - June 2020 2 flac  
104. 11/20/71 Taft Auditorium - Cincinnati, OH a- Source 1: g_b_c, "Embryonic Madness" PinkRoioShn-CDR-026 (PRS-CDR-026) Lineage: Recorder 1 / cass[M] > cdr(?) > shn > wav > Adobe Audition 1.5 (minor editing) > cd wav (tracking) > TLH > flac Source 2: Recorder 2 Lineage: Cass/1 > DAT/2 > cdr/? > EAC > wav > shn Remaster 01. Re-balance frequencies/EQ, each source 02. Repair bumps, clicks, pops and other tape errors, each source 03. Reduce tape noise as well as hum when it occurred, each source 04. Correct pitch and speed using commercial sources as reference 05. Patch multiple missing sections in each source with the other 06. Sync sources 07. Combine sources to generate stereo field 08. Correct phasing 09. Adjust power, balance and center stereo field 10. Remove redundant sections 11. Adjust dynamics 12. Re-track as continuous show. CD burn 1-4, 5-8 Notes: Last performance of Cymbaline, ever. Last performance and longest version of The Embryo ever recorded. End of Echoes and Encore Blues only present in source 2. Lower fidelity in this segment. Some CWTAE-type screaches during Embryo. Bird chirping during quiet keyboards and lyrics of Fat Old Sun. Baby cries at the beginning of Set the Controls. It is heard well in source 2 and heard in the distance in source 1 Man yells Yea at end of Careful with that Ax, heard in both sources but much closer to source 1, Original Source 1 notes: This is a historic show for many reasons. The first is that this is the last gig of the 1971 tour, this date was a replacement date for the concert that was originally schedeuled on October 30th at the Music Hall in Cincinnati. A couple more reasons (and these are the good ones) are that this performance marks the last time the band ever performs 2 songs which had been staples of their setlist for quite some time, one song being The Embryo and the other one being Cymbaline. The Embryo contained here is the longest version to have ever been recorded, lasting about 26 minutes ... incredible!!! The band is quite hot this night too and therefore all the songs are performed very well in my opinion. This is the 1st recorder for this date and unfortunately it is not complete, missing some of Echoes and all of the encore, Blues. This is, however, the better sounding of the 2 recorders for this date and deserves a very nice EX rating. It's something special when you get all these goodies in one RoIO, please enjoy responsibly! Original Source 2 notes: The whole concert from the 2nd source! This is the source that is often used to complete Echoes and Blues. It comes from a 1st generation tape, reaching into the VG-/VG area for sound quality. Apart from a few drops at the begining of CWTAE and a cut during the Blues number, this is very decent, very listenable. It's 3 CDs although it could fit on 80 mins. The performance is sublime, as we all know it. It's always interesting to collect all available sources since you get a different feel for the show. I strongly recommend this one! 145 minutes of Pink Floyd at their best. 2 flac  
105. 01/20/72 The Dome - Brighton, UK A A(0)->HiFi VHS->DAT(2)->SHN Rating: EX- (IMHO YMMV) 2 flac  
106. 01/20/72 The Dome - Brighton, UK A- Catalog: PYCD 065-2 Triangle Misc.: AAD, Made in the EEC Produced: Manufactured in Italy by Opti.Me.S 2 Flac  
107. 01/22/72 Winter Gardens - Hampshire, UK A Audience recorder 1 Original source lineage: Cassette (low gen) > Sony Professional WM6 Playback (azimuth aligned) > Marantz DR700 CD Recorder > CD-RW > EAC > Audition (index/edit) > Nero > Verbatim CD-R > EAC > FLAC Transferred to CDR in 2010 by Journeyman, ripped from CDRs and torrented in 2022 2 flac  
108. 01/28/72 Town Hall - Leeds, England a- You Are Number Six Free Range Pigs (FRP CDR-030/31) Comments: Recorded at The Town Hall in Leeds. This one is another amazing find. It's one of the earliest Dark Side shows - the sixth to be exact. This tape captures the entire show, including a lengthy 'Speak To Me' punctuated by members of the crowd calling to each other. You can hear cash register sound effects and a cow mooing as well. Or was that a sheep? There is a fair amount of hiss, which is not unusual considering the age of this tape. Over 32 years! The last two tracks of the Dark Side should be called "warped" versions, since there is a ton of warble. Even Mo Becks would be challenged to work this one out. It finally lets up a minute or so into One Of These Days. The original taper copied his source and sent it to a friend, who forwarded it on by his friend to our good friend JCE, who took sterling care of it over the years. He was kind enough to share it with us all. More precisely, the lineage is; Cassette(1 or 2)>Edirol UA-3FX>HDD>CEPro>WAV>SHN. Show Notes: The crowd is very quiet, which is not surprising, since we'd be too, if we had the chance to hear one of the first Dark Side performances. 'Money' is a fun listen, especially since the boys don't get the harmony quite right during the opening. There is a small break in the recording during 'Brain Damage'. It's obvious from the sound that the taper was moving around for some reason -- maybe to see the effects? We also suspect he was starting to have battery problems. This is unfortunate because a good bit of 'Eclipse' suffers from speed issues that would have taken another 32 years to fix! This lingers a little bit into 'One Of These Days' although it is not as bad; it slowly resolves itself and is gone by the end of the track. It's great that the taper captured the break after 'Dark Side' even though it is sometimes muffled, probably from hiding the mic. You can hear wind effects, a dog howling, and the boys tweaking their instruments in between. This is rare for an early 1972 recording. During 'Echoes', there is a small break, with no loss of music. The tape includes the entire band break with audience applause after 'Echoes'. Seamless. Credits: Jim Canale (bigpig@freerangepigs.com) and Free Range Pigs would like to thank the following people for their contributions to this effort: JCE for donating this rarest of jewels for us to enjoy. The Pentagon Pig for providing Project Coordination and Quality Assurance. The Hirsute Swine for providing Tree Admin Services, and a kick in the pants where needed. Busy Day Productions for creating the Ambient Artwork. Without these guys, none of this would have been possible. ------------------------------------------------------------------------------ If you are reading this, this is the speed-corrected version of this show. It generally ran about 3% too slow and all files are now A4 = 440. They were then re-encoded to APE Level 4. 2 flac  
109. 02/17/72 Rainbow Theatre - London, England B++ Floyd Rainbow Theatre, Finsbury Park, London, England 17 February 1972 Lineage: 1st gen TDK SA90 cassettes (1983) > Nakamichi RX-505 > Edirol UA-5 > Audacity > WAV > CD Wave > FLAC xACT used to create FFP 2 flac  
110. 02/17/72 Rainbow Theatre - London, England A- (BERKELY 2034) Vinyl Rip Lineage : Audio technica LP120 > Audacity > WAV > Vegas Pro 15 > FLAC Notes : The record was found out of the blue by my father, the record was spotted at a local record store by my dad while I was at work he sent me a photo of it and I checked floydboots.com and checked what it was and to my surprise it was a really rare record and for a steal price, he picked the record up for $50 and I paid him back after work. The record looks and sounds almost brand new, no warping, no major or minor scratches on the vinyl. It's a nice piece that I think should be ripped to the best of my abilities and shared with the Y Community! added photos of the record & the sleeve Shine On, Atomic 2 flac  
111. 02/18/72 Rainbow Theatre - London, UK a- Lineage: Maxell XLII Cassette (low) > Technics RS-B965-M > Focusrite Saffire Pro 14 > Audacity 1.3 > FLAC (24bit/96kHz) > Reaper v4.76 > FLAC (16bit/44.1kHz) xACT used to create FFP 2 flac  
112. 02/19/72 Rainbow Theatre - London, UK a- Lineage: 2nd gen TDK SA90 tapes > *Technics RS-B965-M > Focusrite Saffire Pro 14 > Reaper v4.61 and iZotope RX3 > FLAC (16bit/44.1kHz) xACT used to create FFP 2 flac  
113. 02/20/72 Rainbow Theatre - London, UK a- A remaster in 44.1k (CD resolution) from the 32k master for anyone who cannot play 32k audio files. Sample rate converted with Pro Tools highest quality setting. This will be desirable over the on-the-fly SRC built into many media players. Technically this is a LOSSY conversion in a higher quality format (any digital SRC is lossy). However, since the only way to listen to the master LOSSLESSLY would be with hardware DACs that support 32k, this SRC version done under controlled conditions may be desirable. Note that the filler tracks (OOTD,Echoes) from 5-21-1972 from the original DAT have not been included here as there are far better and more complete recordings available. 2 sources of different quality and unknown generation > 32k DAT > SHN > ProTools(SRC@44.1+levels) > AIFF > FLAC 1. Careful with that Axe, Eugene 2. Cymbaline 3. A Saucerful of Secrets 4. The Embryo 5. Interstellar Overdrive 6. Set the Controls for the Heart of the Sun 7. Consequently 8. Set the Controls for the Heart of the Sun (no eq version) 9. Consequently (no eq version) Notes from the 32k source: Its a 32khz version that appears to be or related to GBC's, described as follows. -littlepieces *********GBC comments********************************** 1ST GENERATION 32khz unprocessed Label -.- Date & Place Niedersachsenhalle, Hannover, Germany, March 15th 1970 Sound Quality Disc 1 is VG+, Disc 2 is EX- Source Audience Generation cass[1] > DAT(2)@32khz > SHN > WAV > Soundforge 8 (reindex) > Cdwave (split) > FLAC@32khz Disc 1 (55:04m) 1. tunings (0:29m) 2. CAREFUL WITH THAT AXE, EUGENE (8:14m) 3. tunings (0:29m) 4. CYMBALINE (8:32m) 5. tunings (0:16m) 6. A SAUCERFUL OF SECRETS (14:11m) 7. THE EMBRYO (9:14m) 8. INTERSTELLAR OVERDRIVE (13:38m) Disc 2 (30:43m) 1. SET THE CONTROLS FOR THE HEART OF THE SUN (11:43m) 3. THE AMAZING PUDDING (19:00m) Comments well i thought the other unprocessed sources were the best versions out there, but i was wrong. What a really nice surprise, this comes from a DAT@32khz (some other DATs at 48Khz were resampled from this one, so originally it is 32khz), and being 32khz or whatever, this sounds nice. Sounds brighter, clearer & louder than the other sources, specially StC & AHM which sound superior to the rest of the recording as on the other versions. Also, frequencies here look pretty nice really, and i dont hear this was processed at all. I received this as a long SHN dump straight from the DAT, it came with StC as first track as on many other versions, so i moved it before AHM to make the right setlist. Also, i removed 16 seconds of applause repeated at the end of IO. I have the original untracked/unedited SHN file if you want that. Now, about the imperfections of this recording. One thing about the 'swoshing cymbals' that are native to this recording, at first i thought that a pre-recorded tape was used cos on the louder parts you hear like 2 different bands playing, but i really think now that maybe the media the taper used was damaged, cos the sowshing noise and the 'pre-recorded' tape thing only appear on the louder parts. When the music gets quiet you dont hear anything strange noise or swoshing cymbales on the back, except the hiss. First 3 tracks are mostly damaged by this, but Embryo & IO are almost free of this imperfection. Now the interesting stuff. StC & AHM sounds clearly different, brighter and better defined than the rest of the recording. The announcement before AHM is from the main source, you can hear the sudden change of sound. I have many theories about this, but the fact of that patch on the announcement before AHM makes me think this is from 2 different recorders (StC & AHM being recorder 2 and the rest being recorder 1). Of course. We've seen too many releases of recordings that are patches from 2 recorders, like 1972-11-15 or 1972-10-21 where one recorder was used for the music mainly and the other for the audience/chatter parts. I think this is another case, but i dont have any more info about this apart of my research. About the performance, this is one of my favorites shows, they were really on fire that night. -gbc ************************************************** **************** This originally had STCFTHOTS as track 1. but... The trackorder has been changed and is not correct. According to 'In The Flesh' by Povey and Russell the correct order should be: Astronomy Domine/Careful With That Axe, Eugene/Cymbaline/A Saucerful Of Secrets/The Embryo/Interstellar Overdrive/Set The Controls For The Heart Of The Sun/The Amazing Pudding (Consequently) Considering setlists of the period, consistent sound quality of STCFTHOTS and Consequently vs the rest, the extra isolated applause bit after IO applause cuts off which suggests the removal of a song, the above comment sounds reasonable. I can also see someone making a production decision to open the disc with one of the better sounding tracks vs audience banter from the lesser source since the alleged opening song is missing. So that's the track order I went with. Additional remaster notes: In ProTools the files were sample rate converted to 44.1k with the highest quality settings. The lever dropped drastically early in track 1 on the master. This was corrected. All level correction in the positive direction with no limiting of any kind. STCFTHOTS and Consequently have a loud 240Hz tone in the recording (likely some artifact from the original recorder or subsequent dub). This was reduced with Waves Linear Phase EQ. Un-eq'd versions are included as extra tracks. Some very loud microphone bumps were removed from CWTAE. The little repeated bit at the start of Embryo and other "silent" pauses removed. The master is a 32k recording which means a top frequency responce of 16kHz. ANY digital eqing in the high end tends to do more harm than good in these types of recordings IMHO. Thanks to the many people involved from taping to transferring, sharing and note taking. As usual, no selling, share with everyone and try not to molest the poor thing any further with mp3. JFE 2008 Total running time 1 hour 21 mins 20 secs A new 1st gen source for Steve B's recording of this concert, which is clearer and has better high end than previous copies. You may have my August 2015 2nd gen source. The hiss on the 2nd gen oscillates slightly, making it more distracting. If you concentrate on Nick's cymbals and hi-hats they are more present on this 1st gen. I could have taken a subtle decrackler to my transfer but a completely raw release appealed to me. A bit of trivia for people outside the UK; Roger's "I can''ear ya" before STC is mimicking a North / East London accent. Vince 666 checked the recording speed for me and it runs slow by up to 1%. In more detail: OOTD is just around 1% slow CWTAE is around 0,5% slow Echoes is OK or at max 0,5% slow ASOS is around 1% slow Blues is around 0,5% slow STC is around 1% (around the beginning) to 0,5% slow (around the end) Careful53 cassettes / Neonknight tape transfer, July 2017 2 flac  
114. 02/22/72 Winter Gardens - Bournemouth, UK A "50th Anniversary" MOB remaster of "Eclipse Of The Dark Side" bootleg CD (Gold Standard DEPSIX000, 1999) Lineage: Recorder 2 > unknow gen tape > "Eclipse Of The Dark Side" CD (1999) > MOB remastering (2022) > FLAC Remastering: - speed correction (original bootleg ran slow) - restoration of Breathe first two bars - restoration of missing frequencies - EQ - manual repairing (clicks and drop-outs) - channels rebalancing 1 flac  
115. 03/06/72 Taiikukan - Tokyo, Japan A PINK FLOYD The Darker Side Of Rising Sun Japan 1972 Chronicles The Godfather Box G.R. BOX 24 Matrix Disc 01: G.R. BOX 24A - B CD1 Matrix Disc 02: G.R. BOX 24A - B CD2 Matrix Disc 03: G.R. BOX 24C - D CD1 Matrix Disc 04: G.R. BOX 24C - D CD2 Matrix Disc 05: G.R. BOX 24E - F CD1 Matrix Disc 06: G.R. BOX 24E - F CD2 Matrix Disc 07: G.R. BOX 24G - H CD1 Matrix Disc 08: G.R. BOX 24G - H CD2 Matrix Disc 09: G.R. BOX 24I - L CD1 Matrix Disc 10: G.R. BOX 24I - L CD2 Matrix Disc 10: G.R. BOX 24M - N CD1 Matrix Disc 12: G.R. BOX 24M - N CD2 (P) 2014 Made In Japan BOX Ticket Miniposter Tour Book Scans This is a 12CD box set covering six complete shows from their Japanese Tour in 1972 plus different/alternate sources as bonus tracks for each individual set. The box also contains a Tokyo Concert Poster, Ticket Reproduction, and a 24 Page Tour Book. BOX approx.16,5cm x 16,5cm x 6,5cm 2 flac  
116. 03/07/72 Taiikukan - Tokyo, Japan A Lineage Bootleg(Tokyo 1972 2nd Night Sigma161) Silver CD > Xrecode3 > FLAC (Level 5) 2 flac  
117. 03/07/72 Taiikukan - Tokyo, Japan A PINK FLOYD The Darker Side Of Rising Sun Japan 1972 Chronicles The Godfather Box G.R. BOX 24 Matrix Disc 01: G.R. BOX 24A - B CD1 Matrix Disc 02: G.R. BOX 24A - B CD2 Matrix Disc 03: G.R. BOX 24C - D CD1 Matrix Disc 04: G.R. BOX 24C - D CD2 Matrix Disc 05: G.R. BOX 24E - F CD1 Matrix Disc 06: G.R. BOX 24E - F CD2 Matrix Disc 07: G.R. BOX 24G - H CD1 Matrix Disc 08: G.R. BOX 24G - H CD2 Matrix Disc 09: G.R. BOX 24I - L CD1 Matrix Disc 10: G.R. BOX 24I - L CD2 Matrix Disc 10: G.R. BOX 24M - N CD1 Matrix Disc 12: G.R. BOX 24M - N CD2 (P) 2014 Made In Japan BOX Ticket Miniposter Tour Book Scans This is a 12CD box set covering six complete shows from their Japanese Tour in 1972 plus different/alternate sources as bonus tracks for each individual set. The box also contains a Tokyo Concert Poster, Ticket Reproduction, and a 24 Page Tour Book. BOX approx.16,5cm x 16,5cm x 6,5cm 2 flac  
118. 03/08/72 Festival Hall - Osaka, Japan A Source: Audience Recording Lineage: Sirene-007 Boot 2CD > WAV > EAC > FLAC 2 flac  
119. 03/08/72 Festival Hall - Osaka, Japan A original source/lineage: audience Recorder 3 / LP > original silvers > flac new source/lineage: audience Recorder 3 / LP > original silvers > flac > AudioMuxer 0.9.6.4 (join flacs) > iZotope RX 7 Advanced* > wav > TLH > flac *re-track, manual click & pop removal, azimuth adjustment 2 flac  
120. 03/08/72 Festival Hall - Osaka, Japan A PINK FLOYD The Darker Side Of Rising Sun Japan 1972 Chronicles The Godfather Box G.R. BOX 24 Matrix Disc 01: G.R. BOX 24A - B CD1 Matrix Disc 02: G.R. BOX 24A - B CD2 Matrix Disc 03: G.R. BOX 24C - D CD1 Matrix Disc 04: G.R. BOX 24C - D CD2 Matrix Disc 05: G.R. BOX 24E - F CD1 Matrix Disc 06: G.R. BOX 24E - F CD2 Matrix Disc 07: G.R. BOX 24G - H CD1 Matrix Disc 08: G.R. BOX 24G - H CD2 Matrix Disc 09: G.R. BOX 24I - L CD1 Matrix Disc 10: G.R. BOX 24I - L CD2 Matrix Disc 10: G.R. BOX 24M - N CD1 Matrix Disc 12: G.R. BOX 24M - N CD2 (P) 2014 Made In Japan BOX Ticket Miniposter Tour Book Scans This is a 12CD box set covering six complete shows from their Japanese Tour in 1972 plus different/alternate sources as bonus tracks for each individual set. The box also contains a Tokyo Concert Poster, Ticket Reproduction, and a 24 Page Tour Book. BOX approx.16,5cm x 16,5cm x 6,5cm 2 flac  
121. 03/09/72 Festival Hall - Osaka, Japan B++ Lineage 1st Set and 35 secs of tunings before CWTAE: Echoes From Osaka, unknown label (BS-10-11) > EAC > flac Lineage 2nd Set: Cass(4) > CDR(0) > EAC > flac Additional lineage: flac > TLH > wav > Adobe Audition 3.0.1* > wav Tracked with CD Wave, encoded to flac 8 with TLH, tagged with foobar2000 * - speed corrected 1st Set (102.1 stretch) - speed corrected 2nd Set (101.3 stretch) - filtered out interference just below 16kHz during first part - cleaned up diginoise and ticks and deleted digital silences - declicked 2nd Set - de-amplified 2nd Set -2.1dB 2 flac  
122. 03/09/72 Festival Hall - Osaka, Japan A PINK FLOYD The Darker Side Of Rising Sun Japan 1972 Chronicles The Godfather Box G.R. BOX 24 Matrix Disc 01: G.R. BOX 24A - B CD1 Matrix Disc 02: G.R. BOX 24A - B CD2 Matrix Disc 03: G.R. BOX 24C - D CD1 Matrix Disc 04: G.R. BOX 24C - D CD2 Matrix Disc 05: G.R. BOX 24E - F CD1 Matrix Disc 06: G.R. BOX 24E - F CD2 Matrix Disc 07: G.R. BOX 24G - H CD1 Matrix Disc 08: G.R. BOX 24G - H CD2 Matrix Disc 09: G.R. BOX 24I - L CD1 Matrix Disc 10: G.R. BOX 24I - L CD2 Matrix Disc 10: G.R. BOX 24M - N CD1 Matrix Disc 12: G.R. BOX 24M - N CD2 (P) 2014 Made In Japan BOX Ticket Miniposter Tour Book Scans This is a 12CD box set covering six complete shows from their Japanese Tour in 1972 plus different/alternate sources as bonus tracks for each individual set. The box also contains a Tokyo Concert Poster, Ticket Reproduction, and a 24 Page Tour Book. BOX approx.16,5cm x 16,5cm x 6,5cm 2 flac  
123. 03/10/72 Taisyougun Furitsu Taiikukan - Kyoto, Japan A PINK FLOYD The Darker Side Of Rising Sun Japan 1972 Chronicles The Godfather Box G.R. BOX 24 Matrix Disc 01: G.R. BOX 24A - B CD1 Matrix Disc 02: G.R. BOX 24A - B CD2 Matrix Disc 03: G.R. BOX 24C - D CD1 Matrix Disc 04: G.R. BOX 24C - D CD2 Matrix Disc 05: G.R. BOX 24E - F CD1 Matrix Disc 06: G.R. BOX 24E - F CD2 Matrix Disc 07: G.R. BOX 24G - H CD1 Matrix Disc 08: G.R. BOX 24G - H CD2 Matrix Disc 09: G.R. BOX 24I - L CD1 Matrix Disc 10: G.R. BOX 24I - L CD2 Matrix Disc 10: G.R. BOX 24M - N CD1 Matrix Disc 12: G.R. BOX 24M - N CD2 (P) 2014 Made In Japan BOX Ticket Miniposter Tour Book Scans This is a 12CD box set covering six complete shows from their Japanese Tour in 1972 plus different/alternate sources as bonus tracks for each individual set. The box also contains a Tokyo Concert Poster, Ticket Reproduction, and a 24 Page Tour Book. BOX approx.16,5cm x 16,5cm x 6,5cm 2 flac  
124. 03/13/72 Nakanoshima Sports Center - Sapporo, Hokkaido Island, Japan AA The Great Gig On The Moon CD > WAV > FLAC > WAV > COOL EDIT PRO 2.1 > WAV > FLAC Originally Released by Eelhouse [2004-08-xx] Editted and Remastered by Spectre [2006-07-07] 2 flac  
125. 03/13/72 Nakanoshima Sports Center - Sapporo, Hokkaido Island, Japan A PINK FLOYD The Darker Side Of Rising Sun Japan 1972 Chronicles The Godfather Box G.R. BOX 24 Matrix Disc 01: G.R. BOX 24A - B CD1 Matrix Disc 02: G.R. BOX 24A - B CD2 Matrix Disc 03: G.R. BOX 24C - D CD1 Matrix Disc 04: G.R. BOX 24C - D CD2 Matrix Disc 05: G.R. BOX 24E - F CD1 Matrix Disc 06: G.R. BOX 24E - F CD2 Matrix Disc 07: G.R. BOX 24G - H CD1 Matrix Disc 08: G.R. BOX 24G - H CD2 Matrix Disc 09: G.R. BOX 24I - L CD1 Matrix Disc 10: G.R. BOX 24I - L CD2 Matrix Disc 10: G.R. BOX 24M - N CD1 Matrix Disc 12: G.R. BOX 24M - N CD2 (P) 2014 Made In Japan BOX Ticket Miniposter Tour Book Scans This is a 12CD box set covering six complete shows from their Japanese Tour in 1972 plus different/alternate sources as bonus tracks for each individual set. The box also contains a Tokyo Concert Poster, Ticket Reproduction, and a 24 Page Tour Book. BOX approx.16,5cm x 16,5cm x 6,5cm 2 flac  
126. 03/30/72 Free Trade Hall - Manchester, UK B++ Revision B Original source lineage: Mono Philips Cassette Recorder > Cass(M/1) (Scotch-120) > CDR(1) > shn Additional source lineage: shn > TLH > flac > Adobe Audition 3.0.1* > flac (Revision A) May 2019: appended tracks, re-speed corrected with Reaper v5.35 (0.99 time shift) Tracked with CD Wave, encoded to flac 8 with TLH, tagged with foobar2000 * - clip restoration / de-amplification / levels adjustments - speed correction 97.3 shrink - cleaned up of ticks, clicks, digital silence and two fragments of repeated material during Echoes and before STC - interference just below 16kHz filtered out - missing / damaged audio fragments during Echoes and before STC inserted / replaced with the processed Completely Replay, Blue Cafe RoIO 2 flac  
127. 04/15/72 The Sportatorium - Hollywood, FL B++ cass[M]>[hifi]>DAT>cdr 2 flac  
128. 04/16/72 Township Auditorium - Columbia, SC A http://www.hokafloyd.com/CD3/Massed_Gadget_Of_Hercules/The_Massed_Gadget_Of_Hercules_1970_1974.htm PF - The Massed Gadgets Of Hercules 1970 – 1974 - Godfather GR BOX 09 Several Species Of Some Unique Performances Gathered Together In A Box And Making A Joy Fantastic 10 CD Box-Set with five shows. INCLUDING: 5 Double Trifold Cardboard Sleeve CDs (Pictured) • 28 PAGE BOOKLET (Scans here) • 1972 US TOUR BOOK REPLICA disc 5 & 6 2 flac  
129. 04/27/72 Ford Auditorium - Detroit, MI A All Sources: ACL2005>CDR>EAC>FLAC Source1: "War In The Head LP" FLAC: Declicked/Decrackled, Speed Corrected, Level Adjusted, Track Order Corrected Source2: "Pandoras Box" Silver: Speed Corrected -2.7%, Upgrade Bonus Tracks: STC and Blues. "War In The Head" was generally rated VG to VG/VG+, primarily because it was a raw rip from no better than average condition Vinyl. Though often a bit thin and sometimes shrill, it has pretty strong fidelity, but is full of vinyl artifacts, e.g. snap, crackle, pop, static etc. the usual. Also many level fluctuations, mostly drop offs of various amounts throughout the whole recording. Also, IMO, the speed was off on the Dark Side set and on some of the second set as well. Finally the track order of the second set was incorrect. IMHO, though the vinyl source is still a bit rough, after the adjustments this version is much more listenable now and the Bonus tracks from "Pandoras Box" from this date are nice upgrades to the other sources from this date. The PB bonus tracks on disc 2 can be placed before their vinyl counterparts if one chooses with no transition issues. Enjoy. 2 flac  
130. 04/28/72 Auditorium Theater - Chicago, IL a- All Sources used from here. Rec 1: The Great Gig (HL561-562) Rec 2: Master (cass)>DAT(2) or The Fireman's Tapes Volume I (both supposed clones of the original DAT), or a speed correction. Doinker's Reel is more complete. *********'s HRV CDR 004 RevA comes from a first gen, but has better sound for certain parts of the show. Quadraphonic matrix: Quadraphonic master 24-44.1 DVDA 2 flac  
131. 04/28/72 Auditorium Theater - Chicago, IL AA Lineage: BASF reel ->Sound Forge ->(-)16.7 cents speed correction ->gap repairs (hopefully all done) ->track splitup ->Flac via Flac Frontend, level 6, sectors aligned and verified A 'Hogweeds' remaster of original torrent: http://www.dimeadozen.org/torrents-details.php?id=228149 Many thanks to Doinker for uploading this marvellous 'Dark Side' performance. It is a huge sonic improvement on the original Harvested release (RevA includes the entire concert), which is still on the tracker here: http://www.dimeadozen.org/torrents-details.php?id=219847 In listening I thought there were a few things in the recording I wanted to adjust for myself, including: i) A stereo image consistently off to the left, which I found distracting, especially on headphones. It probably reflects the positioning of the taper within the hall. I reckon he was seated to the left side, close to the stage. Thus he would naturally have swivelled slightly right to face the stage. When he did, he'd have the audience around him and in front, but more weighted to the right. He'd also have the closest main speaker stacks above his left side, and the Floyd's surround-sound stacks behind and to the right. I think he aimed his stereo mic towards the visual focus, the stage, and thus captured the left-dominant stereo field we hear on this recording. Changing this is an aesthetic matter. The taper's positioning was not ideal, and no adjustment will make it so. However by simply shifting the phase alignment of the channels, I have duplicated what this recording would have sounded like if the taper had pointed his mic at the acoustic focus, the primary speaker stacks, and captured the music stereo centre. It does shift the audience a bit off to the right, and some of the multi-channel speakers too, but for me, this actually brings out the 'surround' feel of the tape effects a little better. You can certainly discern the tape effects from what comes from the musicians play on stage (eg: Speak to Me) Note also at the end of 'Money', when (I'm guessing) it sounds as though the front PA dies, leaving audio coming from the stage itself and the surround stacks. ii) Balancing the equalisation to lift the lower frequencies, adding 'body' to the sound and a bit more punch in the bass. iii) Repairing numerous small dropouts, and some larger glitches. No critique of Doinker, who may have corrected even worse problems (and said 'hopefully all done'), but there were quite a few in 'Breathe' and from 'Brain Damage' on, including some bad clunks in 'Eclipse'. There were a few comments on Doinker's torrent suggesting these improvements would be appreciated, so having prepared this remaster for myself, I thought I would offer up the results for others. Here it is now, with Doinker's approval. Corrected artwork from the earlier torrent, seeded separately here: http://www.dimeadozen.org/torrents-details.php?id=228179&hit=1 **** Doinker's original release notes: Superb DSOTM from Low-Gen Reel to Reel 16 bit This is perhaps the nicest early performance this guy has ever had the pleasure to hear. 2 flac  
132. 04/28/72 Auditorium Theater - Chicago, IL A *** Sources: Recorder 2 (front): Main source: Master Aud. Cass.>DAT2x>Delta DI/O 2496 soundcard>Soundforge 7.0>CD Wave Editor>Flac 1st 53 seconds: Lineage: BASF reel ->Sound Forge ->(-)16.7 cents speed correction ->gap repairs (hopefully all done) ->track splitup ->Lplex. This is a 24 bit 48k audio DVDr with a black screen. Recorder 1 (rear): The Great Gig (HL 561-562) Original Pressed Silver CDs *** Recording background: Pink Floyd concerts were presented in quadraphonic surround sound. They called this system the Azimuth Coordinator. They used a front (stage), back, left, right speaker pattern live as opposed to the L,R,Ls,Rs setup for home systems and studio recordings. This show was captured by 2 tapers who happened to be strategically located with respect to each other and the sound system. The front stereo source (rec2) sounds fairly well centered and close to the stage. The back mono recorder (rec1) is in the back of the room directly in front of the rear surround speaker. This speaker stack is captured very discreetly with the room ambiance only half the volume of the direct sounds from this PA speaker. Combined we have an amazing 3 point capture of the live surround mix. *** Recording notes: Both recorders show a shrill saturation that blooms with the loud lead guitar sections that sounds like an effect of the room acoustics with the high volume to begin with even before any limitations of the recording devices. This generation of R2 is undecoded dolby. The sound is saturated beyond the dolby pre-emphasis effect. This could be from any of further analog generation copies (of the undecoded dolby), some consumer grade analog eq from the past, one of the early lower res digital eqs found in early DAW apps and media players, or the lower res digital transfer with early 44.1k 16 bit consumer gear. Or all of the above. The dolby pre-emphasis eq helps correct some of the high end attenuation that comes from generation loss and the recording equipment to begin with. Not in a perfect or intentionally controlled way but this often continues to be an example of two wrongs making a right. The dolby pre-emphasis eq is aggressive but avoids distortion by backing off with stronger moments of high end content. This gives you that impossible boost you were looking for without hitting the red but with breathing (compression) artifacts. This dolby circuit anticipates studio production balances to start with. This led to some of these audience recordings with odd balances that would never decode properly if recorded with dolby, Which leads to people playing them back with the dolby off because it’s now closer to what the original sounded like with less loss vs a decode that doesn’t track. The end result of all of the above is a recording with some very detailed fidelity (especially the quieter parts) but with some moments of shockingly over the top shrillness. R2 has 3 distinct sound profiles that are probably the combined effect of different record levels and different tape response in the generational copies with the dolby pre-emphasis eq. It’s also possible the taper moved closer to the stage starting with CWTAE. If the original recordings were given a reference quality analog to HD digital transfer it would likely reveal more fidelity and less damage, but even with the shortcomings listed my sense is more has been preserved than lost here. *** Live surround mix notes: In general, Dave's lead parts and solos are sent to all speakers and usually also pan around. They like to have fun panning the keys and guitar during the trippy improv parts. The taped preacher voices come from all directions with one directly from the rear speaker in Mortality Sequence. The laughing voice in BD is directly in the rear speaker. The Apollo 8, Kennedy assassination, etc tapes in Eclipse are all around the room. OOTD has all the wild quad panning you could ask for in the middle section. Obvious quad panning for the seagulls in Echoes and the guitar and keys are often in motion throughout. The taped voices at the end come in from the back and then spread around. STC is all about surround soundscape play and is very well captured and preserved here. *** Mastering notes: The quadraphonic format (4.0) is the simplest standard format to present this recording. The front source to L & R and the rear mono source to both Ls & Rs. All sources were upsampled to 96k to allow for restoration work with HD tools. ** Tools: Reaper DAW iZotope RX plugins and spectral editor Waves linear phase eq plugins ** Work done: The left channel of the dual channel mono R1 is better sounding and used alone. Azimuth error offset correction on R2. Speed correction and sync between sources. (Elastique Pro 3 algorithm) Correcting overall level imbalances throughout. High end eq correction for the strongly attenuated right channel of R2 in Dark Side - OOTD. Dynamic eq to track and offset the dolby boosts that go too far and exaggerate shrillness. Additional dynamic eq and balance work on the loud lead guitar sections. The big shrill band is centered at 3989Hz. Removed the worst mic thumps and fixed the worst dropouts. The recordings still suffered from high end attenuation in spite of the dolby encoding. This was corrected to the extent possible by blending in parallel high passed duplicate tracks (as opposed to eq boosts) using linear phase eq to avoid phase issues. These “boost” tracks were noise reduced to avoid adding more noise to the recording. R2 still had exaggerated noisy distortions that were broadband enough to be impossible to soften without muffling the entire high mid range. iZotope RX deconstruct feature allowed separation of the tonal content from the noise and transients to create a ‘tone boost’ track to blend in to further help balance things without stepping on the remains of the higher frequency transients. All these balance corrections followed the different sections of the recording as needed. ** Edits and patches: R1 (rear) starts recording first. Stops at 1:15 and starts up again at 2:17. R2 (front) comes in at 1:22. The Speak To Me fx tape is the same at every show in this part of the tour and thus the gap in R1 from that first pause is of known length. The fx are patched from 1972-02-20 R2 in the gap with audience ambience constructed from nearby samples. The first 0:53 of R2 comes from an alternate higher gen copy. The better preserved lower gen source truncates that first 0:53. The opening tape fx in Money are heavy in the L & R side surround speakers which are the furthest from the recording positions. These L & R side elements are enhanced from isolated tape fx extracted from Feb 20 R1 & Mar 6 R1 & R2 to match the balance with the more closely captured front and rear quad channels. Both tapers changed tapes between Money and U&T and miss a small part. R2 drops out at -0:04, R1 drops out at 0:05. R2 comes back at 0:15, R1 at 0:57. The fx tape with the woman moaning that runs through this segue was patched from 1972-02-20 R1 and the opening chord and audience ambience constructed from nearby samples. R2 drops out again for 23 seconds at 1:37. This is patched from R1 and enhanced with nearby samples from R2. A 2 second dropout in R1 during the seagulls in Echoes was patched using nearby samples. The person who screamed "Pink Floyd!!" 4 times during the seagull section of Echoes has been carefully erased. Both tapers pause between songs for the rest of the show after Dark Side and the tapes are left to cut in/out as they were started/stopped at the show with no smoothing over. The fx burst from the rear speaker in the very opening of the show sounds like it was panned quickly 360 around the room 3 times. You hear the perspective from right next to the rear channel of 3 bursts. Distorted as the volume was a surprise and overloads the recording. I smoothed the distortion over and added the motion in the other speakers that was implied by the rear channel component. Nothing else in the mix has been modified or panned after the fact. The end result here is a very good fidelity authentic surround sound concert recording with just a few rough edges. 2 flac  
133. 05/02/72 Carnegie Hall - New York, NY A Original Transfer Notes: Nakamichi DR2 > KorgMR1000 DSDFF@5.6MHz > Audiogate > 24/88.2 > Wavelab 6 > Ozone4 > CDWave > R8Brain(16/44.1) MOTB Remastering Notes: Ñ slight overall tape hiss reduction using Izotope RX Denoiser 2 Ñ slight EQ and balance adjustments Ñ lowered audience applause gain after each song Ñ removed a few very loud claps Ñ there is one section of "Careful" where the mics get overloaded, can't fix Ñ there is a tape flip during "Echoes", can't fix Ñ overall the gain was slightly increased with less tape noise Ñ thanks goes to Ken Lee for recording this amazing show 2 flac  
134. 05/04/72 Music Hall - Boston, MA a- A JOE MALONEY MASTER KRW_CO TRANSFER LINEAGE AUDIENCE ANALOG MASTER TO WAV TO AUDIO CLEANING LAB FOR TAPE FLIP EDITS AND TRACK MARKS ONLY TO CDR KRW TRANSFER TO EAC TO TLH FLAC LEVEL 8 NO EQ OR REMASTERING 2 flac  
135. 05/21/72 Insel Grün - Germersheim, West Germany A Source: 'Double Bubble' vinyl LPs recorded on a That's VX 90 cassette (circa 1987-89). Lineage: 2 x 'Double Bubble' vinyl LPs > That's VX 90 cassette > Technics RS-B565-MH * > Echo Audiofire 4 > WAV 24bit 96Khz > WAV 32bit 96Khz > declick > speed correction > gain adj. > downsampling to 44.1Khz > dither to 16 bits > WAV 16bit 44.1Khz > FLAC 16bit 44.1Khz * The Technics RS-B565-MH is a deck modified by vince666 This is a Remastered version of the transfer made by vince666 in 28 june 2020. 2 flac  
136. 05/21/72 Insel Grün - Germersheim, West Germany a- New High Definition transfer from Marbal's own 1st Generation Safety Cassette. Artwork production by Beechwoods. Lineage History: -Master Recording (1972-05-21): Telefunken Magnetophon 300 reel to reel -RtR to Cassette (1981-09-18): ASC AS 5000 reel to reel > unknown cassette deck > Maxell UDXLII C90 cassette (Dolby 'On') -1st Gen Cassette (2011-07-18): Nakamichi CR7A > Maxell UDXLII C90 cassette (Dolby 'On') > Tascam HD-P2 (WAV 24bit/96kHz) ===> Adjustments (WAV 32bit float/96kHz) > WAV (16bit/44kHz) > CDWave (1.98) > FLAC 2 flac  
137. 06/28/72 The Dome - Brighton, UK a- from marbal's cassettes / transferred by pinkrudy on february 2008 Generation: Maxell XLII90 & Maxell XLII60 cass[3] > Sony CFD-G500 > SB X-Fi Xtrememusic > Cooledit Pro > WAV 24/48 > FLAC 24/48 Total Time 105:48m 1. DAKR SIDE OF THE MOON (44:30m) 2. ONE OF THESE DAYS / CWTAE / ECHOES (43:58m) 3. SET THE CONTROLS (17:20m) 2 flac  
138. 09/10/72 McFarlin Auditorium, SMU - Dallas, TX a- transferred by Furry_Animal from M.B. tapes Tape recorded on May 5th 1983 Recording source .. Audience Sound Quality ..... EX- Tape source ....... Maxell UDXLII C90 3rd generation cassette w/ Dolby B Transfer .......... Sony CD/Cass deck TXD-RE210 > Creative Sounblaster X-FI Platinum > HD > Auditon 1.5 > 24b/48Khz WAV > Adobe Audition (file merge) & CDWave 1.95.1 (track) > FLAC Total time ........ 87:32m 2 flac  
139. 09/22/72 Hollywood Bowl - Los Angeles, CA A cass(low)>eac>flac 2 flac  
140. 09/22/72 Hollywood Bowl - Los Angeles, CA AA Source: ECM-22P mics > Sony 770 reel @ 7 1/2 ips 40-50 feet back, dead center First generation R2R copy Revox A77 (playback) > Sony TC755 reel 2010 first generation R2R transfer Technics 1506 (playback) > Sony R500 DAT > HHb850 CDR CDR rip (EAC) > Adobe Audition (fix speed/pitch, some editing and EQ) > TLH 2013 clean-up of edits, dropouts, pops, loudest claps and mic thumps and scrapes. Audacity > CD Wav > TLH (Flac level 8) > Stamp ID3 tag editor There are 2 entries one was a store bought copy and the other was done by Flying M Productions 2 flac  
141. 09/22/72 Hollywood Bowl - Los Angeles, CA A Today we got 49th anniversary of this legendary show and here's my own contribution to it. What I am doing is sharing with my fresh rip I did from my almost mint copy of the very first pressing of the Crackers set. Released in 1978, it was originally issued as a triple single hard cartoon pocket envelope, soon reissued couple of times. The latter pressings from 1979 onwards were famous heavy hinged open boxes with inserts. Speaking in other words, Crackers has been released many times, as it was a very popular and on-demand title throughout entire 1980s. More info can be found here: http://www.floydboots.com/pages/crackers.php I did two separate versions. The first is just a raw vinyl rip, without absolutely no processing, with all the crackles, pops and other factors. The second is a fully declicked and speed/pitch/phase corrected version, where I was able to eliminate most of the issues and this including several pops and some surface noises too. There's absolutely no technical procession on it, no EQ or other digital interferences. To be honest, I was always very unsatisfied with what I could find on the tracker, and this is my own attempt to make this particular version sounding better. Unless we get a raw tape transfer made by Jon Wizardo, this is possibly the best version of this source. Lineage (raw version): Crackers 3LP set (first pressing) -> Pioneer PL-550 -> Steinberg UR44 -> Reaper -> WAV 24/96 -> TLH -> FLAC 24/96 Lineage (remastered version): Crackers 3LP set (first pressing) -> Pioneer PL-550 -> Steinberg UR44 -> Reaper -> WAV 24/96 -> mastering @ Elastique Pro 3 & Izotope (declicking and this featuring removing bigger pops by hand, pitch/speed/phase correction, manual volume and channel adjustments, etc.) -> TLH -> FLAC 24/96 2 flac  
142. 09/23/72 Winterland Auditorium - San Francisco, CA A- Title: Winterland 1972 Date: 23-24 September, 1972 Location: Winterland Auditorium, San Francisco, California Source: TDK Tape 100 Master Reel>Sirene-046 Silver CDs Copy 77 of 300>EAC>WAV>SHN Rating: VG+ 2 Flac  
143. 09/24/72 Winterland Auditorium - San Francisco, CA A 1st gen 1/4“ RtR Scotch 203 Tape (7 1/2 ips) This show was originally recorded on cassette by JD (the same taper as Pepperland 1970) then copied to open reel and the cassettes re-used. Sony TC-126 with Powered Single Point Stereo Microphone. These tapes were 'baked' by Grolsch and smegmaO in June 2011. 2 flac  
144. 09/24/72 Winterland Auditorium - San Francisco, CA 8 Title: Winterland 1972 Date: 23-24 September, 1972 Location: Winterland Auditorium, San Francisco, California Source: TDK Tape 100 Master Reel>Sirene-046 Silver CDs Copy 77 of 300>EAC>WAV>SHN Rating: VG+ 2 Flac  
145. 10/21/72 Empire Pool - Wembley, UK B++ 1st gen TDK SA90 and SA60 cassettes (1983 type) > Technics RS-B565 > Focusrite Saffire Pro 14 > Reaper v4.76 > FLAC (24bit/96kHz) xACT used to create FFP 2 flac  
146. 10/21/72 Empire Pool - Wembley, UK AA The Oxfam Concert The Godfatherecords GR 361/362 Matrix Disc 1: G.R. 361/362 CD1 Matrix Disc 2: G.R. 361/362 CD2 2 flac  
147. 11/10/72 KB Hallen - Copenhagen, Denmark a-   2 flac  
148. 11/10/72 KB Hallen - Copenhagen, Denmark A "Live In Denimerk" Digital Floyd Archives DFA-029 2 flac  
149. 11/14/72 Philips Veranstaltungshalle - Düsseldorf, West Germany B++ http://www.hokafloyd.com/CD4/Dusseldorf_1972_Sigma_105/Dusseldorf_1972_Sigma_105.htm 2 flac  
150. 11/15/72 Sporthalle - Böblingen, West Germany A source/lineage: audience Recorder 2 / probably cass[low] > original RoIO > shn > wav > Adobe Audition 1.5 > cd wav > TLH > flac > Adobe Audition 3.0 > cdwav > TLH flac 2 flac  
151. 11/15/72 Sporthalle - Böblingen, West Germany A ******************************************************************** FLAC Tags Via xACT 2.50 By OldNeumanntapr ******************************************************************** 01 [14:28] Careful With That Axe, Eugene 02 [26:13] Echoes 03 [09:39] One Of These Days == [50:21] Total ***Neonknight's Notes*** Marbal's cassette of this amazing recording is significantly better than previously circulated copies. The taper's microphones appear to have been perfectly positioned and he seems to have used a professional reel-to-reel recorder. I asked Grolsch for his thoughts on the tape's origins and he mentioned that there was a rumour that it was done by a ZDF employee who used the TV station's equipment. ***Littlepieces' Mastering Notes*** I love this recording. It has so much more depth and realism that the DAT and CDR versions are missing. I am not at all surprised by Grolsch's comment about it possibly being done by an insider with the station's equipment. This is a Dolby-On recording. The differences in decks often result in the decoding profile varying from the original encoding creating a poor result. So in order to ensure we got the best possible outcome, we tried three different transfer settings: Dolby on-70us, Dolby off-70us, and Dolby on-120us. In this case we decided that the original settings of Dolby on-70us provide the best result given the planned processing approach. Marbal's tape is a true stereo recording. Like most stereo audience recordings it has a phasey SQ due to sound entering the mics at slightly different times. I used the multiband enhancer to move everything below 260Hz towards mono, varying the amount throughout and adjusted gain as necessary. This really helped to ground the sound stage and build the low end. I utilized and varied moderate noise reduction settings working mostly above 12kHz and only slightly lower on audience and quieter sections, while being diligent not to encroach on the harmonics. A subtle but strange phenomonom occurs sporadically throughout the recording but is really only noticeable during some of the quiet parts. The upper level hiss level changes between about 10k-20k. It's as if the Dolby setting is changing or fading since the EQ is not changing. Not sure what is causing it but I altered the NR settings to make it less apparent whenever it occurred. OoTD has two transfers, the first ended after ~6m and the last was complete. I felt the complete version had better SQ but had some rough almost damaged sounding sections in the first part, so I spliced just under 3m of the undamaged part of the incomplete transfer and the remainder is from the complete transfer. The track order on the tape was Echoes, CWTAE, OoTD so I put the tracks in the proper order including a 5s segment before OoTD that is actually part of the pre Echoes tuning. I used a moderate shaped EQ to increase the area between ~1k to 3-4k and sometimes extended the upper end slightly where it began to fall off after 10k. Also adjusted channel gain throughout to help balance the recording output. The recording responded very well to these small changes. A few segments have over-driven low frequencies below 80Hz which I moderated. I also reduced a few low frequency hums during a some quiet sections and manually spectral cleaned some tics, pops,etc. There were many micro drop outs caused by damaged segments, mostly ~20ms, and I removed the short piece of damage. Thankfully, the speed of the recording was close enough, so I decided to not subject it to a resample. I noted compared to 'Untitled 1st gen', Marbals' recording is missing about 48s of audience tuning before echoes but has ~8s more before audience applause preceding OoTD. Marbal Tape / Neonknight Transfer / Little Pieces Production (LPP) December 2012 ****************************************************************************************** 1 flac  
152. 11/15/72 Sporthalle - Böblingen, West Germany A Soundboard 'Eclipse' - Live In Germany CD ************************************************************************ FLAC Tags Via xACT 2.52 By OldNeumanntapr (+ front cover artwork) 2 flac  
153. 11/16/72 Festhalle - Frankfurt Am Main, West Germany A Lineage: - Master Recording (1972-11-16): mono Philips EL3302 portable cassette recorder - Nakamichi CR7A > Tascam HD-P2 (WAV 24bit/96kHz) - ProTools 9 HD mastering (2013) 2 flac  
154. 11/17/72 Festhalle - Frankfurt, West Germany A Lineage: - Master Recording (1972-11-17): Grundig TK147 reel to reel - Master to reel to reel backup (c. 1976): Grundig TK147 > Telefunken Magnetophon 300 - 1st Gen reel to reel (2011-08-05): Pioneer RT707 > Tascam HD-P2 (WAV 24bit/96kHz) - ProTools 9 HD mastering (2012) Files: MASTER: 24bit/96kHz stereo* FLAC SC: 24bit/96kHz stereo* FLAC (speed corrected only 2 flac  
155. 11/22/72 Salle Valliers - Marseille, France B++ Lineage -> original cd -> EAC (wav) -> TLH (Flac 8) 2 flac  
156. 12/01/72 Palais des Sports - Saint Ouen, France a- Harsh Realities [1972 RTL AM broadcast restored] }{eywood / eckoes 2011 ------------------------------------------------------------------------------------------------------- Details: Date: December 1st, 1972 Venue: Centre Sportif de l'Ile des Vannes, Saint-Ouen, France Original Source: AM radio brodcast Channel(s): Mono (1.0) ------------------------------------------------------------------------------------------------------- Notes: In 1972, RTL was one of the most popular radio station in Europe. Despite having their studio in France (they were the intended audience), they had an insanely powerful transmitter in Luxembourg to overcome the French legislation that banned private broadcasting at the time. Because of this, they could be heard all over Western Europe, even in Scotland during beautiful days. At the time, Pink Floyd were very popular in France. They knew it and toured extensively there. It's nonetheless quite surprising that the band agreed to broadcast live one of their shows from there because they only dealt with the BBC for this before and after this show. Well, if you consider that RTL was sponsoring 9 of their concerts in french-speaking Europe at the time, it's not that surprising, maybe it's part of the deal. The show we're talking here is the second from those 9 dates (the original poster for this mini-tour is included in this package). It's their last live broadcast on any media 'til the 1989 Venice TV show (one of their shows was recorded in November 1974, but was edited prior to broadcasting many months later). ------------------------------------------------------------------------------------------------------- Concert: That night was special in many ways: -"Blues" jam, generally played as an encore in a few show, is part of the concert. -"Childhood's End" make it's live debut in that show. It was played sometimes that month and at a few show in March 1973 before disappearing completly from their setlist. In fact, it's the very first time a song from the album "Obscured By Cloud" (released 6 months before) was played live. -They played an entire proto "Dark Side Of The Moon" live on the airwaves, almost 4 months before it's release. One can hear that "The Mortality Sequence" is on it's way to become "The Great Gig In The Sky", "The Travel Sequence" jam is still there, and that some arrangements are not quite finished. 2 flac  
157. 12/05/72 Vorst Nationaal - Brussels, Belgium A+   2 flac  
158. 12/05/72 Vorst Nationaal - Brussels, Belgium A Pink Floyd - (2020) December Moon 2020 Lunatic Records LR-72 Lineage: Orig. -> EAC (WAV) -> TLH (Flac) Long box with two concerts  
159. 12/07/72 Palais des Sports - Lille, France B++   2 flac  
160. 12/07/72 Palais des Sports - Lille, France A Pink Floyd - (2020) December Moon 2020 Lunatic Records LR-72 Lineage: Orig. -> EAC (WAV) -> TLH (Flac) Long box with two concerts 2 flac  
161. 12/09/72 Hallenstadion - Zürich, Switzerland A   2 flac  
162. 02/04/73 Palais des Sports de la Porte de Versailles - Paris, France A RoIO: "Remembrance of Things Past" (Highland HL281) Venue: Palais des Sports de La Porte de Versailles Place: Paris, France Lineage -> Original Factory Pressed Silver CDs - Highland HL281 Notes: My rip, logs included. Artwork included Description: Broadcast/Audience Recording 2 flac  
163. 03/06/73 Kiel Auditorium - St. Louis, MO A Generation: cass[4] > Sony CFD-G500 > SB X-Fi Xtrememusic > Cooledit Pro > WAV 24/48 > FLAC 24/48 Tape Source: Maxell UDXLIIC90&Maxell UDII60 4th Generation cassettes [ {pic} ] Total Time: 114:34m 3 flac  
164. 03/07/73 International Amphitheatre - Chicago, IL B++ Lineage: 1st gen TDK SA90 cassettes (1982-1984 type) > *Technics RS-B965-M > Focusrite Saffire Pro 14 > Reaper v4.61 > FLAC (16bit/44.1kHz) *The Technics RS-B965-M is a modified deck - for details see the Tapeheads.net forum xACT used to create FFP 2 flac  
165. 03/08/73 Fieldhouse - Cincinnati, OH A Extracted to FLAC from original silver CDs via EZ CD Audio Converter 2 flac  
166. 03/10/73 Gymnasium - Kent, OH B+ Audience recorder 1 Original source lineage: Cass (unknown gen) (Maxell XLII 60 x 2) (1986/7) > Technics RS-B565 > Focusrite Saffire Pro 14 > Reaper v4.76 > flac@24/96 Additional source lineage: flac > TLH > wav > Adobe Audition 3.0.1* > wav > CD Wave > wav@24/96 Encoded to flac 8 with Flac Frontend, tagged and verified 2 flac  
167. 03/11/73 Maple Leaf Gardens - Toronto, ON A Lineage: 2nd gen TDK SA-X90 cassettes (1990-1991 types) > Technics RS-B565 > Focusrite Saffire Pro 14 > Reaper v4.76 > FLAC (16bit/44.1kHz) 2 flac  
168. 03/11/73 Maple Leaf Gardens - Toronto, ON 8 Obscure Night Siréne 171 (2006) Lineage: My Original Silver --> EAC (Wav) --> THL (Flac8) 2 Flac  
169. 03/14/73 Music Hall - Boston, MA a- Lineage: MC (master) -> HD recording -> shn -> mkw (V0.97 beta 1) -> wav (some improvements using EAC V0.95 prebeta 4 and shntool V2.0.3) -> mkw -> shn (futher details see below) 2 flac  
170. 03/17/73 Radio City Music Hall - New York, NY a- source: audience / recorder 3 cass[4/5] Maxell XL II High Position 90x2>playback deck Philips (FCD485)>SoundBlasterLive>CD WAVE>speedcorrection (CEP)>wav@48KHz 2 flac  
171. 03/18/73 Palace Theater - Waterbury, CT A A part of the world tour, promoting album „The Dark Side Of The Moon”. Collectors' edition - two complete recorders: 2nd and 3rd. Recording mastered from rare, genuine low generation analog tapes. Discs' division compatible with the course of the show. Carefuly indexed. Revised copy. Balanced. Speed corrected. Discs 1 & 2: from rare low gen tape, Audience recorder 3. Discs 3 & 4: from rare low gen tape. Audience recorder 2. Lineage (both sources): A Cass 2&3[Low]>SBLive>WAV>CoolEditPro>EAC>SHN. collectors edition 2 flac  
172. 05/18/73 Earls Court Exhibition Hall - London, England A Pink Floyd 1973-05-18 Earls Court, careful53 1st gen Recorder 2 (16bit/44.1kHz) Pink Floyd Earls Court Exhibition Hall, Earls Court, London, England 18 May 1973 Lineage: 1st gen TDK SA90 and SA60 cassettes (1983) > Technics RS-B565 > Focusrite Saffire Pro 14 > Reaper v4.76 > FLAC (24bit/96kHz) > iZotope RX4 (to deal with hum) > tezeta > Reaper v5.17 > FLAC (16bit/44.1kHz) xACT used to create FFP 01 Obscured By Clouds 02 When You're In 03 Set The Controls For The Heart Of The Sun 04 Announcement 05 Careful With That Axe, Eugene 06 Echoes 07 Speak to Me 08 Breathe 09 On the Run 10 Time 11 Breathe (Reprise) 12 The Great Gig In The Sky 13 Money 14 Us And Them 15 Any Colour You Like 16 Brain Damage 17 Eclipse 18 One Of These Days Total running time 2 hours 1 mins 32 secs Careful53 received his tapes from Steve B who is usually considered to be R1. Steve recorded alongside Mick P who is R2. Back in 1983 Steve gave Careful53 the impression that he was sending a copy of his own recording. I consulted lordsnooty and Steve still has his R1 tapes, which are distinguished by the incomplete DSOTM. Perhaps Steve was looking after Mick's tapes at the time and chose to copy them for Careful53, knowing that they were a more complete representation of the concert. You can hear the same voices on both recordings. This sounds better than the Reeling version you are probably familiar with. DSOTM is complete and it appears that the only disadvantage to this copy is that it has about a minute less audience before OBC starts. Careful53's cassettes are arranged as follows: A 1-5, B 6, C 7 to opening of 15, D rewound a little to enable splicing, then continues through to 18. A fairly obtrusive 50Hz hum can be heard on all four sides of careful53's tapes and I tackled it using the learn and manual hum removal options on iZotope. Fractionally different settings were applied to each side. I'm grateful for tezeta's assistance. He used Reaper 5.17 w/ Elastique 3.1.4 Pro on normal to reduce the speed of side A by -.23 semitones. He also removed a bit of dead space, added some fades at side transitions, and spliced together the cut in ACYL. Careful53 cassettes / Neonknight tape transfer, July 2017 2 flac  
173. 05/19/73 Earls Court Exhibition Hall - London, England A *Lineage* Recorder 1, Source 1: Pink Floyd 1973-05-19 Earls Court, Recorder 1, hhallste tape (24bit/96kHz) Low gen TDK SA90 cassette (1990/91) > Technics RS-B565 > Focusrite Saffire Pro 14 > Reaper v4.76 > FLAC (24bit/96kHz) Recorder 1, Source 2: Pink Floyd 1973-05-19 Earls Court, careful53 1st gen Recorder 1 (24bit/96kHz) 1st gen TDK SA90 and SA60 cassettes (1983) > Technics RS-B565 > Focusrite Saffire Pro 14 > Reaper v4.76 > FLAC (24bit/96kHz) Recorder 2: Pink Floyd 1973-05-19 Earls Court, Recorder 2 master, raw transfer [24-192] Master cassettes - Audio Magnetics 120 and 90 recorded on a Decca Legato mono cassette recorder > Nakamichi DR-1 cassette deck with adjustable head azimuth > AS372N analogue to digital USB converter to a Windows 10 Professional PC > 64 bit Goldwave > FLAC (24bit/192kHz) *Mastering Notes* Both recorders 1 & 2 are a mono source recorded to stereo format tape. Each channel may contain unique elements of the sound due to a number of variables in this scenario. I auditioned each channel alone and there wasn’t a clear winner. I used isotope RX to correct the azimuth error offset between channels which worked well. I then auditioned the two channels combined in pure mono vs separated and I preferred leaving them separated even though pure mono should be the technically correct choice. Recorder 1 sounds like a Dolby encoded tape played back Dolby off. This can result in a boosted high end. The original Dolby encoding eq hits the audio signal before it gets recorded. This leads to high end that would have otherwise been buried in hiss getting preserved (as designed). This one is a difficult listening experience with a choice between exaggerated and shrill highs with Dolby off vs subdued highs from Dolby not tracking the recording properly (an all too common scenario). Manually working with the recording results in surprising fidelity. Source 1 sounds both higher generation and better fidelity than source 2. With variables like tape and tape deck quality in addition to generation count, that’s how this one turned out. Source 2 is more complete with more between song time and the entire 2nd set. I used source 1 where it was available. I synchronized both recorders together to the correct speed. Recorder 1 sounds closer to the stage with significantly better fidelity and dynamics. Recorder 2 sounds further back in the room and restores some natural ambience and surround mix elements. I left the recorders to start and stop as they did between songs with no production to smooth anything over. You get the perspective the tapers running their machines at the show. The quad surround mix places recorder 1 front L/R and recorder 2 rear L/R in mono. The stereo mix has recorder 1 centered L/R and recorder 2 panned 30% right. Gross level jumps were corrected. Noise, hum, device artifacts, and exaggerated resonances tamed or removed as well as possible. No damage was allowed in order to favor mastering presentation, such as over use of noise reduction or taming a shrill recording too far. There was pronounced 50Hz hum with a harmonic at 100Hz even stronger. An artifact from an earlier copy. I used iZotope RX to remove that and for some hiss reduction. With the mains power hum out of the way the low end could be put into better balance. Audio tools used include Reaper for the main DAW, iZotope RX, and Waves plugins. Speed correction and sync work was done in Reaper using the lossless Elastique Pro 3 algorithm. 6 flac  
174. 06/17/73 Saratoga Performing Arts Center - Saratoga Springs, NY A-   2 flac  
175. 06/20/73 Merriweather Post Pavilion - Columbia, MD     2 flac  
176. 06/22/73 Memorial Auditorium - Buffalo, NY A Original source lineage: Cass(2) > CDR > wav > shn > wav > flac > wav > Adobe Audition 1.5 > CD Wave > flac 8 (Return Of The Yeeshkul Rev. 1) Cass(2) > CDR > wav > shn > wav > flac (Return Of The Yeeshkul) for Brain Damage War Memorial, Low Generation Analog > DAT(?) > CDR(?) > EAC > shn > flac (for TGGITS patch) Additional source lineage: flac > TLH > wav > Adobe Audition 3.0.1* > wav Tracked with CD Wave, encoded to flac 8 with Flac Frontend, tagged and verified * - Edited cuts and repeats before and at the start of Echoes, during On The Run and at the start of The Great Gig In The Sky - Speed adjusted (96.8 shrink, resampled with high precision) - Gain increased/decreased, levels adjusted, peaks reduced 2 flac  
177. 06/28/73 The Sportatorium - Hollywood, FL A Sirene Silver > EAC Wav > Flac 2 flac  
178. 06/28/73 The Sportatorium - Hollywood, FL A Album notes: Great upgrade to previous versions. From unique master source. Irrespective of very good sound, this is the longest version available. Revised and verry carefully indexed. Audience recording. From master tape. Lineage: A Cass[Master]>DAT>CDR>EAC>SHN. 2 flac  
179. 06/29/73 Tampa Stadium - Tampa, FL A- Lineage: Master taper -> CD -> EAC -> WAVLab -> SHN Comments: Fixed the sbe errors and then re-encoded the original shn files to flac8. too much talking 2 flac  
180. 10/12/73 Olympiahalle - Munich, West Germany A Master tape>dat>cd-r>Bias Peak Pro 5.2.1>XACT>flac 2 flac  
181. 10/12/73 Olympiahalle - Munich, West Germany A http://www.hokafloyd.com/CD3/Massed_Gadget_Of_Hercules/The_Massed_Gadget_Of_Hercules_1970_1974.htm PF - The Massed Gadgets Of Hercules 1970 – 1974 - Godfather GR BOX 09 Several Species Of Some Unique Performances Gathered Together In A Box And Making A Joy Fantastic 10 CD Box-Set with five shows. INCLUDING: 5 Double Trifold Cardboard Sleeve CDs (Pictured) • 28 PAGE BOOKLET (Scans here) • 1972 US TOUR BOOK REPLICA disc 7 & 8 2 flac  
182. 10/13/73 Stadthalle - Wien, Austria A+ Recording: AKG D1000E Mic > Philips Cassette Recorder Location: 8th row on the main floor, left of center Transfer: Master Cassettes > Nakamichi DR-01 > Sound Devices USBPre2 > Adobe Audition (24/96) > iZotope RX / ozone 5 (mastered) > Peak Pro 6 (post production) > xACT 2.39 > FLAC 2 flac  
183. 11/04/73 Rainbow Theatre - London, UK A Obscured At The Rainbow PYCD 053 Triangle Records Matrix Disc: LORDISC DIGIP PYCD 053 (P) 1990 Mady in EEC 2 flac  
184. 06/22/74 Parc des Expositions - Colmar, France B++ Lineage: silver -> EAC -> WAV -> shn -> TLH -> flac 2 flac  
185. 06/24/74 Palais Des Sports - Paris, France B++ Original lineage: 24 bit transfer from (1st gen) Reel at 48khz -> data DVD -> "TheTooleman's mystical remastering process" -> 16 bit 48Khz data DVD -> Resample in Sound Forge to 44.1Khz and track splitup -> Flac encoding via Flac Frontend, level 6, sectors aligned and verified Additional lineage: Flacs > TLH > Wav > Adobe Audition 3.0.1 (appending Wavs/speed correction) > Wav > CD Wave > Wav > Flac Frontend > Flac 8 (tagged and verified) - Echoes speed corrected + 2% - Speak To Me through to One Of These Days speed corrected + 1.5% 2 flac  
186. 11/04/74 Usher Hall - Edinburgh, Scotland 8 Picts In The Highlands No Hiss which is something for its age. 1st show of the 1974 British Winter Tour 2 Flac  
187. 11/05/74 The Usher Hall - Edinburgh, Scotland a- CD Reference: Edinburgh 4.11.74, British Winter Tour 74 Vol 1, Picts In The Highlands LP Reference: Comments: Start of U.K. Tour (Nov 4 - Dec 14, 1974) 2 flac  
188. 11/09/74 The Odeon - Tyne and Wear, UK B++ Lineage: Unknown gen cassettes (Sony HF90 normal position) > *Technics RS-B965-M > Focusrite Saffire Pro 14 > Audacity 1.3 > FLAC (24bit/96kHz) xACT used to create FFP *The Technics RS-B965-M is a modified deck - for details see the Tapeheads.net forum 2 flac  
189. 11/15/74 Empire Pool, Wembley - London, England a- PROTOTYPE WISH YOU ARE ANIMALS (2CD) catalog: Highland hl 017/18pf#1 silver cds Entire show speed corrected with Cooledit Pro 2.0. T Seager, 04/04. 2 flac  
190. 11/15/74 Empire Pool, Wembley - London, England A- Black Holes In The Sky (Rev A.) Harvested (HRV CDR 022 **************************************************************** SHN >WAV >FLAC (Level 8) + Tags Via xACT 2.50 By OldNeumanntapr 2 flac  
191. 11/15/74 Empire Pool, Wembley - London, England a- Audience recorder 3 Who Gotta Be Crazy - Sigma 21 2 flac  
192. 11/15/74 Empire Pool, Wembley - London, England a- How Time Flies - Rover Records Source #4 Music collectors might expect that all recordings from 1970’s Pink Floyd have been found, traded and distributed but here we are in the 21st century and new little treasures are still popping up. Take for example this recording. The source for this remaster project has been dubbed source number 4 for the Pink Floyd November 15th, 1974 concert. It was released by Rover Records under the title How Time Flies. Once torrented on the Dimeadozen website, a spirited discussion occurred regarding its characteristics and quality compared to other sources. We agree that it is the best quality source of that night’s event but felt that work needed to be done to improve the listening experience. Below, with permission, we present the lengthy and well thought out description of this recording ... I think it’s best to address the issue of How Time Flies originally being announced as the November 14th, 1974 concert at Wembley -this is also the date printed on the cover. What we have here is in fact the concert from the following evening, November 15th, 1974. It’s pretty clear that this was nothing more than an honest, albeit tragic mistake and not an attempt to rip anyone off. That being said, some enthusiasts feel that the performance of the 15th is actually superior to that of its infamous successor. Previously, there have been versions of this show that have circulated both incomplete and intact. The first source was used for the majority of past releases including the incomplete Money on Flashback (FB0133), the often copied (and complete) Black Holes In The Sky first from Great Dane (GDR CD 9101) and later speed corrected by Harvested (HRV CDR 022), as well as the surprisingly good We Are From Planet Earth (STTP 184/185) from the often spotty Shout To The Top label. A second, inferior source was used for Akashic’s Electric Magic (AKA-26) with slightly better versions of this source circulating via trader circles afterwards, and then in 2004 a mysterious, incomplete soundboard recording surfaced of this show offering a third, albeit odd perspective of this show (being that it was primarily drum and bass tracks) represented on silver via disc 2 of Siréne’s Absolutely Years (Siréne-119). The tape begins midway through Roger Waters’ introduction of ‘Shine On You Crazy Diamond’ indicating that it is a new song. (PRRP: we have repaired this introduction in this release). What follows is a lengthy solo synthesiser introduction from Richard Wright that foreshadows his work on the Wish You Were Here and Animals albums, coming across as celestial, in an almost Kitaro-esque way. This introduction is unique to the shows from this year as it evolved into the shorter, more familiar chord sequence and clear melody by the time of the first shows in April 1975. There’s a small amount of microphone noise as the taper gets settled (PRRP: much of which is now minimised), but it is brief and doesn’t affect the enjoyment of this developing epic whatsoever. There’s also a really strange bit at 1:42 that sounds like some acoustic guitars being strummed and “Pictish” ranting - an anomaly present on ALL sources, so apparently this came from the stage. The introduction continues at length until the vocals finally enter at the 8:27 mark, and things start sounding more familiar. Although the song was still relatively new, it is probably the most developed of the newer songs, and despite being played as a complete suite (instead of in halves as it would be from 1975 onward), it is the closest to its final form of the new material. After 1974, the band would never play ‘Shine On’ as a complete piece again, so that contributes to the value of tapes such as this. Floyd surely recognised the benefits of developing new material in a live setting after the tremendous success of Dark Side Of The Moon. Any musician can understand the value of gauging both audience reaction and the overall flow of new songs onstage, but the band clearly jumped the gun on ‘Raving And Drooling’ and ‘You Gotta Be Crazy’ during the French tour earlier in 1974. These songs started to gel more throughout the winter tour, but are still somewhat embryonic during this performance and at times bearing only a passing resemblance to the final versions heard in 1977. ‘Raving And Drooling I Fell On His Neck With A Scream’ (as introduced by Waters) begins with a truly bizarre taped recording that actually is some chap (Jimmy Young) raving and drooling nonsensically! Apart from that, the song itself has evolved to be fairly close to the much later version everyone knows from Animals. The bridge section about 10 minutes into the song features some interesting volume swells/feedback unique to this era, and there’s no 23rd psalm recitation. The audience is apparently a bit impatient as the band tunes up before ‘You Gotta Be Crazy’ and Roger responds by saying “We’re going as fast as we can”. While one person in the audience tells Roger, “We’re from planet Earth”, another shouts “1967” to which Waters retorts, “1967 no, you’re wrong this is 1974! And this is another new tune especially for YOU. And it’s called You Gotta Be Crazy”. Which of these two people he was addressing with this last comment, we will never know. The song itself is more “together” than it was during the French tour earlier in the year, but is still the least complete in relation to its finalised version from the Animals era. Vocally it comes across more melodically than on other nights, but the lyrics are delivered in a rapid-fire fashion making it difficult to discern what Gilmour is singing. Fortunately, the lyrics were printed in the tour programs for the audience. There are some interesting passages after the 2nd verse with Gilmour vocalising in the style of ‘Atom Heart Mother’ prior to the 3rd verse, and a rather lengthy instrumental section after it. The sound quality seems to improve slightly for the Dark Side Of The Moon set and it is a fairly standard post-album release performance. The band sounds more confident and enthusiastic and the audience erupts with rapturous applause from start to finish. Gilmour delivers fantastic solos in ‘Money’ and ‘Time,’ while ‘On The Run’ has something of a Bladerunner vibe this evening. It should also be noted that backing vocals sound absolutely fantastic throughout the suite - especially on ‘The Great Gig In The Sky’. The critics may have bashed the Wembley gigs, but the crowd responds with absolutely thunderous approval at the conclusion of ‘Eclipse’. They knew that Dark Side Of The Moon was well on its way to becoming an epic masterpiece. But in 1974, the audience had no way of knowing of the greatness that was to come from the material presented in the first set and that it was still ... a work in progress. Notes from the Re-Master As noted above, we began with the How Time Flies source recording for this remaster project. This recording had great clarity suggesting that the taper was in a good position within the venue. Unfortunately, numerous microphone bumps and other recording noises were found but most were repaired or minimised. Both the sub-bass and treble were excessive in sections and so both were attenuated to balance the tonality. Many segmental channel volume drops were found which led to imbalances. These may have been produced by microphone movement or obscuring the mics from time to time. These were also corrected. A distinct speed error was found, particularly during the first set material, suggesting that the cassettes themselves rather than the recorder were to blame. Only a minor degree of speed correction was needed for the Dark Side Of The Moon material. Dynamics were adjusted to make volumes more consistent throughout the show. Re-tracking was necessary to conform to standard references. We chose to keep Shine On You Crazy Diamond as a single track because, at this stage in development, this song is one full song, not the two parts that it later becomes on the subsequent album. As a result of remastering, we can now hear the audience member who yells, “We are from planet Earth”. This is an important moment since it causes Roger Waters to respond humorously before beginning the next song. 2 flac  
193. 11/16/74 Empire Pool - London, England A Lineage: 2 Binaural Mics>Sanyo Stereo Cass Recorder>2 Agfa C90 cass(m)>CDR(?)>FLAC Taped by: Nigel Bradder Transferred by: ? 2 flac  
194. 11/16/74 Empire Pool - London, England A Pink Floyd, New Pre-FM Master (with Echoes!) 1974-11-16 Wembley If you're a Pink Floyd collector, you probably have several versions of this particular recording. However, you've never heard it this good--and indeed, you've never heard the pre-FM soundboard 28-minute version of Echoes that appears for the first time in this set. This is a noticeable upgrade over the EX roio called "Brain Damage" that was torrented on the Groove nearly a year ago. These were EAC'ed from the original silvers by the person who brought this into circulation this week (thanks bbatnifty!) Here is the text file: PINK FLOYD title:WEMBLEY 1974 PRE-FM MASTER (2CD) catalog:Sirene-009 LIMITED EDITION: 300 COPIES ONLY (NUMBERED) data:Live At Empire Pool, Wembley 16th November 1974 2 flac  
195. 11/17/74 Empire Pool, Wembley - London, England A Original source lineage: External Mics > Portable Sanyo > Cass(M) > Reel(1) > CDR > shn > flac Additional source lineage: flac > Adobe Audition 3.0.1* > flac Tracked with CD Wave, encoded to flac 8 with TLH, tagged with foobar2000 * - speed corrected (values supplied by goldenband) - 11 secs overlap before Money and digital silences removed - digital micro gap 1:34 into ACYL patched with another source transfer 2 flac  
196. 11/17/74 Empire Pool, Wembley - London, England 9 Name: Little Lambs Eat Ivy Format: shn Discs: 3 Recorder: audience Label: MoLM Lineage: cass[Master] > cass[likely 2 or very low] > ? (no transfer info provided) > SHN It really is that good 3 Flac  
197. 11/19/74 Trentham Gardens - Staffordshire, UK a- Lineage: Unknown gen Maxell XLII-S 90 (1988-9 type) cassette > Technics RS-B565 > Focusrite Saffire Pro 14 > Reaper v4.76 > FLAC (16bit/44.1kHz) xACT used to create FFP 2 flac  
198. 11/19/74 Trentham Gardens - Staffordshire, UK 9 Recording Info: British Winter Tour 74 Vinyl (Unopened record first time played) Transfer Info: Rotel RP-3000 Turntable (with Shure M97xE Audiophile Cartridge) -> Music Hall pa1.2 Phono Preamplifier -> Sound Devices 744T (24bit/192k) -> Samplitude Professional v11.2.1 -> FLAC/24 (1 DVD FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net January 26, 2013 Notes: -- There were a ton of pops and clicks that I removed -- The pitch is not perfect but it is better than other sources 1 Flac  
199. 11/29/74 Empire Theatre - Lancashire, UK a- Recorder 1: 1974-11-29 Liverpool rec 1 Cass (unkn gen) stratcat58 [24-96] Original source lineage: Cass (unknown gen) (Maxell XLII 90 & 60 Epitaxial) (1985-6 type) > Technics RS-B565 > Focusrite Saffire Pro 14 > Reaper v4.76 > flac@24/96 Additional source lineage: flac@24/96 > TLH > wav@24/96 > Adobe Audition 3.0.1* Encoded to flac 8 with TLH, tagged with foobar2000 * - interference at around 15kHz filtered out - speed corrected (values supplied by goldenband) - balanced channels on first Set - smoothed out tape flips Stratcat58 tapes Transferred by neonknight in 2017 Revision by Bert13 Recorder 2: 1974-11-29 Liverpool rec 2 Cass(M) Revision Original source lineage: Master > shn (no specifics) > flac Additional source lineage: flac > Adobe Audition 3.0.1* > flac Re-encoded to flac 8 with TLH, aligned on sbs. Tagged with foobar2000 * - clip restored: left channel -2.5dB, right channel -2dB - digital silences edited out - interference just below 16kHz filtered out Revised by Bert13 February 5, 2018 *** Mastering notes: Recorder 1 is a mono recording transferred to a stereo format tape. The left channel is inferior throughout so only the right channel was used here. I brightened it slightly and boosted the level for the second set. I brightened the really dull section (Us&Them - Eclipse) a little more. Recorder 2 is a mono recording transferred to a stereo format tape. The left channel is inferior throughout so only the right channel was used here. The recording device had something broken in the transport and it would run very unstable for some moments after hitting record before settling down. I got the levels under control pulling back the most distorted parts and evened out some of the high end balance issues. I synchronized both recorders together to the correct speed using R1 as reference. R1 was already at the correct speed. Everything runs continuous between the two recorders. I left the recorders to start and stop as they did with no production to smooth anything over. You get the perspective the tapers running their machines at the show. Audio tools used include Reaper for the main DAW, iZotope RX, Universal Audio and Waves plugins. Speed correction and sync work was done in Reaper using the lossless Elastique Pro 3 algorithm. Sources with sample rates lower than 96k were upsampled with SOX. The master is 24 bit 96k 4.0 quadraphonic in a 5.1 container with digital zero C & Lfe channels to insure compatibility in all media players. In addition to the quad master, I produced a 24 bit 96k mono matrix mix with proper balances of the sources (not just a straight fold down). Although a compromise, it still retains some of the fidelity and completeness of the presentation. 2 flac  
200. 11/30/74 Empire Theatre - Liverpool, UK B++ *** Notes: The first set is a 'mono surround' master made from two audience recordings mastered to quadraphonic surround for an immersive concert experience. This is another case where we have a 1st recorder from closer to the stage and a 2nd recorder further back in the room. By themselves, both recordings are a degree of challenging to listen to. The combination of the two reenforcing each other raises the sound to a surprising level as well as offering remains of the original live surround presentation. Although both recordings are monophonic, the quad surround format is needed to present the front to back perspective. So a mono source in both front and back for 'mono surround'. The second recorder only includes the first set. This second recorder overall has many more pronounced flaws and artifacts than R1 but it is also clearly recorded much closer to the stage than R1. These recordings reenforce each other in a dramatic way. You even hear some remains of the live surround play between them in spots like the bridge in Raving and Drooling in addition to the two recordings simply reenforcing each other. The weight of the live drum mix really comes across well. Everything is still very rough around the edges but the surround presentation puts you into the venue. Much like a real concert experience where the sound mix might not have been perfect at your seats anyway. Better seats for the first set here. Some parts sound downright good. Careful with the volume on this one. *** Sources: Recorder 1: 1974-11-29 Liverpool rec 1 Cass (unkn gen) stratcat58 [24-96] Original source lineage: Cass (unknown gen) (Maxell XLII 90 & 60 Epitaxial) (1985-6 type) > Technics RS-B565 > Focusrite Saffire Pro 14 > Reaper v4.76 > flac@24/96 Additional source lineage: flac@24/96 > TLH > wav@24/96 > Adobe Audition 3.0.1* Encoded to flac 8 with TLH, tagged with foobar2000 2 flac  
201. 12/09/74 The Palace Theatre - Manchester, UK a- Lineage: 1st gen cassettes > Nakamichi ZX7, no dolby, 120uSec eq with tape head height and azimuth adjusted > M-Audio 2496 soundcard > FLAC (24bit/48kHz) > Reaper v4.61 speed corrections, trimming, divide and export > FLAC (24bit/48kHz) xACT used to create FFP 2 flac  
202. 12/14/74 Colston Hall - Bristol, Avon, UK A   2 flac  
203. 12/14/74 Colston Hall - Bristol, Avon, UK A http://www.hokafloyd.com/CD3/Massed_Gadget_Of_Hercules/The_Massed_Gadget_Of_Hercules_1970_1974.htm PF - The Massed Gadgets Of Hercules 1970 – 1974 - Godfather GR BOX 09 Several Species Of Some Unique Performances Gathered Together In A Box And Making A Joy Fantastic 10 CD Box-Set with five shows. INCLUDING: 5 Double Trifold Cardboard Sleeve CDs (Pictured) • 28 PAGE BOOKLET (Scans here) • 1972 US TOUR BOOK REPLICA disc 9 & 10 2 flac  
204. 04/08/75 PNE Exhibition Park - Vancouver, BC a- Lineage: Rick Sheehy's unknown generation Maxell UD XLII cassettes -> Nakamichi MR-1 (balanced) -> Apogee PSX-100SE at 24 bit 96KHz Mastering in ProToolsHD2 Files are stereo 24 bit, 96KHz FLAC (level 8 with internal checksum). Tags include lineage comment. patches from: Master2ndSource Man of Leisure Music (MoLM) Issued February, 2004 2 flac  
205. 04/10/75 Seattle Center Coliseum - Seattle, WA B++ Lineage: Master Reels @ full track mono>Tandberg Model 11>Wavelab 96/24 1ch mono>wav 44.1/16 2ch mono>flac Taping Gear: Tandberg Model 11 R2R deck, Sony ECM-22P mic Taped and Transferred By: JEMS 2 flac  
206. 04/10/75 Seattle Center Coliseum - Seattle, WA a- Seattle Master Reels (Sigma 58) 2 flac  
207. 04/13/75 Cow Palace - Daly City, CA B+ original source/lineage: Recorder 3 / cass[1] > Sony TC- WE475 > SB X-Fi Platinum > TLH > flac new source/lineage: Recorder 3 / cass[1] > Sony TC- WE475 > SB X-Fi Platinum > TLH > flac > wav > Adobe Audition 3.0 (minor editing, speed/pitch correction) > cd wav (tracking) > dBpoweramp > flac VG+ 2 flac  
208. 04/13/75 Cow Palace - Daly City, CA 8 PINK FLOYD - Cow Palace 75 No Label Visible PF 13.4.75 1/2 Matrix Disc 1: PF 13.4.75 1/2 Matrix Disc 2: PF 13.4.75 2/2 (P) 2010 Made In Europe 2 Flac  
209. 04/13/75 Cow Palace - Daly City, CA 8 'Riding The Cow' Cow Palace, San Francisco, California April 13th 1975 Fillmore East, New York, NY September 27th 1970 Godfather Records (G.R.) 515 / 516 / 517 Silver CD > FLAC 3 Flac  
210. 04/21/75 Sports Arena - San Diego, CA AA Source: Soundboard (mixing desk) Lineage: My vinyl > Philips 903 stereo music centre > Sony PCM-M10 > WAV 24bit-96kHz > Soundforge for conversion to 16-44 > TLH > FLAC. Conversion to 16 Bit/44.1khz with iZotope 64 BIT Sample Rate Conversion /iZotope MBIT+ Bit depth. I split in tracks, and removed some seconds of silence that there are in the 24-96 version, at the start and the end of the discs. 2 flac  
211. 04/25/75 Sports Arena - Los Angeles, CA AA "Cruel but fair" 2 flac  
212. 04/26/75 Sports Arena - Los Angeles, CA A Lineage: Probable 1st gen cassettes > DAT(4)(48kHz) > Tascam DA-20mkII > Coax > Edirol UA-1D > Reaper v4.61 > FLAC (16bit/48kHz) xACT used to create FFP 2 flac  
213. 04/26/75 Sports Arena - Los Angeles, CA A Mike Millard Original Master Tapes via JEMS 1644 Edition The Lost and Found Mike the MICrophone Tapes Volume 18 Recording Gear: AKG 451E Microphones (CK-1 cardioid capsules) > Nakamichi 550 Cassette Recorder JEMS 2020 Transfer: Mike Millard Master Cassettes (TDK KR90) > Nakamichi CR-7A (azimuth adjustment; Dolby Off) > Sound Devices USBPre 2 > Audacity 2.0 capture > iZotope RX6 > iZotope Ozone 6 > MBIT+ resample to 16/44 > Audacity > TLH > FLAC 2 flac  
214. 04/27/75 Sports Arena - Los Angeles, CA A Lineage: Unknown gen cassettes (Maxell XLII) > *Technics RS-B965-M > Focusrite Saffire Pro 14 > Audacity 1.3 > FLAC (24bit/96kHz) > Reaper V4 > WAV > CD wave Editor 1.98 to split tracks > FLAC (16bit/44.1kHz) xACT used to create FFP *The Technics RS-B965-M is a modified deck - for details see the Tapeheads.net forum 2 flac  
215. 06/09/75 Capital Center - Landover, MD A Original source lineage: Cass (unknown gen) (Maxell XLII 60 & XLII 90) (1986-7 type) > Technics RS-B565 > Focusrite Saffire Pro 14 > Reaper v4.76 > flac@24/96 Additional source lineage: flac > Adobe Audition 3.0.1* > flac Tracked with CD Wave, encoded to flac 8 with TLH, tagged with foobar2000 * - speed corrected (values supplied by goldenband) - interference at around 15kHz filtered out 2 flac  
216. 06/10/75 Capital Center - Landover, MD a- Lineage: Low gen cassette (Maxell XLII) > *Technics RS-B965-M > Focusrite Saffire Pro 14 > Audacity 1.3 > Wav (24bit/96kHz) ----> Adjustments (32bit/96kHz) > Wav (16bit/44kHz) > CDWave (1.98) > FLAC *The Technics RS-B965-M is a modified deck - for details see the Tapeheads.net forum ***Neonknight's Notes*** It would be great if the second half of this show were to surface as the taper did a nice job with what must have been some very good recording equipment. I haven't seen a tape of this date with known lineage. With thanks to Kbrubaker who sent me this cassette along with many others to work on. ***Littlepieces' Mastering Notes*** This is a mono recording that was dubbed as two channel stereo as is often the case. Due to the previous transfers/dubs with less than perfect azimuth (head alignment), the recording has a phase shift that varies from 7-15 samples. I manually aligned the channels to improve the phasing. The speed of this recording varied between correct and within ~1% fast so I decided not to subject it to a resample. Other than removing some dead air between tracks, nothing else was done to this recording. This tape has the end of SoYCD pt6-9 that it is missing on some sources. 2 flac  
217. 06/15/75 Roosevelt Stadium - Jersey City, NJ B++ NEW SOURCE UPDATE: cass[master]>DAT clone>cdr[?] 2 flac  
218. 06/15/75 Roosevelt Stadium - Jersey City, NJ A Sigma 295 (2022) Lineage: My Original Silver --> EAC --> WAV --> THL --> Flac8 --> You The last Sigma that came out a couple of weeks ago. 2 flac  
219. 06/16/75 Nassau Coliseum - Uniondale, NY A Lineage: Cass (3) > CDR > WAV (Remaster by Nigel B.) > CDR > FLAC 2 flac  
220. 06/16/75 Nassau Coliseum - Uniondale, NY 9 Raving Crazy Diamond Moon 1975-06-16 Highland HL 252/253 ripped with EAC and compressed with flac 1.1.0 (level 8) by Pict 2 Flac  
221. 06/17/75 Nassau Veterans Memorial Coliseum - Uniondale, NY A- 16 bit source: aud cassette master taped by Jerry Moore lineage: sony ecm 33p's>sony tc-152, maxell ud-120's, dolby b nak dragon>hd-p2 24/96>hd>cd wave>adobe audition 2.0>flac 2 flac  
222. 06/17/75 Nassau Veterans Memorial Coliseum - Uniondale, NY A Pink Floyd - (1975-06-17) A Generation's Legacy Sigma 063 (2010) Lineage: My Original Silver --> EAC --> WAV --> THL --> Flac8 --> You 2 flac  
223. 06/18/75 Boston Garden - Boston, MA A Recorder 1 Master audience recording taped by Dan Lampinski Speed corrected ------------------------------------------------------------------------------------------------------- Original source lineage: Sony TC-152SD Tape Recorder Sony ECM-99 Stereo Microphone Maxell cassettes Mastered and FLAC'ed by Carl Morstadt (dantalion8@yahoo.com) Master Cassette -> Nakamichi CR-3A cassette deck with azimuth correction -> M-Audio Firewire Audiophile 2496 -> CDWAV 24-bit/96-KHz wav files -> Goldwave (normalizing and crossfades) -> CDWAV (track breaks) -> FLAC Front End (FLAC 8) 2 flac  
224. 06/20/75 Three Rivers Stadium - Pittsburgh, PA 7.5 Lineage: Master - three TDK C60 normal position cassettes > recording equipment unknown > Nakamichi DR-3 > Roland Tri-Capture > Audacity > WAV (24bit/96kHz) > neonknight > Reaper v4.76 > FLAC (16bit/44.1kHz) 2 Flac  
225. 06/22/75 County Stadium - Milwaukee, WI a- Lineage: 1st gen TDK SA90 cassette (1982-1984 type) > *Technics RS-B965-M > Focusrite Saffire Pro 14 > Reaper v4.61 > FLAC (16bit/44.1kHz) *The Technics RS-B965-M is a modified deck - for details see the Tapeheads.net forum xACT used to create FFP 2 flac  
226. 06/24/75 Olympia Stadium - Detroit, MI A source/lineage: 8-Track[M] > DAT[c] > cdr(1) > EAC > wav > shn new source/lineage: 8-Track[M] > DAT[c] > cdr(1) > EAC > wav > shn > TLH > wav > cd wav (tracking) > TLH > flac ---- Recorded by: Jared Houser Master 8-track Recorder 1 2 flac  
227. 06/24/75 Olympia Stadium - Detroit, MI A Sources: Recorder 1 (Set 1) - Pink Floyd 1975-06-24 Olympia Stadium Detroit, MI JEMS 8-Track Master Series Vol. 5 (Found here: https://ravinganddrooling.com/forum/archives/pink-floyd-and-pf-solo-member-audio-torrents/229548-) Recorder 1 (Set 2 and Encore) - Detroit 1975 2nd Night Sigma 200 (Found here: https://ravinganddrooling.com/forum/archives/liberated-bootlegs-aa/260916-) Recorder 2 - Pink Floyd 1975-06-24 Olympia Stadium, Detroit recorder 2, no processing (Found here: https://ravinganddrooling.com/forum/archives/pink-floyd-and-pf-solo-member-audio-torrents/168428-) Lineage - Source Files to RX8 (Recorder 2 only - De-flutter plugin) to REAPER (Syncing and Mastering) to 32 bit WAV (Untracked) to REAPER to 24-96 (Set 1) and 16-44.1 (Set 2 and Encore) FLAC (Tracked) -------------------------------------------------------------------------------------------------------------------------------------------- Notes: Happy new year all! To kick off 2024, here is one of my latest projects I have worked on for you all to enjoy: "Warble On You Crazy Diamond", named after the amount of flutter Recorder 2 has during this song (which I have fortunately mitigated!) Rec 2 is the Primary source. It has been de-fluttered (with RX8's plugin), EQ'd as well as de-clicked, with gain changes applied in each channel for balancing, as well as in the overall mix to not overpower sections where Recorder 2 compromises the quality (e.g. fluttering in Shine On You Crazy Diamond Parts V and VI). There was also a brief left channel dropout during Have A Cigar which I have restored. Rec 1 is speed corrected to Rec 2 with values between -7 and 55 cents. It has been EQ'd with gain changes between -1.30dB (Shine On You Crazy Diamond Suite) and +1.50dB (You've Got To Be Crazy). Once done, I then applied speed correction to each song by referencing Sigma 200's speed. For the rest of the show, this was the source used due to the speed correction as well as balancing and level adjustment, with my EQ then applied on top. Finally, I would like to say a huge thank you to everyone behind these recordings and this project, including but not limited to: - Jared Houser (Recorder 1) - JEMS and berlin (The people behind the release of the recordings) - WorldmanOne (Creating the cover) - Atomicgamer400 (Providing extras) As always, share freely, don't convert to MP3 unless for personal use, DON'T CHARGE ANYONE FOR FREE MUSIC, etc. Enjoy and Cheerio! Ello_Guvner 2024-01-09 2 flac  
228. 06/28/75 Ivor Wynne Stadium - Hamilton, ON A Source: Master Reel>DAT>Sony TCD-D7>Hard Drive>WAV>CDR>FLAC - Source #2 Rating: SUP- 2 flac  
229. 06/28/75 Ivor Wynne Stadium - Hamilton, ON A+ Source Lineage: Master Reel > DAT(4)(48kHz) > Tascam DA-20mkII > Coax > Edirol UA-1D > CD wave Editor 1.98 > FLAC 48kHz (level 5) Source Updated Lineage: (taper: Henry Boc) Sony TC-124 with ECM-99 1-point stereo mic > Cass(M) (Maxell UD - Dolby off) > Reel 1st (TEAC 15ips on maxell UD blanks) > DAT(4)(48Khz) > Tascam DA-20mkII > Coax > Edirol UA-1D > CD wave Editor 1.98 > FLAC 48kHz (level 5) Added Lineage: (Source) > WAV 48Khz 32bit float > restorations (*) > dither to 24bit > WAV 48Khz 24bit > track splits > FLAC 48Khz 24bit (*) restorations : - removed a couple digital clicks; - 0.5sec silent gap on Time and a few seconds of the tunings before Echoes patched from the "Master Reel > DAT > Sony TCD-D7 > HD > WAV > FLAC"; - raised the gain on the whole recording by 1.75dB; 2 flac  
230. 07/05/75 Knebworth Park - Knebworth, UK A- "Yesterday's Triumph" Pinkroioshn CDR-010 (PRS-CDR-010) Master Audience Cassette - Recorder 1 Recorded in 1975 by and DAT Transfer in 2006 by "Old Grumpy Bastard" aka "lordsnooty" ITT Studio 73 Sony Microphones > BASF Chrome and Agfa Cassette Masters > HP DDS-1 Data Cartridge 4GB DAT Master > digital coaxial > Audigy 2 ZS Platinum > Soundforge 8.0 > 16 bit 48 wav > Soundforge 8.0 > CD Wave 1.95 (tracking) > Flac Frontend (level 7, align sector boundaries) > flac *Soundforge was used to extract, set fades, boost levels (100%) and resample to 16/44.1. The 16/48 wav is available upon request. And here we finally have it, the actual MASTER of Knebworth, transferred in 2006 to DAT directly from the Master Cassettes by the recorder himself, a self-proclaimed "grumpy old bastard" who is actually a supremely generous individual--and to whom we owe much gratitude not only for providing the master DAT, but for recording the concert 31 years ago. Additional kudos to fatoldpig who communicated with the recorder and received the DAT from England for release by Pinkroioshn. Unfortunately, the DAT was recorded at fairly low volume, so that a significant boost of the levels was necessary. As a result, there is a bit more hiss in these 31 year old cassettes than there should be. No noise reduction was performed, however, in order to maintain the recording in its purest form. Additionally, absolutely no edits were done, so that this flac file contains all the lengthy tune-ups, stage chatter, and indeed the entire event as it was captured by the recorder that day. The Floyd surely took their time at this concert. This is the final performance of the Dark Side of the Moon suite by the four-man Pink Floyd. DAT Master acquired for Pinkroioshn label by fatoldpig. Produced by danlynch 2006-09-30 Further notes from the Recorder as posted at Dimeadozen: "The taper and friends are not heard on this recording. People nearby are heard chatting. 'More music and less audience' hmm... I only missed 30 secs while I turned the tape over. Not bad for a show that was 160 odd minutes, but we are talking about the Floyd community here and they seem to moan about just about everything. BTW the original master tape has no cut in DSOTM" 3 flac  
231. 01/23/77 Westfalenhalle - Dortmund, West Germany A Wish the Animals Were Here (Raving&Drooling - R&D) Date: Westfalenhalle, Dortmund, Germany 1/23/77 (secondary audience source) Benbecula LP > Technics SL-D20 turntable > Adobe Audition (48000Hz-24bit WAV / normalize / manual declick / downsample 46100Hz/16bit) > Exact Audio Copy (CD-R/0) > EAC WAV RIP > Traders Little Helper (FLAC level 8) > YOU 1 flac  
232. 01/23/77 Westfalenhalle - Dortmund, West Germany a- Source: Audience (recorder 1) Lineage: M[CASS] > CDR[2] > SHN Source: Audience (recorder 3) Lineage: Cass[claimed Master] > CDR(4) > FLAC Remaster - Each source 1. Correct channel balance 2. Re-balance frequencies / EQ 3. Correct channel frequency separation 4. Repair audible dropouts 5. Attenuate frequent whistles 6. Remove many claps during music 7. Repair microphone bumps, clicks and pops 8. Correct pitch and speed Remaster - Sync and Mix 1. Sync sources 2. Patch all 15 gaps/cuts/missing sections 3. Mix sources using 2-source stereo technique 4. Attenuate excessive peaks 5. Dynamic adjustments 6. Re-track 2 flac  
233. 01/24/77 Westfalenhalle - Dortmund, West Germany A+ Lineage: Vinyls -> Sony PS-HX500 -> Wav 24/96 -> Audacity cutting edges & convert to Flac Each Lp was cleaned before digitization. The signal level is what the turntable transfers directly to the computer. Nothing added. Nothing taken away. Now you can play .. Godfather box set 2 flac  
234. 01/24/77 Westfalenhalle - Dortmund, West Germany A Pink Floyd 'Animals Fly Again From Battersea To Europe' Box Set 9LPs LIMITED EDITION 9 LP 180 Gram COLOR VINYL PART I January 24, 1977 Westfallenhalle Dortmund, Germany Digitized at 24/96. 24/192 is too big to share. PART I Westfallenhalle, Dortmund, West Germany, January 24, 1977 PART II Deutschlandhalle, Berlin, West Germany, January 30, 1977 PART III Hallenstadion, Zurich, Switzerland. February 3, 1977 This is the Part I Lineage: Vinyls -> Sony PS-HX500 -> Wav 24/96 -> Audacity cutting edges & convert to Flac Each Lp was cleaned before digitization. The signal level is what the turntable transfers directly to the computer. Nothing added. Nothing taken away. Now you can play ... ******************************************************************************************* FLAC >WAV >Audacity (Combine Tracks To A One-Track File, Amplify By 11.6db, Downsample To 16 Bit / 44.1kHz, Minor Edits [LP Transfers], Re-Track Song-By-Song Instead Of Each LP Side) >FLAC (Level 8) + Tags Via xACT 2.50 By OldNeumanntapr ******************************************************************************************* 2 flac  
235. 01/27/77 Festhalle - Frankfurt, West Germany A+ AUDIENCE ANALOG MASTER>DAT(CLONE)>CDR>EAC>FLAC 2 flac  
236. 01/27/77 Festhalle - Frankfurt, West Germany A Two source, stereo remaster A very special event, early in the Animals tour. This show was recorded by two known tapers, both with excellent equipment. For source 1, the master tape is not available but has been stored on vinyl records. Given the time limitations of this storage medium it appears that the show's recording was cut to fit the constraints of two LPs. Still, 89 minutes of the show is available. For source 2 we have the complete recording, including encore. This tape was recorded in mono rather than stereo. The two tapers seem to be in different locations. For example, some have described source 1 as mostly Roger's bass and keyboards while source 2 has been described as having a high mix of Dave's guitar and vocals. A fan can be heard blowing a whistle during the opening of Shine On You Crazy Diamond in source 1 but this can not be heard in source 2; strongly suggesting that the two tapers were separated by a significant distance. Given the outstanding quality of both recordings, the predominance of different instruments in each and the apparent separation of the two tapers, creating a stereo recording by merging both recordings seemed worthwhile. Source 1: MoLM vinyl archives Lineage: LP> PS-LX250H> STR-DE895> HK CDR26> EAC> SHN Comment: Missing most of Sheep at the beginning, the first few minutes of Shine On part 1, the last 30 seconds of Shine On part 2 and the encore Money. Source 2: Lineage: M[REEL] > DAT[4] > CD-R > EAC > FLAC Comment: Eac'd by sydb sydb@optonline.net Complete show with encore. The source is mono 2 Flac  
237. 01/29/77 Deutschlandhalle - West Berlin, West Germany A GENERATION: ANA(1) -> MD(0) -> CDR(0) -> WAV(M) [16bit/44.1kHz] -> WAV(1) [16bit/44.1kHz] -> FLAC [Level 8] TRANSFERS: early 2000s cas>md>cdr xfers, Oct-2013 cdr>flac unknown cassette->md equipment EDITING/ENCODING: Adobe Audition 3.0 -> CD Wave 1.95.1 -> Trader's Little Helper 2.6.0 2 flac  
238. 01/29/77 Deutschlandhalle - West Berlin, West Germany A- Animals From Soundboard Just Animals not the full show 1 Flac  
239. 01/30/77 Deutschlandhalle - Berlin, Germany A+ Lineage: Vinyls -> Sony PS-HX500 -> Wav 24/96 -> Audacity cutting edges & convert to Flac Each Lp was cleaned before digitization. The signal level is what the turntable transfers directly to the computer. Nothing added. Nothing taken away. Now you can play ... Godfather Records box set From Battersea to Europe 2 flac  
240. 01/30/77 Deutschlandhalle - Berlin, Germany A Pink Floyd 'Animals Fly Again From Battersea To Europe' Box Set 9LPs LIMITED EDITION 9 LP 180 Gram COLOR VINYL Part II January 30, 1977 Deutschlandhalle Berlin West Germany Digitized at 24/96. 24/192 is too big to share. PART I Westfallenhalle, Dortmund, West Germany, January 24, 1977 PART II Deutschlandhalle, Berlin, West Germany, January 30, 1977 PART III Hallenstadion, Zurich, Switzerland. February 3, 1977 This is the Part II Lineage: Vinyls -> Sony PS-HX500 -> Wav 24/96 -> Audacity cutting edges & convert to Flac Each Lp was cleaned before digitization. The signal level is what the turntable transfers directly to the computer. Nothing added. Nothing taken away. Now you can play ... ******************************************************************************************* FLAC >WAV >Audacity (Combine Tracks To A One-Track File, Amplify By 11.2db, Downsample To 16 Bit / 44.1kHz, Minor Edits [LP Transfers], Re-Track Song-By-Song Instead Of Each LP Side) >FLAC (Level 8) + Tags Via xACT 2.50 By OldNeumanntapr ******************************************************************************************* 2 flac  
241. 01/30/77 Deutschlandhalle - Berlin, Germany 8.5 Animals fly again from Battersea to Europe Box Set 9 LP Box Set Discs 4-6 FLAC >WAV >Audacity (Combine Tracks To A One-Track File, Amplify By 10db, Re-Track Each Song Separately*, Minor Edits [Static Pops & Clicks], Minor High End EQ) FLAC (Level 8) + Tags, Via xACT 2.53 By OldNeumanntapr, Plus Front Cover [Amended] Artwork *Original Source Was Tracked By LP Side Remastered by Oldneumanntapr 2 Flac  
242. 02/01/77 Stadthalle - Vienna, Austria A Silver>cdripper>flac>davidestrada>flac 2 flac  
243. 02/03/77 Hallenstadion - Zürich, Switzerland A+ Lineage: Vinyls -> Sony PS-HX500 -> Wav 24/96 -> Audacity cutting edges & convert to Flac Each Lp was cleaned before digitization. The signal level is what the turntable transfers directly to the computer. Nothing added. Nothing taken away. Now you can play ... Godfather Records box set From Battersea to Europe 2 flac  
244. 02/03/77 Hallenstadion - Zürich, Switzerland A Pink Floyd 'Animals Fly Again From Battersea To Europe' Box Set 9LPs LIMITED EDITION 9 LP 180 Gram COLOR VINYL PART III February 3, 1977 Hallenstadion Zurich, Switzerland Digitized at 24/96. 24/192 is too big to share. PART I Westfallenhalle, Dortmund, Germany, January 24, 1977 PART II Deutschlandhalle, Berlin, Germany, January 30, 1977 PART III Hallenstadion, Zurich, Switzerland. February 3, 1977 This is the Part III Lineage: Vinyls -> Sony PS-HX500 -> Wav 24/96 -> Audacity cutting edges & convert to Flac Each Lp was cleaned before digitization. The signal level is what the turntable transfers directly to the computer. Nothing added. Nothing taken away. Now you can play ... ******************************************************************************************* FLAC >WAV >Audacity (Combine Tracks To A One-Track File, Amplify By 11.6db, Downsample To 16 Bit / 44.1kHz, Minor Edits [LP Transfers], Re-Track Song-By-Song Instead Of Each LP Side) Fix SBEs >FLAC (Level 8) + Tags Via xACT 2.50 By OldNeumanntapr ******************************************************************************************* 2 flac  
245. 02/04/77 Hallenstadion - Zürich, Switzerland a- Reeling in Pink Floyd CD source DVD 2 "Off Master" Lineage (most likely): Cass(master or 1st gen) > DAT(?) > CDR > shn > wav > Flac Frontend > flac 8 Quality: EX/EX- 2 flac  
246. 02/17/77 Sportpalais Ahoy - Rotterdam, Netherlands a- Recorder 2 cassette [master] 2 flac  
247. 02/18/77 Sportpalais Ahoy - Rotterdam, Netherlands A- LINEAGE>TASCAM DR40>AUDACITY>YOU 2 flac  
248. 02/20/77 Sportpaleis - Antwerpen, Belgium a- very good audience 2 flac  
249. 02/22/77 Pavillon de Paris - Paris, France A+ Lineage: The lineage for this recording is: Analog Master>DAT(?)>CDR(0)>SHN 2 flac  
250. 02/23/77 Pavillon de Paris - Paris, France a- DISC QTY: 2CD CATALOG #: pp1960 PRODUCED: 1999 Pigeon Productions SOURCE(S): Paris France, Pavillion, February 23, 1977 QUALITY: VG Audience Recording DATE: February 23, 1977 2 flac  
251. 02/24/77 Pavillon de Paris - Paris, France A Sigma 265 Annoying announcer at beginning of tracks FM broadcast of an audience recording Original bootleg discs -> EZ CD Audio Converter -> FLAC level 5 Ripped and shared by Gullveig.org 2 flac  
252. 02/25/77 Pavillon de Paris - Paris, France A PINK FLOYD Animals aux Abattoirs (HRV CDR 038) (16bit/44.1kHz) Paris, Porte de Pantin, Pavillon de Paris, 25Feb77 Recorded by GD 1st gen cassette provided by Finkployd49 Transfer by Neonknight Remastering by MOB Quality Control by RonToon Artwork by Ediskrad Studios Produced by Harvested Records 2 flac  
253. 02/25/77 Pavillon de Paris - Paris, France A 24-96 version PINK FLOYD Animals aux Abattoirs (HRV CDR 038) (16bit/44.1kHz) Paris, Porte de Pantin, Pavillon de Paris, 25Feb77 Recorded by GD 1st gen cassette provided by Finkployd49 Transfer by Neonknight Remastering by MOB Quality Control by RonToon Artwork by Ediskrad Studios Produced by Harvested Records 2 flac  
254. 02/27/77 Olympiahalle - Munich, Germany A Sound Quality: Ex (if you can ignore the right channel problem) Lineage: Master>dat>cd-r(2)>EAC (secure with C2)>CDWave>CEP 2.1>WAV>TLH (with Align)>FLAC(7) Taped by: ?? Transferred by: mesquite 2 flac  
255. 02/28/77 Olympiahalle - Munich, Germany a- GENERATION: ANA(M) -> DAT(?) -> WAV(M) [16bit/48kHz] -> FLAC [Level 8] TRANSFERS: *late 1990s(?) CAS>DAT xfer unknown ana>dat equipment *Feb 2007 DAT>HD xfer for FTP trade Tascam DA20mkII -> coax -> Soundblaster X-Fi Elite Pro *Oct 2015 torrent prepared for Y! EDITING/ENCODING: Cool Edit Pro v.2.x -> CD Wave -> Trader's Little Helper Has some tape drops 2 flac  
256. 03/15/77 Empire Pool, Wembley - London, England A original source/lineage: audience Recorder 2 / ITT Studio 60 Recorder > Memorex C-120 cass[M] > Nakamichi 700 (pitch up) > DAT@48khz > wav > shn@48khz new source/lineage: audience Recorder 2 / ITT Studio 60 Recorder > Memorex C-120 cass[M] > Nakamichi 700 (pitch up) > DAT@48khz > wav > shn@48khz > wav > Adobe Audition 1.5 > TLH > flac@48khz 2 flac  
257. 03/18/77 Empire Pool, Wembley - London, England a- Recorder 1, unknown gen (16bit/44.1kHz) Pink Floyd Empire Pool, Wembley, London, England 18 March 1977 Lineage: Unknown gen cassettes (Maxell XLII) > *Technics RS-B965-M > Focusrite Saffire Pro 14 > Audacity 2.0.3 > WAV (24bit/96kHz) > Reaper v4.52 > FLAC (16bit/44.1kHz) A cue file is included in the folder xACT used to create FFP *The Technics RS-B965-M is a modified deck - for details see the Tapeheads.net 2 flac  
258. 03/30/77 New Bingley Hall - Stafford, England a- Livestock Market Pigs And Sheeps (Godfather Records GR 625/626) there are 2 vers this is the good one 2 flac  
259. 03/31/77 New Bingley Hall - Stafford, England a- Name: Flesh Animalization Release: Blue Cafe 24 A/B 2 flac  
260. 04/22/77 Miami Baseball Stadium - Miami, FL AA Bootleg Title: First Generation Source: AUD[1] -> CDR[?] -> SHN Quality: EX- Length: 123 mins 32 secs 2 flac  
261. 04/24/77 Tampa Stadium - Tampa, FL A Original lineage: cass[M] > DAT(0) > CDR(2) > shn Additional lineage: shn > TLH > wav > Adobe Audition 3.0.1/CD Wave > wav > TLH > wav > Flac Frontend > flac 8 Revisions: - Speed corrected -1.75% (0.9825 stretch with Adobe Audition 3.0.1, resampled with high precision) - Retracked - Removed small silent gaps at the end of Sheep, in the middle of Pigs (3DO), at the beginning of SOYCD 1-5 and at the end of WYWH - Joined the two split parts of Pigs together (small cut remaining) - Removed a total of 39 secs of repeated sections at the end of SOYCD 1-5 - Removed 23 secs of silence at the end of Disc 2 - Corrected sector boundary errors Revised by Bert13 at June 28, 2009 2 flac  
262. 04/26/77 Omni Coliseum - Atlanta, GA A Original source lineage: Cass (1) > CDR > shn Label: Digital Floyd Project Additional source lineage: shn > wav > Adobe Audition 3.0.1* > wav > TLH (sbe fix) > wav > Flac Frontend > flac 8 tagged and verified * - removed a few index clicks / micro gaps - speed corrected 102.84 stretch - phase corrected, left channel clip restored 2 flac  
263. 04/28/77 Assembly Center - Baton Rouge, LA B++ source: audience / cass[3]>cdr[0] >EAC>WAV>archived in shn tot length: 109:57 close to not making it or just listenable 2 flac  
264. 04/28/77 Assembly Center - Baton Rouge, LA B++ source: audience / cass[3]>cdr[0] >EAC>WAV>archived in shn tot length: 109:57 close to not making it or just listenable 2 flac  
265. 04/30/77 Jeppesen Stadium - Houston, TX A- Original source lineage: Cass(1)> DAT > CDR > Bias Peak Pro 5.2.1 > Xact > flac Additional source lineage: flac > TLH > wav > Adobe Audition 3.0.1* > wav Tracked with CD Wave, encoded to flac 8 with Flac Frontend, tagged and verified * 97.4 shrink up to Money (Money and Us And Them not changed) Smoothed out a few cuts and bumps 2 flac  
266. 05/01/77 Tarrant County Convention Center - Fort Worth, TX AA Mics: 2 Sony ECM 19B > Recorder: Sony TC-152 > Tape: Sony Chrome CRO-90 cassettes the Original Analog Cassette Tapes > Playback Deck: Tascam 130 > Nikko 32 Band EQ > Akai DR16 Digital Hard Disk Recorder > 16 bit 48 kHz > ADS Tech Instant Music RDX-150 input SPDIF output USB to computer 16 bit 48 kHz > Wave Lab 5 - WAV 16 bit 48 kHz > Audacity > CD Wave Editor > WAV 16 bit 48 and 44.1 kHz > FLAC 2 flac  
267. 05/06/77 Anaheim Stadium - Anaheim, CA A LINEAGE>LP > Cool Edit Pro > flac 1 flac  
268. 05/07/77 Anaheim Stadium - Anaheim, CA a- This is a Fixed (resampled) version. Source : Realistic Minisette – 18 > Cassette Master (Maxell UDC 120) Taper: Michael Cariola Transfer : Sony TC-WE475 (Azimuth Adjusted) > PC (Line In Creative SB Audigy Fx) Editing : Audacity (Mastering) > Sound Forge (volume) > Wave > TLH (sbe aligned) Flac 8 Traders Den - September 5, 2020 posted by kingrue upload #2680 2 flac  
269. 05/09/77 Oakland Coliseum - Oakland, CA A Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x TDK SA90 Analog Lineage: 2 x sony ECM 280 => Sony SD158 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR-7a >> Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Reinhart Holhwein Transfer By: Bob Menke Mastering By: Derek McCabe 2 flac  
270. 05/09/77 Oakland Coliseum - Oakland, CA 9 Source: "Welcome To The Machine" (Cannonball) Lineage: My Silver>CDWave>Flac6 Extraoridinary SQ on this recording. IMO, the SQ on this rates essentially the same as Animal Instincts RevB and the Master RtR but the type of sound is a bit different on each. 2 Flac  
271. 05/10/77 Oakland Coliseum - Oakland, CA 8.5 Lineage: Cass Master to HIFI > DAT(0)(48kHz) > Sony SDT-9000 > DAT2WAV > WAV > TLH > FLAC (level 5) No encores. DAT2WAV didn't detect any errors. Neon Recorder 1 (Secondary Source - Encores) - Wotjek (https://ravinganddrooling.com/forum/archives/pink-floyd-and-pf-solo-member-audio-torrents/43640-) Recorder 2 - Roughcut's Incomplete 1st Gen (https://ravinganddrooling.com/forum/archives/pink-floyd-and-pf-solo-member-audio-torrents/106217-) Lineage - Source Files > REAPER (Syncing and Mastering) > 24 bit WAV (Untracked) > 16-48 FLAC 8 ------------------------------------------------------------------------------------------ Notes: Ello there, and welcome to one of my latest projects I have worked on for you all to enjoy: "A Greater Set". This is the name of the release after the infamous bootleg title of the night before this show in Oakland. In my opinion, where this one lacks the quality of the other Oakland show, it makes up for in performance; hence the title for this release. ------------------------------------------------------------------------------------------ Mastering Notes: Rec 2 is the Primary source. It has been speed corrected by 57 cents, EQ'd with a gain decrease of -4.2dB and panned 80% left where matrixed. Rec 1 is speed corrected to Rec 2 with values between -15 and -78 cents. It has been EQ'd with a gain increase of 2.5dB (6.7dB louder than Rec 2) and panned 50% right where matrixed. For set 2 onwards, Rec 1's mastered channel is panned right, whereas the raw is panned left with a gain increase (0.8dB for Set 2, 1.6dB for Encores). Speed correction was then applied, with Set 2 by -55 cents, Money by -35 cents, and Us And Them by -36 cents. ------------------------------------------------------------------------------------------ Final Notes: Included in this upload are some bonus files including ticket scans from Atomicgamer400, a fantastic cover by WorldmanOne, and other goodies sourced from the internet such as Roger Ressmeyer's photos. Finally, I would like to say a huge thank you to everyone behind these recordings and this project, including but not limited to: - The tapers - neonknight (Providing a new and improved R1 source for this release) - Wotjek and Roughcut (Providing the other sources for R1 and R2) - Atomicgamer400 (Providing ticket scans) - WorldmanOne (Providing a cover for this release) As always, share freely, don't convert to MP3 unless for personal use, DON'T CHARGE ANYONE FOR FREE MUSIC, etc. Enjoy and Cheerio! Ello_Guvner 2023-11-26 2 Flac  
272. 06/17/77 Freedom Hall - Louisville, KY A Lineage: Master transfer to CDR > FLAC > iZotope RX4 & Reaper v4.61 > FLAC (16bit/44.1kHz) 2 flac  
273. 06/19/77 Soldier Field - Chicago, IL a- source: audience - recorder 2 / cass[low]>cdr[?] >EAC>WAV>archived in shn tot length: 116:29 overall: VG+/EX- 2 flac  
274. 06/25/77 Municipal Stadium - Cleveland, OH A Mastering Notes: Recorder 1 was used as my primary source, except for SOYCD I-V and Us And Them due to Recorder 2 cutting in before; opting for that one in those cases. For Recorder 1, I did not get rid of either channel because as said previously by neonknight, although the left channel is stronger throughout this recording, both channels are contributing in the primary source. Also, for the Master DAT, I EQ'd this to roll off some low end and bring out more highs and panned this in the right channel, with the raw being panned to the left. Recorder 1 was EQ'd to bring the bass/low end out of this recording more as well as certain parts of the mids to compliment Recorder 2's mids and high ends. This source is also the louder one of the two in this matrix most of the time as it is more direct and clear in comparison to Recorder 2. For Recorder 2, both channels were EQ'd individually as it is stereo, both getting rid of some boxiness in the recorder at around the 400Hz range and bringing out more of the recording elsewhere in the lows, mids and highs. Furthermore, a de-click from RX8 was used as this was quite frequent in the higher frequencies. Finally for the mix, a maximiser was applied to stop clipping at points with loud fireworks (a given for a late June 1977 show!) Final Notes: Finally, I would like to say a huge thank you to everyone behind these recordings and this project, including but not limited to: Roscoe59 and Eric S. (The people behind the release of Recorder 2) neonknight (Transferring 2 of the 3 sources used for Recorder 1) stratcat58 (Providing one of the superior sources of Recorder 1 for the community) buffalofloyd (Providing the other superior source of Recorder 1 for the community) kbrubaker and Bert13 (Providing another one of the sources of Recorder 1 for the community) WorldmanOne (Creating the cover as well as helping sync the 8mm video) Atomicgamer400 (Providing ticket scans and helping sync the 8mm video) This is an incredible capture for the time era 2 flac  
275. 06/27/77 Boston Garden - Boston, MA AA Taper 1: Steve Hopkins Location: FOB Lineage : Sony ECM-99a > Sony TC-158SD > cass[master] > DAT[?] > cdr[?] > EAC > WAV > archived in shn Source comment: T.Mack (Yeeshkul): Almost certain this is a Master DAT clone and even if it's not, it's still damn good. PRRP: Have a Cigar version is closer to proper speed but trails off after 18,000Hz more than this version. Both have step-wise processing artifact after 16,000Hz but Have a Cigar verion goes to zero and this version does not. This version is clipped and runs too fast but both problems were corrected. Taper 2: Dan Lampinski Location: Floor section CC, Row 20, Seat 4 Lineage : Two Nakamichi CM-300 Microphones > Nakamichi 550 Tape Recorder > Master Cassette > Nakamichi CR-3A cassette deck with azimuth correction > M-Audio Firewire Audiophile 2496 > CDWAV 24-bit/96-KHz wav files > Goldwave (normalizing and crossfades) > CDWAV (track breaks) > FLAC 2 flac  
276. 06/29/77 The Spectrum - Philadelphia, PA a- Sigma 296 (2022) Lineage: My Original Silver --> EAC --> WAV --> THL --> Flac8 --> You 2 flac  
277. 07/01/77 Madison Square Garden - New York, NY a- recorder 1 transferred by pinkrudy (2008) Generation: cass[low] > Sony CFD-G500 > SB X-Fi Xtrememusic > WAV 24/48 > FLAC 24/48 Sound Quality: around VG Total Time 130:06m 2 flac  
278. 07/01/77 Madison Square Garden - New York, NY A- recorder 1 transferred by pinkrudy (2008) Generation: cass[low] > Sony CFD-G500 > SB X-Fi Xtrememusic > WAV 24/48 > FLAC 24/48 Sound Quality: around VG Total Time 130:06m 2 flac  
279. 07/02/77 Madison Square Garden - New York, NY AA Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: Maxell UD C60 and a UD C90 Analog Lineage: unknown mics => Sony 152 >> MAC Taped By: Louis Falanga Transfer By: Bb Menke Mastering By: Derek McCabe 2 flac  
280. 07/02/77 Madison Square Garden - New York, NY 8 Definitive MSG 1977 / 2CD / Sigma 192 Lineage: Boot CD Silvers>EAC>WAV>TLH>FLAC>You 2 Flac  
281. 07/03/77 Madison Square Garden - New York, NY AA title: PIGS MIGHT FLY ? [STTP 128/129] date/venue:1977 July 3 - Madison Square Garden, New York City, New York audience - recorder 2 cass(master) > CDR(?) > CDR ---> SHN 2 flac  
282. 07/03/77 Madison Square Garden - New York, NY A Lineage: Boot CD Silvers>EAC>WAV>TLH>FLAC>You Taken from the Japanese 4CD Bootleg 'Animal Cops' (Sigma 30) 2 flac  
283. 07/04/77 Madison Square Garden - New York, NY AA source: audience - recorder 1 / cass(1) > CDR(1) tot length: 125:59 overall: EX+ at last a version not sourced from the second generation cassette :) that second gen was around under any sorta title and release, poor thing. this is sourced from the 1st generation cassette the taper kept as backup, the master is lost. the taper used Nakamichi equipment (he's the same taper of the show in Philly 87.9.19 - recorder 1) This version has a different speed than the other ones, is a bit slower (but it's semi-perceptible); the actual difference in length is due to more pieces of recording here included, audience parts though, cause Pigs has still a gap in the middle and Money is still missing the very beginning; the cuts provoked by the taper are here quite evident so I guess it was on the master as well. Sound quality is not better than the versions around from the 2nd Gen.s; this is a bit longer but also more rough, probably cause is was copied sevaral times . Waters yells 19/54 on Pigs (3DO) min 1:52/53 (3rd verse - on track 8 of CD1) 2 flac  
284. 07/04/77 Madison Square Garden - New York, NY A Lineage: Boot CD Silvers>EAC>WAV>TLH>FLAC>You Taken from the Japanese 4CD Bootleg 'Animal Cops' (Sigma 30) 2 flac  
285. 07/06/77 Stade du Parc Olympique - Montreal, QC AA Source: Audience recording Lineage: Master > DAT(2) > Amadeus > MacFlac > Flac 2 flac  
286. 07/06/77 Stade du Parc Olympique - Montreal, QC A Generation Reel[Master] > DAT(2) > MacFlac > FLAC 2 flac  
287. 07/06/77 Stade du Parc Olympique - Montreal, QC A Pink Floyd 1977-07-06 Montreal Recorder 1, unknown gen (24bit/96kHz) - speed corrected by Jimfisheye Lineage: Maxell XLII Cassettes x 2 > *Technics RS-B965-M > Focusrite Saffire Pro 14 > Audacity 1.3 > FLAC (24bit/96kHz) > speed correction by Jimfisheye with Serato in Protools HD9 > FLAC (24bit/96kHz) xACT used to create FFP *The Technics RS-B965-M is a modified deck - for details see the Tapeheads.net forum 2 flac  
288. ??/??/79 Britannia Row / Super Bear - London, UK A+ COMPLETE DEMO TRACKS OF "THE WALL" ALBUM Recorded at The Floyd's Britannia Row Studios (Sept-Dec, 1978 & Late 1979) & Super Bear Studio(April-Aug 1979) in France. 2 flac  
289. 02/07/80 Sports Arena - Los Angeles, CA AA Opening night of the tour and the premier live performance of "The Wall" From the master cassettes and an upgrade to any previous versions of this recording. This is a 16-44 version for CD burning A Hi-Resolution 24-96 transfer is also available Recorded by Mark (the B-Man) with John and Mike holding the microphones. Source: 2 Sennheiser MKH 404 tu microphones > Sony D5 (w/ Dolby) using 3 TDK SA C60 cassettes Transfer (May 2014): Nakamichi CR 7-A (azimuth aligned, Bias @ 70us, Dolby B) > Korg mr-2000s @ 1 Bit 5.6 MHZ DSDIFF Mastering: AudioGate (24-96) > Adobe Audition 3.0 (repairs and track splits) > AudioGate (16-44) > TLH (Flac Level 8-sector boundaries aligned) > Stamp ID3 tag editor Special thanks go out to Sue for sneaking the deck in, without her help this recording would not have been possible and additional thanks to Mark for sending me the master cassettes to make this upgrade After 34 years this recording finally sounds like it should! 2 flac  
290. 02/08/80 Sports Arena - Los Angeles, CA A Unknown Audience; CDR (GEN??) >Amadeus II >WAV >SHN (WWRM002) (A WALLweeds Production) ************************************************************************* SHN >WAV >FLAC (Level 8) + Tags Via xACT 2.50 By OldNeumanntapr 2 flac  
291. 02/26/80 Nassau Veterans Memorial Coliseum - Uniondale, NY A Recorded by Daspyknows Front Row Orchestra Terrace Dead Center Schoeps MK4 BabyNBox Tascam DR-2D 24 Bit 48K Processed using Soundforge 13, resample, to 16bit 44.1K TLH to convert to Flac Master 2022.039 Has some hiss but pretty good 2 flac  
292. 08/04/80 Earls Court Exhibition Hall - London, England 7.5 Recorder 2 [16-44] * Cassette (master) > DAT(0) 48kHz > Edirol UA-5 > Audacity > WAV > CD Wave > FLAC 16 bit / 44.1kHz 2 Flac  
293. 08/05/80 Earls Court Exhibition Hall - London, England 8 Recorder 3 [16-44] * Cassette (2)>DAT(0) > DAT(0) 48kHz > Edirol UA-5 > Audacity > WAV > CD Wave > FLAC 16 bit / 44.1kHz Cassettes borrowed from Marbal and transferred by deepcreatures to DAT using a Nakamichi RX-505 2 Flac  
294. 08/06/80 Earls Court Exhibition Hall - London, England A The Show Must Go On Highland Limited Special Edition HL001 SEX Matrix Disc 1: HL 673 DISC 1 Matrix Disc 2: HL 674 DISC 2 (P) 2005 Made In Japan 2 flac  
295. 08/06/80 Earls Court Exhibition Hall - London, England A+ Recording made from Block 22, Row S seat 111 (Upfront central position)>Technics Single Point Stereo Microphone->Sony TC-153SD Cassette Deck->Sony BHF90 cassettes (2 off used) *********************************************************************************** FLAC Tags Via xACT 2.50 By OldNeumanntapr (Original text file did not include recording lineage, but after comparing audience voices on tracks I can say with just about 100 percent certainty this recording is from the same source as the known lineage Technics stereo mic >Sony 153 source. This source has much stronger levels and has benefited from additional WALLweeds post production, which makes this already amazing recording oh so much better sonically! See (Original)NOTES text file for more info. 2 flac  
296. 08/09/80 Earls Court Exhibition Hall - London, England 9 Original bootleg discs -> EZ CD Audio Converter -> FLAC level 5 Ripped and shared by Gullveig.org 2 Flac  
297. 02/13/81 Westfalenhalle - Dortmund, West Germany 8 Recorder 2 [16-44] * Cassette (1)>DAT(0) > DAT(0) 48kHz > Edirol UA-5 > Audacity > WAV > CD Wave > FLAC 16 bit / 44.1kHz Cassettes borrowed from Marbal and transferred by deepcreatures to DAT using a Nakamichi RX-505 2 Flac  
298. 02/17/81 Westfalenhalle - Dortmund, West Germany 8 Source 1 [16-44] * Cassette (1)>DAT(0) > DAT(0) 48kHz > > Edirol UA-5 > Audacity > WAV > CD Wave > FLAC 16 bit / 44.1kHz 2 Flac  
299. 02/18/81 Westfalenhalle - Dortmund, West Germany 8 Recorder 2 [16-44] * Cassette (1)>DAT(0) > DAT(0) 48kHz > Edirol UA-5 > Audacity > WAV > CD Wave > FLAC 16 bit / 44.1kHz Cassettes borrowed from Marbal and transferred by deepcreatures to DAT using a Nakamichi RX-505 2 Flac  
300. 06/17/81 Earls Court Exhibition Hall - London, UK A Audience; 'The Last Few Bricks' (Sirene- 074) (Roger Water's Last Show As A Member Of Pink Floyd) Matrix Disc 1: Sirene - 074 Disc1 Matrix Disc 2: Sirene - 074 Disc2 (P) 2005 Made In Japan ************************************************************* FLAC Tags Via xACT 2.50 By OldNeumanntapr 2 flac  
301. 09/09/87 Lansdowne Park - Ottawa, ON A Notes: This is the premiere show on the 1987 Momentary Lapse Of Reason World Tour. The first few tracks are faded in or out. Possibly the same on the LP that it was mastered from, but after LTF the recording is in tact. Some clipping, more obvious in some places than other (Like the end of RLH). Plenty of audience participation to enjoy, but not really in the harsh way. More like the crowd is having a good time type of way. Digitally Remastered from the LP- World Tour, except this source is complete. All in all a nice recording. Enjoy. 2 Flac  
302. 09/12/87 Forum - Montreal, QC A Lineage: Unknown gen. cassette -> Sony HCD-EH26 -> Creative SB Audigy SE -> wave 96/24 -> AdobeAudition and NeroWaveEditor (44/16 and split only) -> TLH -> flac 2 flac  
303. 09/13/87 Forum - Montreal, QC a- Album notes: A part of north american „A Momentary Lapse Of Reason” 1987 tour. Complete show from one, unique source. Recording mastered from very low generation analog tape. Discs' division compatible with the course of the show. Carefuly indexed. Revised copy. Great "Echoes". The second of only 6 encore performances of SOYCD during this tour. Lineage: A Cass[Low]>AIWA TapeDeck>SBLive>WAV>EAC>SHN. 3 flac  
304. 09/14/87 Forum - Montreal, QC a- Lineage: unknown gen. cassette -> Sony HCD-EH26 + Creative SB Audigy SE + Audacity 2.0.4 -> wave -> NeroWaveEditor -> TLH -> flac 2 flac  
305. 09/16/87 Municipal Stadium - Cleveland, OH a- Info from the PF ROIO site @: http://www.pf-roio.de/roio/roio-cd/echoes_by_lake.cd.html Quality: * EX Comments: Another good recording from the Momentary Lapse tour. I'm having difficulty determining where the taper was, as the sound is a bit distant. My best guess is that he was a pretty good distance from the stage and his mic was aimed at the main PA (stage), but ended up getting some inherent reverb (the "stadium" effect), which is VERY noticeable on "Round And Around", and a few other places. Some of the sound effects are clear and can be heard quite easily, while others are distant. Maybe the taper was located near one of the rear PA stacks? Some of the louder volumes (during A New Machine, Dogs Of War, Sorrow) cause a slight overdriven distortion, which is a little annoying, but nothing to worry about. On several songs, the instruments are slightly murky (probably due to the distance), and the bass needs a slight boost, but it's nothing that a few tweaks of the 'ol EQ can't fix. The crowd is active (and at times, pretty damn loud) but is not too obtrusive, making you feel that you are at the show! In my opinion, this recording is a notch below A Clear View and comparable to Prism, which still makes this a very good ROIO. Plus, you get a GREAT (complete) version of ECHOES!!! The Floyd's playing seemed to be "on" that night. Rick takes some creative keyboard liberties during the intro to OTTA, doodling about while holding the main chord. During the keyboard intro, Gilmour: "Thank you very much... Good Evening... We're gonna take on one more song here, then we're gonna take a few minutes break, and we'll be back, again. Thank You. Take her away guys..." After OTTA, "Thank you, we'll be back in a few minutes." At the end of Money, Floyd plays the 4-bar into to ABITW2, stops for a few seconds, and then begins with "We don't need no ed-u-ca-tion". Great jam session! After ABITW2, Gilmour: "Thank you! Wow. What fun, eh? That's right, do it. There is always a way . . . All right, thank you very much for coming, all you people! Woooo! This is a big place isn't it? We haven't been here in a few years. Anyway, one more, and, it will be time to go." Dave: "Hello! Thank you! Well we have time for one more. (???) We hope you remember this one." From what I can tell, it's the ONLY Momentary Lapse-tour disc to contain both Echoes and One Slip!!! A great performance by The Floyd and a very good recording make this essential Gilmour-era Floyd material. A solid addition to any collection!!! -SUNDOG 2 flac  
306. 09/17/87 Municipal Stadium - Cleveland, OH a- Lineage: low gen. cassette -> Sony HCD-EH26 + Creative SB Audigy SE + Audacity 2.0.4 -> wave -> NeroWaveEditor -> TLH -> flac 2 flac  
307. 09/19/87 John F. Kennedy Stadium - Philadelphia, PA A source/lineage: audience Recorder 2 / cass[1]>DAT(2)@16bit/48khz > Tascam DA-302 > Audigy 2 Platinum > wav > Adobe Audition 1.5 (minor editing) > Cdwav (track spliting and sample conversion to 16bit/44.1khz) > TLH > FLAC 2 flac  
308. 09/21/87 C.N.E. Stadium - Toronto, ON A Audience Rec 1 (first generation) Cass[1]>PC (edited with sound forge and CD Architect)>My Master CD>EAC>FLAC Walkman D-6,mics unknown 2 flac  
309. 09/22/87 C.N.E. Stadium - Toronto, ON a- Digitized from master cassette audience recording made with Sony WA-55 stereo cassette-corder & 2 SONY mics, from Section 44, Row 6, Seat 14. Source: Master Cassette> CD Spin Doctor (iMac G5)> MacFlac 2 flac  
310. 09/23/87 C.N.E. Stadium - Toronto, ON a- Lineage: A[Low]>SBLive>WAV>CoolEditPro>EAC>SHN 2 flac  
311. 09/25/87 Rosemont Horizon - Rosemont, IL a- Lineage: low gen. cassette -> Sony HCD-EH26 + Creative SB Audigy SE + Audacity 2.0.4 -> wave -> NeroWaveEditor -> TLH -> flac 2 flac  
312. 09/28/87 Rosemont Horizon - Rosemont, IL a- Sec 3 Row 29 seat 16 Jam Presents (Main Floor) Recorder: Sony TC-D5M ANALOG Tape: Maxell XL-II-S C-90 Dolby Off Mics: AKG 460 B w/ ULS 61 capsules w/Elbows at 90 degrees Played back on TC-D5M machine (Not Exact Unit, but calibrated)> Chord Co. Cables Pre-amp: Naim 52 CDR Recorder (Stand Alone): Marantz CDR-600 (Philips CDR-101) CDR: Taiyo Yuden Gold 74-ZY Master CDR> PC Drive: UltraPlex40max SCSI EAC>FLAC>To You Guys, enjoy, RB 2 flac  
313. 09/30/87 County Stadium - Milwaukee, WI A+ Unknown Audience; 'Delusions of Maturity' Bootleg CD **************************************************************************************** SHN >WAV >Audacity (Remove And Repair Several Digital 'Spike Blips' In The Beginning Of 'SOYCD') >Fix SBEs >FLAC (Level 8) + Tags Via xACT 2.50 By OldNeumanntapr **************************************************************************************** 2 flac  
314. 10/03/87 Carrier Dome - Syracuse, NY A Master Audience Recorded By Seremetcc, Transfer By Keo! ElectroVoice EV757 > Marantz PMD-430 Tapes:Sets 1 + 2 Maxell MX 90's, Encores Maxell MX 60 DFC, 30’ From Stage, Standing On Folding Chair, Hand-Held Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave Dithered/Flacked With Korg Aqua To 16/44 SBE's Checked/Fixed With Trader's Little Helper Metadata Tagging With Tag&Rename 2 flac  
315. 10/05/87 Madison Square Garden - New York, NY a- Master Audience Recording Taper: Mike Hatler Seat: Section 12C Row C Seat 2 Equipment: Sony TCD-6M/Nacamichi CM-300 2 flac  
316. 10/06/87 Madison Square Garden - New York, NY a- Lineage: low gen. cassette -> Sony HCD-EH26 + Creative SB Audigy SE + Audacity 2.0.4 -> wave -> NeroWaveEditor -> TLH -> flac 2 flac  
317. 10/07/87 Madison Square Garden - New York, NY A cass[?] > CDR(?) > SHN >Flac 2 flac  
318. 10/07/87 Madison Square Garden - New York, NY 8 The Lost New York Tapes Free Range Pigs (FRP CDR-010/011) -In association with Get It On Productions (GIO) Release Notes: An interesting set of circumstances led up to the release of this recording. To my knowledge, no other audio sources of this show have surfaced before today, however, according to some trading lists we've seen, there are two(!) audience-shot video tapes of this show. Many thanks are owed to David Dyte (Get It On Productions) who made this tape available to Free Range Pigs for remastering and release. David's story follows: "I was visiting a friend who is more or less of an ex-Floyd fan. He still likes the music, but much prefers the Indie stuff nowadays. But in years gone by, it turns out he was quite a taper. He handed me a drawer full of assorted tapes to look through, mostly traded for, but a few of his own making. Lo and behold, here's a tape of Pink Floyd at Madison Square Garden in 1987." "He said, 'Did I do that? Wow! I forgot all about this. I'll look for the master tape. It should be in another drawer with the rest.' Well, he could not locate the box full of masters from his arena gig taping days, but this tape was made from the master immediately - the first and only time the master was played." This recording was taped with a walkman recorder with a small stereo "bug-eye" type microphone, brand long since forgotten. The taper was sitting second tier, about half way back from the stage. This release of this recording is very nice. The bass floor is sweet, with great acoustics in the hall. It's been in production for over 3 months and alot of effort has gone into making this release a worthy representation of what must have been an incredible night at MSG almost 14 years ago. Credits: Jim Canale (bigpig@freerangepigs.com) and Free Range Pigs would like to thank the following people for their contributions to this effort: David Dyte for graciously providing the source. The Taper, whoever he is and where ever he may be. Mark Gunzinger for providing Quality Assurance services. Doug Collins for providing Quality Assurance services. Kevin Jowers for providing Artwork services. Without these guys, none of this would have been possible. 2 Flac  
319. 10/10/87 Brendan Byrne Arena - East Rutherford, NJ a- Lineage: Sony TCS-470 Recorder (w/ optional stereo power mic) > 2 Maxell XLII90 Epitaxial cassettes Transfer: Master Cassettes > Pioneer-CT500 tapedeck > Dell PC via stereo Y-cable (Realtek HD soundcard) > Audacity 1.2.6 (44100/16) > WAV(44100/16 w/Audacity 1.2.6) > Tracking(cd wave) > Flac (level 8, SBE's aligned) Taper: Drgiggles1 from Section 119 Row 21 Seat 5 Transfer: Drgiggles1 2 flac  
320. 10/11/87 Brendan Byrne Arena - East Rutherford, NJ A soundboard 2 flac  
321. 10/12/87 Brendan Byrne Arena - East Rutherford, NJ a- source: audience / SonyD-3 Walkman using stock external stereo mic >cass[Master]-TDK-HX-S90>cdr[0]>EAC>WAV>CD-Wave(indexing) > flac(level8) tot length: 144:58 overall: EX 2 flac  
322. 10/15/87 Hartford Civic Center - Hartford, CT 8.5 AUD Recording Mastertape>sony cassette Deck>Sb Audigy2 24/96 >PC>Soundforge Izotope 64 BIT downsample, Waves L316> >TLH>torrent>you Taped by Steve H. transferred by Raymond Morelli JR. Mastered by Raymond Morelli JR.  
323. 10/15/87 Hartford Civic Center - Hartford, CT 8.5 AUD Recording Mastertape>sony cassette Deck>Sb Audigy2 24/96 >PC>Soundforge Izotope 64 BIT downsample, Waves L316> >TLH>torrent>you Taped by Steve H. transferred by Raymond Morelli JR. Mastered by Raymond Morelli JR.  
324. 11/01/87 Orange Bowl - Miami, FL A+ Soundboard; Cassette >CDR >FLAC (Complete) ********************************************************************** FLAC Tags Via xACT 2.50 By OldNeumanntapr ********************************************************************** 2 flac  
325. 11/03/87 The Omni - Atlanta, GA AA DVD Player > Sony AV Control Integrated Amplifier > Sony RCD-W500C Compact Disc Recorder > EAC (secured) > Traders Little Helper Flac Level 8 (aligning sector boundaries) 2 flac  
326. 11/15/87 The Arena - St. Louis, MO a- Aiwa CM-S20 Mic > Aiwa HS-J380 > Maxell XLII 90 Masters > WAV > Cool Edit Pro > Wav > Flac (sector aligned - level 7) 2 flac  
327. 11/16/87 The Arena - St. Louis, MO a- Lineage: A[Low]>SBLive>WAV>CoolEditPro>EAC>SHN 2 flac  
328. 11/21/87 Reunion Arena - Dallas, TX a- Sound Quality: EX Source: Audience (recorder 1) Generation: ECM-33F mics > Marantz PMD-430 > cass[M] > Playback on Akai GX-R60EX > PC > CEPro > CDR(2) > WAV > TLH > FLAC (level 5) 2 flac  
329. 11/27/87 Sports Arena - Los Angeles, CA 8.5 ineage: Unknown gen. cassette -> Sony HCD-EH26 -> wav -> NeroWaveEditor -> TLH -> flac Transfered and artwork by Nipote This release was first shared on IN FLOYD WE TRUST hub http://www.infloydwetrust.com 2 Flac  
330. 11/28/87 Sports Arena - Los Angeles, CA a- source/lineage: Recorder 1 / cass[M]>HiFi>DAT(2)>cdr>DAT(0)@16bit/48khz>Tascam DA-302> Audigy 2 Platinum>wav>cd wav(track splitting)>mkwact>shn 2 flac  
331. 12/03/87 Oakland-Alameda Coliseum - Oakland, CA A Source:audience Quality:Very good+ to Ex- Gen:1st gen Lineage:ANALOG CASSETTE>DAT>CDR>EAC>TLH FLAC 8>DIME Transfered by/Uploaded by:sunvenusmoon Recorded by:Kevin Cogan Recording Gear:NAKamichi CM 300's>Sony D-6 2 flac  
332. 12/04/87 Oakland-Alameda County Coliseum Arena - Oakland, CA a- Modified Nakamichi 700's cardiod capsules>custom dbx with Sony TC D5M Section 2 Row O Seat 2 Maxell MX 90 nr dbx II Master>Nak CR-3A>dbx224>HD>Audacity>CDWave>TLH Recorded by Tazuo Yamaguchi Transferred by Russ Cansler 2 flac  
333. 01/27/88 Entertainment's Center - Sydney, Australia a- Lineage: Unknown gen. cassette -> Sony HCD-EH26 -> wav -> NeroWaveEditor -> TLH -> flac 2 flac  
334. 02/19/88 Tennis Center - Melbourne, Australia A+ SBD recording *********** original info: Silver Sea Label SSR41919 Factory Pressing as above>EAC>wav>you Excellent SB recording! (probably the best available from 1988) 2 flac  
335. 03/02/88 Budokan Grand Hall, Chiyoda-Ku - Tokyo, Japan AA Matrix Disc 1: Sigma 108 Disc-1 1A31800916 IFPILT029 Matrix Disc 2: Sigma 108 Disc-2 1A31800917 IFPILT029 2 flac  
336. 03/03/88 Budokan Grand Hall, Chiyoda-Ku - Tokyo, Japan AA Matrix Disc 3: Sigma 108 Disc-3 1A31800918 IFPILT029 Matrix Disc 4: Sigma 108 Disc-4 1A31800919 IFPILT029 2 flac  
337. 03/04/88 Yoyogi Olympic Pool - Tokyo, Japan A silvers sigma 54 Signs of Life 3 flac  
338. 03/05/88 Yoyogi Olympic Pool - Tokyo, Japan A silvers Sigma 54 Signs of Life 3 flac  
339. 03/06/88 Yoyogi Olympic Pool - Tokyo, Japan AA Matrix Disc 5: Sigma 108 Disc-5 1A31800920 IFPILT029 Matrix Disc 6: Sigma 108 Disc-6 1A31800921 IFPILT029 2 flac  
340. 03/08/88 Joh Hall - Osaka, Japan 8.5 PINK FLOYD - Osaka Castle Nights 6 Pro - CDR - Matrix Disc 1-6: NO (P) 2014 Made In Japan Pink Floyd “A MOMENTARY LAPSE IN OSAKA”, Diff-master and press platen, 2 Days Osaka performance in 1988 of the same day as the press platen more, 6-Disc bonus title must for fans of that high sound quality and complete recording of each “OSAKA CASTLE NIGHTS” is, will be attached specially. PINK FLOYD – OSAKA CASTLE NIGHTS (Bonus 6CDR) Osaka-Jo Hall, Osaka, Japan 8th & 9th March 1988 TRULY AMAZING SOUND than Japan tour with in 1988 in “A Momentary Lapse Of Reason”, Osaka of the 9th and March 8th 6 pieces of fan indispensable neither complete recording with high-quality sound recording audience, 2 Days castle hall performances. Both performances with full Diff-master board and press “A MOMENTARY LAPSE IN OSAKA”. Number of sound sources is very low, as a valuable record of performance in Osaka ’88, the collector must-have in the press platen same. Never ever booted on CD, sound source of March 8 is valuable take first. “A MOMENTARY LAPSE IN OSAKA” sound source is too good too, you might not wiped the sober impression by all means, but this is recording a very good quality in this. Feel of the sound soft, unlike the press platen to be able to enjoy clear and that is sparkling, the whole picture of the show you can enjoy an analog-style sound of nostalgic feeling. Will it better if you expressed as sound mild warm friendly feeling of the ear. That amount, without even clapping sticks to ear, I can listen comfortably. Natural low-frequency sound is attractive one. You may receive a modest impression, but this is now, I can assert that a very valuable record. Sound source of the 9th was remastered recording had been released from Amity in the past the “Night Castle.” To increase volume by reducing hiss, this place delivers a more robust sound. Is there a turbidity in sound compared to the press board sound source is here, but the high frequency because out in clear, for enough, some great Gotae listen to the entire sound pressure. High quality sound that is well organized indeed, there is a sharp sound in the press board, but some powerful sound of this place hard to throw away. As for the source of this 9th, cheers One Slip front of Angkor has been recorded more than two minutes, you can be made ??to the press, to confirm the advantage of as a record of only this board. Whatever the case may be, Osaka 2 Days present time, in ’88, there is always has been confirmed only four sound source, including two press new sound source, the fan of a must-have, must-listen all of them no doubt. Live at Osaka-Jo Hall, Osaka, Japan 8th March 1988 3 Flac  
341. 03/09/88 Joh Hall - Osaka, Japan 8.5 PINK FLOYD - Osaka Castle Nights 6 Pro - CDR - Matrix Disc 1-6: NO (P) 2014 Made In Japan Pink Floyd “A MOMENTARY LAPSE IN OSAKA”, Diff-master and press platen, 2 Days Osaka performance in 1988 of the same day as the press platen more, 6-Disc bonus title must for fans of that high sound quality and complete recording of each “OSAKA CASTLE NIGHTS” is, will be attached specially. PINK FLOYD – OSAKA CASTLE NIGHTS (Bonus 6CDR) Osaka-Jo Hall, Osaka, Japan 8th & 9th March 1988 TRULY AMAZING SOUND than Japan tour with in 1988 in “A Momentary Lapse Of Reason”, Osaka of the 9th and March 8th 6 pieces of fan indispensable neither complete recording with high-quality sound recording audience, 2 Days castle hall performances. Both performances with full Diff-master board and press “A MOMENTARY LAPSE IN OSAKA”. Number of sound sources is very low, as a valuable record of performance in Osaka ’88, the collector must-have in the press platen same. Never ever booted on CD, sound source of March 8 is valuable take first. “A MOMENTARY LAPSE IN OSAKA” sound source is too good too, you might not wiped the sober impression by all means, but this is recording a very good quality in this. Feel of the sound soft, unlike the press platen to be able to enjoy clear and that is sparkling, the whole picture of the show you can enjoy an analog-style sound of nostalgic feeling. Will it better if you expressed as sound mild warm friendly feeling of the ear. That amount, without even clapping sticks to ear, I can listen comfortably. Natural low-frequency sound is attractive one. You may receive a modest impression, but this is now, I can assert that a very valuable record. Sound source of the 9th was remastered recording had been released from Amity in the past the “Night Castle.” To increase volume by reducing hiss, this place delivers a more robust sound. Is there a turbidity in sound compared to the press board sound source is here, but the high frequency because out in clear, for enough, some great Gotae listen to the entire sound pressure. High quality sound that is well organized indeed, there is a sharp sound in the press board, but some powerful sound of this place hard to throw away. As for the source of this 9th, cheers One Slip front of Angkor has been recorded more than two minutes, you can be made ??to the press, to confirm the advantage of as a record of only this board. Whatever the case may be, Osaka 2 Days present time, in ’88, there is always has been confirmed only four sound source, including two press new sound source, the fan of a must-have, must-listen all of them no doubt. Live at Osaka-Jo Hall, Osaka, Japan 8th March 1988 3 Flac  
342. 03/23/88 Budokan - Tokyo, Japan A Info by Hoka: http://www.hokafloyd.com/CD4/Another_Lapse_In_Japan/Another_Lapse_In_Japan.htm PINK FLOYD - Another Lapse In Japan Godfatherecords G.R.823/824 Matrix Disc 1: G.R. 823/824 CD1 Matrix Disc 2: G.R. 823/824 CD2 (P) 2012 Made In Japan 2 flac  
343. 04/15/88 Memorial Coliseum - Los Angeles, CA 8 Recording Location: Set 1 was done in center section of the field about 12 rows from the stage. Set 2 was on the field in the first row in front of left PA near Gilmour. (See back story below for more info). Lineage: Master Audience Recording by Michael Cariola using a Sony Walkman WM-R2 using onboard microphones on (2) TDK-SA C90 tapes > Tascam 302 > Sony PCM M-10 at 96/24 Wave files edited with CD Wave Editor V. 1.98 > 96/24 and converted to FLAC using Trader's Little Helper V2.8.3.182. Tape and covertion and editing by Michael Cariola. (Courtesy of InnerEar) 2 Flac  
344. 05/18/88 UNI Dome, University of Northern Iowa - Cedar Falls, IA a- Lineage: MasterCass-Maxell MX90/Denon DRS-610/Focusrite Scarlett 2i2/Audition/16-44flac Recorder: Sony tcd5m w/custom stereo pzm in hat. 2 flac  
345. 05/18/88 UNI Dome, University of Northern Iowa - Cedar Falls, IA A+ Legnth: 2:26:14 Quality: A++ Aud excellent, no audience noise Lineage: MasterCass>Sonytcd5m>STAudio 24/96 card>16bit.wav>.shn Recorder: Sonytcd5m w/custom stereo pzm in hat. Release Date: 2-04. New digitaly remastered release. Copies of this recording, given to a few close friends spread like a virus back in 88. Someone sold it in some quanity with a xerox cover locally. All those copies had serious flaws. Gaps, multi-gen hiss and tape flip errors. This version is fully intact for the first time, remastered from the MasterCass. Amazing sound quality. Intermission crossfaded between trk7-8. Enjoy... Bootray ************************************************************************************************** SHN >WAV >Audacity (Combine Tracks To A One-Track File, Amplify By 3.4db, Re-Track On Original Index Points) >FLAC (Level 8) + Tags Via xACT 2.50 By OldNeumanntapr ************************************************************************************************** 2 flac  
346. 06/10/88 Stade de la Beaujoire - Nantes, France A Lineage: Tape(Master) > CD-R(1) > EAC > Wave (44.1kHz / 16bit) > Audition CC (Mastering+Track Splitting) > Wave (44.1kHz / 16bit) > Flac (Level 8, SBE OK) Length: 2:20:32 2 flac  
347. 06/16/88 Reichstagsgelände - West Berlin, West Germany AA Transfer info: Analog 1st Gen Chrome Bias (Type II) Cassette > SONY TC-WE635 Cassette Deck (w/Manual Azmuith Adjust) > TASCAM CD-RW900mkII Professional CD Recorder > CDR CDR>EAC>WAV>TLH>FLAC>DIME 2 flac  
348. 06/18/88 Maimarketgelaende - Mannheim, West Germany A the music is excellent but the crowd is noisy 2 flac  
349. 07/01/88 Praterstadion - Vienna, Austria A Unknown Microphones >Sony D6 Analog >WAV >SHN >WAV >FLAC ************************************************************* SHN >WAV >FLAC (Level 8) + Tags Via xACT 2.50 By OldNeumanntapr ************************************************************* 2 flac  
350. 07/24/88 Espace Richter - Montpelier, France AA From 2nd gen cassettes. Nakamichi 700> Cakewalk UA-1G (16/44.1k)>Audacity>CD Wave Editor>Flac 8 2 flac  
351. 07/31/88 Gentofte Stadium - Gentofte, Denmark A Just one person ruins this recording Source: Sony ECM-150 -> Sony TCD-D5 Transfer: Master Casette -> B&O Beocord 9000 -> Sony pcm-a1 (96/24) -> audition -> cdwav -> flac Taper: G. [2022-06-02 transfer by Willer [light EQ + levels + normalizing - Downsampled to 44,1/16] 2 flac  
352. 08/08/88 Maine Road Football Ground, Moss Side - Manchester, UK A Note: Digitally remastered by PB Bootlegs. Special thanks to Stuart W. for providing the source tape Wave (16bit) > TLH8 > Flac > Dime 2 flac  
353. 08/20/88 Nassau Coliseum - Uniondale, NY A+ Pink Floyd ?– Nassau Coliseum 1988 (Sigma 120) 4CD 2nd half of 08-21-1988 3 flac  
354. 05/16/89 Roman Arena - Verona, Italy 8.5 Album notes: A part of european „Another Lapse” 1989 tour, promoting album „A Momentary Lapse Of Reason”. Recording mastered from genuine low generation analog tape. Discs' division compatible with the course of the show. Carefuly indexed. Revised copy. Balanced. Speed corrected. Lineage: A[Low]>SBLive>WAV>CoolEditPro>EAC>SHN 3 Flac  
355. 05/17/89 Roman Arena - Verona, Italy 8.5 Album notes: A part of european „Another Lapse” 1989 tour, promoting album „A Momentary Lapse Of Reason”. Recording mastered from genuine low generation analog tape. Discs' division compatible with the course of the show. Carefuly indexed. Revised copy. Balanced. Speed corrected. Lineage: A[Low]>SBLive>WAV>CoolEditPro>EAC>SHN 3 Flac  
356. 05/18/89 Roman Arena - Verona, Italy 9 Release/cat.: OC9X7-X5B CDR date/venue: 1989 May 18 - Arena di Verona, Italy source audience - gen: ? (Low) your source: ripped from the original OC9X7-X5B "Live in Verona 18 May 89" LP > ?? > APE 2 Flac  
357. 05/31/89 Olympic Stadium - Athens, Greece a- Lineage: Cassette(0) -> CDR(2) -> EAC -> WAV -> SHN ->TLH -> wave -> NeroWaveEditor -> TLH -> flac 1 flac  
358. 06/12/89 Globe Arena - Stockholm, Sweden A Recorded by; PER-ERIK, Transfered by; JONTEBUS Recording Info; SONY WM-D6C > AIWA CM 30 > Cassette Tape. Transfer Info; Cassette Tape > Nakamichi Dragon Cassette Deck > SONY PCM-M10 (24bit/44,1kHz) > Audacity for Mac > iZotope RX (for hissreduction and minor eq). WAV>TLH>FLAC>DIME 2 flac  
359. 06/13/89 Globe Arena - Stockholm, Sweden A Recorded by; PER-ERIK, Transfered by; JONTEBUS Recording Info; SONY WM-D6C > MARANTZ EM-8 > Cassette Tape. Transfer Info; Cassette Tape > Nakamichi Dragon Cassette Deck > SONY PCM-M10 (24bit/44,1kHz) > Audacity for Mac > iZotope RX (for hissreduction and minor eq). WAV>TLH>FLAC>DIME 2 flac  
360. 06/14/89 Globe Arena - Stockholm, Sweden a- Recorder, mics and media unknown > Original tape > Sony UX-Pro C-90 Cassettes > Playback: Tascam 130 > ADS Tech Instant Music RDX-150 input SPDIF output USB to computer 16 bit 48 Khz > Audacity > FLAC 2 flac  
361. 06/18/89 Müngersdorfer Stadion - Köln, West Germany a- AUD > ? > CDR > EAC > WAV > mkwACT > SHN 2 flac  
362. 06/21/89 Festhalle - Frankfurt, West Germany A Unknown Microphones >Sony D6 Analog >WAV >SHN >WAV >FLAC ************************************************************* SHN >WAV >FLAC (Level 8) + Tags Via xACT 2.50 By OldNeumanntapr ************************************************************* 2 flac  
363. 06/27/89 Palais Omnisport de Paris Bercy - Paris, France a- SOURCE: EX- stereo master audience tape recorded by my friend 'thves' PLEASE: this new source for the first time on the web. It is NOT the existing 'Paris Bercy 1st night' Wojtek's CDs. LINEAGE: Aiwa CM30 -> Sony D6 cassette recorder Dolby C on. -> Maxell UDXL IIs cassettes -> Nakamichi CR1-E (with manually adjusted azimuth) Dolby C on -> Zoom H2 -> Goldwave v.5.08 for edits, fades, tracks, channel balance, maximization at 90% -> TLH 2.4.1 (build 160)-> FLAC level 8 align on sector boundaries, md5s Tags with Mp3tag too much crowd yelling on this 2 flac  
364. 07/05/89 London Arena, Isle of Dogs - London, UK AA Lineage: A[Low]>SBLive>WAV>CoolEditPro>EAC>SHN 2 flac  
365. 07/10/89 Goffert Park - Nijmegen, Holland a- Source Audience (recorder 2) Generation cass[low] > SBLive > WAV > CoolEditPro > EAC > SHN 2 flac  
366. 06/30/90 Knebworth Park - Knebworth, England AA   1 flac  
367. 06/30/90 Knebworth Park - Knebworth, England A BBC FM Broadcast 'Of Promises Broken' Bootleg CD (Harvested HRV CDR 006) SHN >WAV >FLAC (Level 8) + Tags Via xACT 2.50 By OldNeumantapr 2 flac  
368. 03/04/94 De Kuip - Dreamscapes - Rotterdam, Netherlands 8 Bootleg: The Live Bell Publisher: Kiss The Stone KTS 294/95 Lineage: my silvers>EAC secure>WAV>TLH>FLAC Level 8 2 Flac  
369. 04/16/94 Rose Bowl - Pasadena, CA AA Lineage: DAT(M)>DAT(1)>WAV [48kHz/16bit]>WAV [44.1kHz/16bit]>FLAC [Level 8] Transfer: Tascam DA-20 MKII>PreSonus FireStudio Project>Adobe Audition 3.0>Cdwave editor>FLAC frontend 1.7.1 Taping Gear: Sonic Studios DSM-6P>Sony TCD-D7 Taped By: M.H. in association with JEMS Transferred By: Mike Ziegler 2 flac  
370. 04/16/94 Rose Bowl - Pasadena, CA A+ Recorded by "Flex" Hamilton with support from Patrick, Eric, Martin and Julie Floor, B-3, Row 9, Seat 9 (about 60 feet back left of center) Source: Sonic Studios DSM-6P > Sony WM TCD-D3 @ 16-48 using a TDK DC4-90 Data Cartridge Transfer: (March 29, 2022) Otari DTR-8s > Korg MR2000-s @ 16-48 (via spdif) Har-Bal 3.7 & iZotope RX8 advanced (prep) > CD Wave > Korg Aqua (16-44) > TLH Thanks to my friend "Flex" for recording and loaning me his master tapes Jewel box artwork by ethiessen1, many thanks for the beautiful covers on this and so many other shows For historical reference only and not intended for resale or any commercial use Support the artists and the venues that host live music Buy the official releases and go to a concert Enjoy… -M- (October 2022) 2 flac  
371. 04/20/94 Oakland Coliseum Stadium - Oakland, CA AA DAT clone from master tranferred on Panasonic SV3800 to Tascam CD-RW700->Wav->Flac 3 flac  
372. 04/22/94 Oakland Coliseum Stadium - Oakland, CA A Panasonic SV250 DAT master tranferred on Panasonic SV3800 to Tascam CD-RW700->Wav->Flac 3 flac  
373. 04/28/94 Texas Stadium - Irving, TX A LINEAGE AUDIENCE ANALOG MASTER>ANALOG 2nd GENERATION>NAKAMICHI DR-1 (W/MANUAL AZIMUTH ADJUSTMENT)> CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240 WAV (24/96KHZ)>MAGIX AUDIO CLEANING LAB FOR KRW TRACK MARKS VOLUME ADJUSTMENT AND EDITS>WAV 16/44.1>TRADERS LITTLE HELPER FLAC (LEVEL 8) 2 flac  
374. 05/06/94 Tampa Stadium - Tampa, FL 8 Recorded by noscms from 13th row in front of left stack with Sonic Studios DSM-6P->Sony TCD-D7 Master DAT digitally transfered to computer via Sony PCM-M1->Sound Blaster X-Fi HD->Wavelab->Traders Little Helper->FLAC Level 8 3 Flac  
375. 05/12/94 Death Valley Stadium - Clemson, SC A CDR>WAV>SHN 2 flac  
376. 05/19/94 Foxboro Stadium - Foxboro, MA AA CDR>WAV>SHN 2 flac  
377. 05/22/94 Olympic Stadium - Montreal, QC B++   3 flac  
378. 05/24/94 Olympic Stadium - Montreal, QC 8 silvers Montreal 1994 released in 1997 2 Flac  
379. 05/26/94 Municipal Stadium - Cleveland, OH B++ not stellar 2 flac  
380. 06/03/94 Veterans Stadium - Philadelphia, PA A All three volumes come from 1st gen tapes that I archived to DAT.They were all done by the same taper and I would guess in the same location for every night.The sound itself is surprisingly good considering but the recorder doesnt always handle some frequencies very well and other times the speed will flux for a moment probably due to bumping or something.The second night starts out the roughest in that respect but seems to smooth out by the end.There are cuts here and there for each night.Mainly tape flips between songs and nothing major so I wont bother listing specific details here.Overall,not a bad set to have especially if you attended the shows.Enjoy. 2 flac  
381. 06/04/94 Veterans Stadium - Philadelphia, PA A Source: Some pocket recorder w/built in mic.>CASS[1]>DAT>CDR Philly Vol.3 All three volumes come from 1st gen tapes that I archived to DAT.They were all done by the same taper and I would guess in the same location for every night.The sound itself is surprisingly good considering but the recorder doesnt always handle some frequencies very well and other times the speed will flux for a moment probably due to bumping or something.The second night starts out the roughest in that respect but seems to smooth out by the end.There are cuts here and there for each night.Mainly tape flips between songs and nothing major so I wont bother listing specific details here.Overall,not a bad set to have especially if you attended the shows.Enjoy. 2 flac  
382. 06/10/94 Yankee Stadium - New York, NY AA   2 flac  
383. 06/11/94 Yankee Stadium - New York, NY 8 The Bell Gets Louder 2 Flac  
384. 06/20/94 Arrowhead Stadium - Kansas City, MO AA Source: Core Sound {CSB} (Field/ Row 51/ Seat 2) > Sony D7 {Binaural} @48 Taped by: M. Darby Transfer: TASCAM DA-20 > TASCAM CD-RW 2000 > CDR (master) > Roxio Toast 5.1.3 > CDR (1st gen) > EAC (offsets corrected, secure mode) > Cool Edit Pro (retracking, fades) > CDWave (tracking) > Flac Frontend (level 8) 2 flac  
385. 06/22/94 H.H.H. Metrodome - Minneapolis, MN AA Recorded by Tom Jorgensen 9th row on side Sonic Studios DSM-6P > Sony TCD-D7 1st copy digital clone of master from OldNeumanntapr's DAT @ 16-48 (received from Tom) Transfer & Mastering by Flying -M- Playback on an Otari DTR-8S > Korg MR-2000-S via digital coax @ 16-48 Audacity > Har-Bal > iZotope RX6 advanced > CD Wave > iZotope RX6 advanced (16-44) > TLH (flac level 8) 3 flac  
386. 06/25/94 B.C. Place Stadium - Vancouver, BC 8 Taper: Kevin Davie [recording source 2] Sony ECM-909 stereo condenser mic in hat > Sony WM D6C Professional Recording Walkman (Dolby off) > Maxell XL-II S 90 master cassettes Location: B.C. Place Lower Level left side??? Transfer: Maxell XL-II S 90 master cassettes (felt spring pads extra flexed) > Tascam 202mkII playback deck (Dolby off, normal bias PB, azimuth adjusted for each tape side) > Radio Shack gold end 3.5mm to stereo rca cord > Shack 6 foot gold end 3.5mm stereo extension cord > Soundblaster Audigy @ 24 bit 96 khz Transfer Notes: tape flip at the beginning of "Keep Talking", no 'real' music lost tape flip at the beginning of "Great Gig In The Sky", some music lost tape flip during encore break, minimal crowd noise lost Tape flip silences are left intact to represent how much time it usually takes to flip tapes. You can sometimes hear pre-echo or post-echo of tape print through before and after the recorder starts and stops! The empty spaces are the time missing from the recording, approximately... Mastering: Wavelab 5.01b (recording, tracking, and mastering) > Waves Q10 Paragraphic EQ used as a Wavelab plug-in to smooth out some mid sharpness, enhance the low end, and find the highs that are buried on the master tapes. PeakMaster applied to limit any stray peaks. No compression. > SoX ReSampler via Foobar2000 for resampling from 96 khz to 44.1 khz (passband 95.2% disabled aliasing 25% phase response very high quality) > iZotope RX for dithering from 24 bit to 16 bit (noise shaping MBIT+) > Trader's Little Helper > FLAC8 2 Flac  
387. 06/26/94 B.C. Place Stadium - Vancouver, BC 7.5 Capture (Source 2) : Sony ECM-909 stereo condenser mic in hat > Sony WM D6C Professional Recording Walkman (Dolby off) > Maxell XL-II S 90 master cassettes Transfer playback : Maxell XL-II S 90 master cassettes (felt pads spring extra flexed) > Tascam 202mkII playback deck (Dolby off, normal bias PB, azimuth adjusted for each tape side) > Radio Shack gold end 3.5mm to stereo rca cord > Shack 6 foot gold end 3.5mm stereo extension cord > Soundblaster Audigy @ 24 bit 96 khz > Wavelab 5.01b (recording, tracking, and mastering) Mastering plug-ins : ToolOne used to re-process the Mid-Side mic pattern in the microphone that didn't seem to get processed correctly by the onboard electronics in the mic > Waves S1 Shuffler used to widen the stereo spread > Waves Q10 Paragraphic EQ used to smooth out some mid sharpness, enhance the low end, and find the highs that are buried on the master tapes > Open Ambience Project SHEPPi Spatial Enhancer used sparingly to enhance the immersive effect of sound that surrounds the listener > BBE D82 Sonic Maximizer to strengthen the impact of the sound > Peak Master used for hard limiting any stray peaks Downsample and Dither: 24/96 wav > Foobar2000 (SoX resampler to 24/44.1, 95.2% passband 25% phase response no aliasing) > iZotope RX Advanced 2 (mBit+ dither to 16/44.1, ultra noise shaping high dither) > TLH > flac8 > Foobar2000 (tagging) Talking by the taper 2 Flac  
388. 07/01/94 Winnipeg Stadium - Winnipeg, MB A   2 flac  
389. 07/05/94 C.N.E. Stadium - Toronto, ON 8 Title: CNE1 Label: #ROIO Records ROIO CDR 019 2 Flac  
390. 07/07/94 C.N.E. Stadium - Toronto, ON A James' notes: Equipment used to record was a Sony Walkman Pro with Sonic Studio's mics. Sony UX Pro Casette 90 tapes. Burnt to CD with a Pioneer PDR-509 CD-R. Tape deck used to burn onto pioneer cdr was a Nakamichi BX 100 Uploaded to Guvner by Carson. My mics were stealthily placed under a shirt with 2 small holes cut for each mic to just poke through. We had the best seats for sound 28 rows back (which were the highest price tickets from 28th to 40th rows) to be able to catch the quad sound. There were 8 of us in the row so at least there was no talking on both sides of me. This should be dedicated to Dean Taylor as he really wanted a great copy of his all time fav band. He went on to see them a further 40 times all across the United States. I have waited to unearth these tapes to the right person and place. I never gave people copies no matter how many times they asked. That went for all my recordings. Only a few people knew I had a collection of shows. Most didn't think they were any good. That was their loss. One just asked me about them the other day as he was with me at a Tom Petty show and had to tell him to shut up on more than one occasion. Then they didn't take it seriously but today they do. I took it very seriously as once I got the equipment past security I had to go into the washroom stall and transform myself ready to record as I needed the privacy to tape the mics under my shirt. I even brought a pen with duct tape wrapped around so I had my supply. It was nerve wracking. It was a mission. I used to take pictures prior to 85 but i saw a friend taping and put the camera down and bought a great deck. This way i could relive the show and not just look at it. This recording is from my collection. It is the collection of James Geller. Now all the people and more who asked me for copies can now experience the quality of what i did for my own personal enjoyment. So sit back put on some good headphones or simply crank it up and enjoy oneself. The show is from the C.N.E. TORONTO THURSDAY JULY 7TH 1994. (Canadian National Exhibition) the final night of the 3. Other notes: For the first time ever, a new and superior recorder for this show is being released to the public. A subscriber called James Geller reached out to me and gave me the honour of sharing his collection publicly, being the first time anyone other than him will be listening to it. High Hopes is cut due to a tape flip and there are minor tape flips at the end of Sorrow, One Of These Days, Time, and Comfortably Numb. Enjoy this raw transfer of James' tape. I will upload my speed corrected, patched and de-peaked version of this show soon also. Cheerio, Ello_Guvner 2 flac  
391. 07/09/94 Robert F. Kennedy Stadium - Washington, DC a- Lineage: unknow gen. cassette -> Sony HCD-EH26 -> Creative SB Audigy SE -> wave -> NeroWaveEditor and AdobeAudition -> TLH -> flac 2 flac  
392. 07/09/94 Robert F. Kennedy Stadium - Washington, DC A Recorded by R. Jones & wklitz Source: Schoeps MK4's>Rbox>Sony TCD-D10 Pro (Mod) 2 flac  
393. 07/12/94 Soldier Field - Chicago, IL A Main floor centre about 30 rows front of mixing board. Recorder: Sony TC-D5M analog cassette: Tape: Sony UX-Pro 100 minute tape recorded side A only! Mics: AKG 414 ULS-B (cardioid) Using AKG B-18 48-volt Phantom Power boxes **Played back on identical machine>** Pre-amp: Naim NAC 52 CDR Recorder: Marantz CDR-600 (original Philips). CDR: Taiyo Yuden Gold Satin 74-ZY PC Drive: UltraPlex40max SCSI EAC (1.8X speed extract OR slower)> FLAC> To You Guys, enjoy, RB 2 flac  
394. 07/14/94 Pontiac Silverdome - Pontiac, MI B++   2 flac  
395. 07/22/94 Estadio Jose Alvalade - Lisbon, Portugal a- Lineage: very low gen. cassette -> Sony HCD-EH26 -> Creative SB Audigy SE -> wave -> NeroWaveEditor and AdobeAudition -> TLH -> flac 3 flac  
396. 08/07/94 Fussballstadion St. Jakob - Basel, Switzerland AA Lineage: low gen. cassette -> Sony HCD-EH26 + Creative SB Audigy SE + Audacity 2.0.2 -> wave -> NeroWaveEditor -> TLH -> flac 2 flac  
397. 08/09/94 Amphitheatre du Château de Grammont - Montpellier, France AA Lineage: low gen. cassette -> Sony HCD-EH26 + Creative SB Audigy SE + Audacity 2.0.4 -> wave -> NeroWaveEditor -> TLH -> flac 2 flac  
398. 08/23/94 Parkstadion - Gelsenkirchen, Germany A Lineage: Hi8-Master -> SONY ES60 -> Digital-in -> WAV -> FLAC -> YOU 3 flac  
399. 08/25/94 Idrætsparken - København, Denmark AA DAT Denon DCP-80,Panasonic costum (MCA-2000) microphones. 2 flac  
400. 08/29/94 Valle Hovin Stadion - Oslo, Norway a- "Olso, Norway" Very good audience recording (SHN) Recording: Sony ECM-921 > D8 > Harmon Cardon DAT Deck Transfer: CD-R (received in trade) > EAC > WAV > mkwACT > SHN 2 flac  
401. 08/30/94 Valle Hovin Stadion - Oslo, Norway A very solid audience capture 2 flac  
402. 09/03/94 Feyenoord Stadion - Rotterdam, Netherlands A 1st bell in Rotterdeam 2 flac  
403. 09/05/94 Feyenoord Stadion - Rotterdam, Netherlands 8.5 Ten19 Productions #114 Source: 1st Generation Cassettes > DAT(0) Transfer: DAT(0) > Tascam DA-30 MKII > M-Audio Audiophile > PC > Adobe Audition > 16/48 WAV > CD Wave > TLH > FLAC lot of crowd participation at 1st 2 Flac  
404. 09/09/94 Stade de la Meinau, Strasbourg, Bas-Rhin, France - Strasbourg, France 8.5 Ten19 Productions #117 Source: 1st Generation Cassettes > DAT(0) Transfer: DAT(0) > Tascam DA-30 MKII > M-Audio Audiophile > PC > Adobe Audition > 16/48 WAV > CD Wave > TLH > FLAC Third Taper Length: 147:42 2 Flac  
405. 09/11/94 Stade de Gerland - Lyon, France AA   2 flac  
406. 09/13/94 Stadio Della Alpi - Torino, Italy A+ Soundboard 'A Passage Of Time' Bootleg CD SHN >WAV >FLAC (Level 8) Via xACT 2.50 By OldNeumanntapr 2 flac  
407. 09/13/94 Stadio Della Alpi - Torino, Italy 9.5 The Italian Bell Label: Campana Records (Ref. : CR94) 2 Flac  
408. 09/17/94 Festa Nazionale del Unita - Modena, Italy A Mutinae records 1001/1002 Lineage: Silver CDs > XLD (secure and accurate ripper) > FLAC 2 flac  
409. 09/17/94 Festa Nazionale del Unita - Modena, Italy 9 The Italian Bell Label: Campana Records (Ref. : CR94) 2 Flac  
410. 09/19/94 Cinecitta - Rome, Italy A The Nights Of Wonder ARC 013-014 Alternative Recording Company Matrix Disc 1: F.Disc ARC 013 1442-B Matrix Disc 2: F.Disc ARC 014 1442-B (P) 1994 Made in Italy Audience Recording with Sony TCD-D3 Digital Studio Mobile LIMITED EDITION OF 1000 COPIES 2 flac  
411. 09/21/94 Cinecitta - Rome, Italy A Lineage: low gen. cassette -> Sony HCD-EH26 -> Creative SB Audigy SE -> wave -> NeroWaveEditor -> TLH -> flac 2 flac  
412. 09/21/94 Cinecitta - Rome, Italy A The Nights Of Wonder ARC 013-014 Alternative Recording Company Matrix Disc 1: F.Disc ARC 013 1442-B Matrix Disc 2: F.Disc ARC 014 1442-B (P) 1994 Made in Italy Audience Recording with Sony TCD-D3 Digital Studio Mobile LIMITED EDITION OF 1000 COPIES 2 flac  
413. 09/23/94 Stade Gerland - Lyon, France A master dat > tdk sa-x90 (type II) > Nero Wave Editor [48KHz/16] > TLH > flac 8 I got this one from the taper, Stanislas, who said he only captured the 1st set. I don't think this one has circulated before. IMHO it's an upgrade from the [] (Red Lines RL CD 32004) that i find a little muffled. But of course, Stan's source is incomplete. Side A [45:26]: SOYCD, Learning To Fly, High Hopes, Take It Back, Coming Back To Life, Sorrow (fades before solo) Side B [34:10]: Sorrow, Keep Talking, ABITW, One Of These Days 2 flac  
414. 10/17/94 Earls Court Exhibition Hall - London, England A   2 flac  
415. 10/20/94 Earl's Court Exhibition Hall - London, England A Soundboard recording Original bootleg discs -> EZ CD Audio Converter -> FLAC level 5 Ripped and shared by Gullveig.org 3 flac  
416. 10/21/94 Earls Court Exhibition Hall - London, England AA   3 flac  
417. 10/23/94 Earls Court Exhibition Hall - London, England a- Complete Earls Court Volume 11 #ROIO Records (#ROIO CDR-017-XI) some mic bumps 3 flac  
418. 10/26/94 Earls Court Exhibition Hall - London, England A Lineage: low gen. cassette -> Sony HCD-EH26 + Creative SB Audigy SE + Audacity 2.0.4 -> wave -> NeroWaveEditor and AdobeAudition -> TLH -> flac 3 flac  
419. 10/27/94 Earls Court Exhibition Hall - London, England A Complete Earls Court Volume 13 #ROIO Records (#ROIO CDR-017-XIII) Audience Recording 3 flac  
420. 10/28/94 Earls Court Exhibition Hall - London, England B++ Lineage: unknow gen. cassette -> Sony HCD-EH26 + Creative SB Audigy SE + Audacity 2.0.2 -> wave -> NeroWaveEditor -> TLH -> flac 2 flac  
421. 10/29/94 Earls Court Exhibition Hall - London, England A Lineage: The exact lineage for this recording is: Aiwa Cassette>Aiwa Mic>Master Cassette>CDR>EAC>CEPro>CDWav>SHN. 3 flac  
422. 10/29/94 Earls Court Exhibition Hall - London, England 9 Source: Sonic Studios DSM-6P & Denon DTR-80P Transfer: DAT Master > wav file > Adobe Audition > Normalize > EQ >CD Wave Cut > TLH > FLAC level 8 & Align on SB Recording Location: Stage Left in stands 20 floor rows back Recorded by: Datfly 2 Flac  
423. 07/02/05 Hyde Park - London, England A+ FLAC Tags Via xACT 2.50 By OldNeumanntapr ***************************************************************** I've managed to splice the uninterrupted beginning and end of the set onto the FM source, using audio from Breathe's DVD. Lineage for the FM source: FM (Sony STRDB1070) > Creative SBLive! > Creative Recorder > Nero Wave Editor > Flac Frontend FLAC 8 Aligned CD sector boundaries Recorded by enajh2, Loughborough, UK Lineage for Breathe's DVD: Digital TV broadcast > DVD (LPCM audio) 1 flac  

Pink Floyd compilations  
  Date Venue - City, State Sound Rating Notes Media  
1. ??/??/39 Pinky Milky - Various, Various AA 11 CD Boxset of Pink Floyd rare audience recordings from their legendary early 1972 UK gigs recorded live at: CD 1 & 2: The Dome, Brighton, East Sussex, 20.01. 1972 (Complete show). CD 3 & 4:: The Guildhall, Portsmouth, Hampshire, 21.02.1972 (Complete show). CD 5 & 6: The Wintergardens, Bournemouth, Hampshire, 22.01.1972 (2 tape sources incl. complete show). CD 7 & 8: The Rainbow Theatre, Finsbury Park, London, 17.02.1972 (Complete show from 1st gen. master). CD 9: The Rainbow Theatre, Finsbury Park, London, 20.02.1972 (Best of '72 vinyl completed and restored version). CD10 & 11: The Free Trade Hall, Manchester, 30.03.1972 (Complete show). Label : Us vs Them Records & Tapes Pressing : UTRT-72 - EU 11 flac  
2. ??/??/39 unknown - Unknown, UK A   12 flac  
3. ??/??/39 Unknown - Unknown, UK A A trip to the Moon 1972 UK tour.11 cds Brighton Portsmouth Bournemouth London Manchester 11 flac  
4. ??/??/39 various - Various, Various A+ PINK FLOYD Celestial Voices Rover Records RR CD002 Matrix Disc : CV 0907 Mixed by Saturday Ltd. (P) 2007 Made In ??? 1 flac  
5. ??/??/80 Nassau Coliseum - Uniondale, NY A- PINK FLOYD - Tearing Down The Coliseum Wall The Godfather Box – G.R. BOX 05 (P) 2011 Made In Europe Including: 3 Double CDs / 12 Page Booklet / 24 Page Tour Book / Poster / Pin (Badge) Discs Are Packaged In Tri-Fold Digipacks Recorded Three Nights At The Nassau Coliseum, Uniondale, NY, USA 6 Flac  

Pink Floyd Experience  
  Date Venue - City, State Sound Rating Notes Media  
1. 03/26/11 Comerica Theater - Phoenix, AZ A+ Recorded & Transfered By: Robert Mullen (lvrwm) Equipment/Lineage: Audience/SP-CMC-25 mics (Croakies)>SP-SPSB-2(Battery Boost Box)>Sony PCM-M10>CD Wave Editor(tracking)>Traders Little Helper flac level 8. Recorder Settings: PCM-M10 at 44.1 kHz/16 bit, low mic sensitivity, manual record, limiter on, mic power off, low cut filter off, speed control off. Comments: This was the first time at this venue, and the acoustics are very good. We were located on the floor, 14th row about 15' stage left of center. This group of musicians has their own interpretation of the "Floyd" sound, and I thought it was very entertaining. (IMHO). The recording came out well, and the crowd around me was pretty well behaved for this saturday night in Phoenix. Enjoy this show from this talented group based out of San Diego, California. 2 flac  

Pink Floyd interviews  
  Date Venue - City, State Sound Rating Notes Media  
1. 04/15/84 'Innerview w/Jim Ladd - KMET FM, Los Angeles, CA 8 Nick Mason Interview: Questions are about his solo album, and about a possible future for Pink Floyd, with a question (taped) to Roger and David. 1 Flac  
2. 04/30/90 Classic CDs: Pink Floyd-Dark Side of the Moon - Unknown, Unknown 10 1990 NBC THE SOURCE-Classic CD's-Pink Floyd-The Dark Side Of The Moon- Music And Interviews: US W.W. 1 #90-A Custom PROMO Only Discs (2-CD's) Title: Classic CDs: Pink Floyd-Dark Side of the Moon Record Company: The Source / NBC Radio Show: #90 Broadcast Date: April 30, 1990 Release Information: A two-CD radio show from The Source about Dark Side of the Moon. Includes an interview with David Gilmour and music. Cue sheets. Description: Cover: None. Label: The Source / Westwood One label. 1 Flac  
3. 12/19/94 In The Studio w/Redbeard, - Unknown, Unknown 8.5 Interview with David Gilmour, Nick Mason, and Richard Wright. Topics include 'Division Bell' album of the year, and opening of tour in Miami from April 1994 2 Flac  

Pink Floyd Night  
  Date Venue - City, State Sound Rating Notes Media  
1. 11/20/19 National Concert Hall - Dublin, Ireland A A "Kurt Schwein" Production #6 ;-) Lineage: Zoom H1 [@ '45' Recording volume] => Goldwave v6.23 where I did this stuff... Faded In and Out intro and outro applause, tracked it and, given there was a discernable break on the night PLUS that 'The Wall' has/had 4 Sides, I split the whole thing into 3 discs. I increased the volume by 3.5dB ... and then, TLH - Wav to FLAC Level 8. 3 flac  

Pink Floyd Project  
  Date Venue - City, State Sound Rating Notes Media  
1. 03/01/24 Amphion Theater - Grote Zaal, Netherlands A lineage: Tascam DR-05 digital recording (WAV 16bit 44.1k) > WAV > Audacity (track length editing) > FLAC Level 8 (TLH) 2 flac  
2. 03/08/26 Grote Zaal/Amphion Theater - Doetinchem, Netherlands 9.5 lineage: OKM-II binaural mics > Tascam DR-05 (WAV 16bit 44.1k) > WAV > Audacity (track length editing) > FLAC Level 8 (TLH) 2 Flac  

Pink Floyd radio specials  
  Date Venue - City, State Sound Rating Notes Media  
1. ??/??/92 Various - Los Angeles, CA AA   2 flac  

Pink Project  
  Date Venue - City, State Sound Rating Notes Media  
1. 04/11/25 Theater Amphion - Doetinchem, Netherlands 8 lineage: Tascam DR-05 digital recording (WAV 16bit 44.1k) > WAV > Audacity (track length editing and volume adjustments) > FLAC Level 8 (TLH) 2 Flac  

Pink Talking Fish http://pinktalkingfish.com
  Date Venue - City, State Sound Rating Notes Media  
1. 04/05/19 Sweetwater Music Hall - Mill Valley, CA AA Source: SBD > Tascam DR-5 (line out) > Sony-M10 Transfer: Adobe Audition > Korg Audiogate > Trader’s Little Helper Lineage: 24-bit/96 kHz > 16-bit/44.1 kHz Editing: Adobe Audition - merge files, fades added, tracking; Korg Audiogate - dither (Korg AQUA); Trader’s Little Helper - Fix SBES, Convert to FLAC 8 2 flac  
2. 09/20/19 The Warehouse at FTC - Fairfield, CT AA Soundboard + AKG C414 XLS's + Schoeps MK41v's>KCY250/5i>VST62iu>Sound Devices MixPre-10 II(@32 Bit/48khz) wav>Sound Forge Pro 11 (Mix,Fades,iZotope MBIT+ Bit depth conversion to 16 Bit/44.1khz)>CDWAV(Tracking)>Trader's Little Helper (FLAC) Recorded/Processed By Keith Litzenberger 2 flac  
3. 12/05/19 Beachland Ballroom - Cleveland, OH A Soundboard + Neumann KM150's>Sound Devices MixPre-6 SD Card>Nuendo 4 (align tracks,mix)>Sound Forge Pro 13 (Fades,resample,POW-r depth conversion to 16 Bit/44.1khz)>CDWAV(Tracking)>Trader's Little Helper (FLAC)>Foobar2000 (Track Tagging) Sound Engineer : Mike Shinko Recorded By Mike Shinko 2 flac  
4. 12/14/19 Summit Music Hall - Denver, CO AA Soundboard + Neumann KM150's>Sound Devices MixPre-6 SD Card>Nuendo 4 (align tracks,mix)>Sound Forge Pro 13 (Fades,resample,POW-r depth conversion to 16 Bit/44.1khz)>CDWAV(Tracking)>Trader's Little Helper (FLAC) Sound Engineer : Mike Shinko Recorded By Mike Shinko 2 flac  
5. 12/27/19 Sherman Theater - Stroudsburg, PA AA Neumann KM150's>Sound Devices 788t (@24 BIT/48khz) FOH Sound Engineer : Mike Shinko 788t>Sound Forge Pro 13 (Fades,resample,POW-r depth conversion to 16 Bit/44.1khz)>CDWAV(Tracking)>Trader's Little Helper (FLAC)>Foobar2000 (Track Tagging) 2 flac  
6. 10/15/21 Ardmore Music Hall - Ardmore, PA A+ Soundboard + AKG 414 XLS's (Omni, Onstage, spaced 4ft) >Sound Devices MixPre-10 II (Recorded @ 32 BIT Float/48Khz) Nuendo 4 (Mix)>Sound Forge Pro 13 (Fades,POW-r Bit depth conversion to 16 BIT, Sample rate conversion to 44.khz)>CDWAV(Tracking)>Trader's Little Helper(FLAC)Foobar2000 (Track Tagging) FOH Sound: Davis Thurston Recorded by Keith Litzenberger 2 flac  
7. 10/17/21 Infinity Hall - Norfolk, CT A+ Soundboard + AKG 414 XLS's (Omni, Onstage, spaced 8ft) >Sound Devices MixPre-10 II (Recorded @ 32 BIT Float/48Khz) Nuendo 4 (Mix)>Sound Forge Pro 13 (Fades,POW-r Bit depth conversion to 16 BIT/Sample Rate Conversion to 44.1khz)>CDWAV(Tracking)>Trader's Little Helper(FLAC)Foobar2000 (Track Tagging) FOH Sound: Davis Thurston Recorded by Keith Litzenberger 2 flac  
8. 02/18/22 Infinity Hall - Hartford, CT A+ Soundboard + Neumann U89's (Omni, Spaced 20 feet) + AKG C414 XLS' (Hypercardioid, pointed at audience, spaced 20 feet)>Sound Devices MixPre-10 II (Recorded at 32 Bit Float/48Khz) wav>Nuendo 4(Mix)>Sound Forge Pro 15 (fades, sample rate conversion to 44.1khz/iZotope MBIT+ Bit depth conversion to 16 Bit)>CDWAV(Track Splits)>Trader's Little Helper (FLAC)>Foobar2000 (Track Tagging) Recorded/Processed By Keith Litzenberger 2 flac  

Project  
  Date Venue - City, State Sound Rating Notes Media  
1. 09/22/23 Spire Center for Performing Arts - Plymouth, MA A SP-CMC-8c===SP-SPSB-4 to Sony A-10===Internal Memory Card @ 48/24(Downsampled to 44.1/16) 2 flac  

Red White & Floyd  
  Date Venue - City, State Sound Rating Notes Media  
1. 03/30/19 Bottle & Barrel - Alton, IL 9 Source 1: Studio Projects C4 MKII Cardioid Caps > Tascam DR-07 Portable recorder Source 2: SBD > Tascam DR-07 Portable Recorder Matrix combined sources using: Sound Forge 9.0 > CDWav > TLH > .flac files 3 Flac  
2. 09/18/21 Mississippi Earthtones Festival - Alton, IL 8.5 Source 1: Neumann SKM 184 mics Cardioid caps > Tascam DR-07 Portable recorder > Source 2: SBD > Tascam DR-07 Portable Recorder Matrix combined sources using: Sound Forge 9.0 > CDWav > TLH > .flac files 2 Flac  

Red White and Floyd  
  Date Venue - City, State Sound Rating Notes Media  
1. 09/18/21 Mississippi Earthtones Festival - Alton, IL 9 Source 1: Neumann SKM 184 mics Cardioid caps > Tascam DR-07 Portable recorder > Source 2: SBD > Tascam DR-07 Portable Recorder Matrix combined sources using: Sound Forge 9.0 > CDWav > TLH > .flac files 2 Flac  

Roger Waters http://www.roger-waters.com
  Date Venue - City, State Sound Rating Notes Media  
1. 09/09/87 Poplar Creek Music Theatre - Hoffman Estates, IL A Unknown Audience; 'Delusions of Maturity' Bootleg CD **************************************************************************************** SHN >WAV >Audacity (Remove And Repair Several Digital 'Spike Blips' In The Beginning Of 'SOYCD') >Fix SBEs >FLAC (Level 8) + Tags Via xACT 2.50 By OldNeumanntapr **************************************************************************************** 2 flac  
2. 07/24/99 Rosemont Theater - Chicago, IL A+ Unknown Audience; 'What Rog Wants' (Harvested HRV CDR 017) ************************************************************************************* SHN >WAV >Audacity (Remove And Repair Hundreds Of Annoying Close-Proximity Hand Claps, Select De-Amplification Of Specific Intrusive Crowd Noise) >Fix SBEs >FLAC (Level 8) + Tags Via xACT 2.50 By OldNeumanntapr ************************************************************************************* 2 flac  
3. 07/27/99 Gund Arena - Cleveland, OH A Trade>CDR>EAC>THK LEVEL 6>you artwork:http://floydart.org/artwork/dogsontherun/ 4 flac  
4. 08/08/99 Oakdale Theater - Wallingford, CT A+ Unknown Audience SHN >WAV >FLAC (Level 8) + Tags Via xACT 2.50 By OldNeumanntapr 2 flac  
5. 08/13/99 Montage Mountain - Scranton, PA A Lineage: ??? -> CDR -> shn -> TLH -> flac 2 flac  
6. 08/27/99 Riverport Amphitheatre - Maryland Heights, MO A- As far as we know, it seems to be the 3rd source from this show. I received it 3 years ago by snail mail as a gift, from the taper, thanks Keith :-) It was audio's CDs. I just extract them and Flac'ed the files. Taper: Keith Source: From master source - audience recording. Transfert: CDaudio (WAV) from the master source > EAC 0.95b4 > TLH (Flac) Flac compression and md5 generated with Trader's Little Helper (TLH) v1.0.0 beta 1 (with flac v1.1.2), compression level 8, aligned on sector boundaries. 2 flac  
7. 06/17/00 MGM Grand Garden Arena - Las Vegas, NV AA Lineage: SS DSM6 > 85 cycle bass roll-off > Sony D7 DAT > cdr Transfer: Sont DTC-XE700 > Microtrack II (48/16) > Wavelab (tracking and tweaking) > Flac (level 8) > you ! 2 flac  
8. 03/05/02 Estadio Nacional - Santiago, Chile A+ (SBD Master) - The Happiest Night Of Our Lives From bootleg; "The Happiest Night Of Our Lives", Manufactured by the Comunidad Floydiana in Chile. http://www.pf-db.com/index.php?conce...ootleg_id=4411 **************************************************************** FLAC Tags Via xACT 2.50 By Oldneumanntapr **************************************************************** SBD/(pre-FM) > Silvers > EAC (wav) > flac ***note: this is not the lossy - mp3 version. This is really a clean master *** Superb quality: A+. This is NOT the broadcast version (so you don't have to listen the annoying "futuro" radio-mark). No MP3 was involved in any part of the lineage. This is the lossless version. 2 flac  
9. 03/31/02 International Forum - Tokyo, Japan A source: audience / recorder 4 / 1st or 3rd row>Sonic Studio-DSM6s(L)>PA6LC3B>PCM-M1>DAT[M]>DAT[1]>cdr[1] tot length: 158:10 overall:  EX+ / SUP 2 flac  
10. 06/04/06 Anfiteatro Arena - Verona, Italy A+ Notes- Recorded from left balcony seeing the stage > Sharp IM-MT 899H(S) with Sony ECM 717 mic>USB via Sony SonicStage to HDD>convert to WAV>split into tracks and converted to FLAC (level 8) in DBpoweramp. 2 flac  
11. 09/08/06 Tweeter Center for the Performing Arts - Mansfield, MA A Taper: Eric Source: CSB > CSB Batt Box No Rolloff > SONY MZ-RH910 (PCM) Location: Open Air - Sec 14 - Row J Transfer: SONY MZ-RH910 > Sony Sound Forge 8.0 (0db Normalization & Tracks) > FLAC LvL 8. Notes: Amazing Show By Roger & CO !!!!!!!! A Few talkers here and there but IMO a great recording of a fantastic show. *********************************************************************************** FLAC >WAV >Audacity (Combine Tracks To A One-Track File, Remove And Repair Countless Loud Close-Proximety Hand Claps, De-Amplify End-Of-Song Applause, Amplify Entire Recording By 3.9db) >FLAC (Level 8) + Tags Via xACT 2.50 By OldNeumanntapr *********************************************************************************** 2 flac  
12. 09/09/06 Tweeter Center for the Performing Arts - Mansfield, MA A Sound Professionals Microphones > Edirol R09 Recorded In Section 5, Row D, Right Next To Soundboard ********************************************************************************** FLAC >WAV >Audacity (Re-Track Select Files) Fix SBEs >FLAC (Level 8) + Tags Via xACT 2.50 By OldNeumanntapr ********************************************************************************** 2 flac  
13. 02/05/07 Brisbane Entertainment Centre - Brisbane, Australia A Recorder 3: Lineage: Sony ECM-MS907 mic > Sony TCD-D8 @ 44.1kHz > HHB Tape > Tascam DA-20 MK2 > TripleDat H/S (Edits for mic bumps) > TLH (FLAC) Recording, Transfer & Mastering: Fallguy Recorder 4: Lineage: Audio-Technica AT9450 mic > Sony TCD-D7 @ 48k > HHB Tape > Tascam DA-20 MK2 > TripleDat H/S (Edits for mic bumps) > Wavelab 4 (48kHz->44.1kHz conversion) > TLH (FLAC) Recording: Fallguy's Mate (using Fallguy's gear) Transfer & Mastering: Fallguy 3 flac  
14. 02/18/07 Bandra Kurla Complex - Mumbai, India AA lineage: audience / SP-BMC-12 mic’s (Croakies) > SP-SPSB-1 (Battery Boost Box w/ Bass Roll-Off at 95Hz) > Sony MZ-RH10 Hi-MD (PCM) > Hi-MD[M] > Sonic Stage 3.0 > wav > cd wav (tracking) > TLH > flac 2 flac  
15. 05/19/07 Ford Amphitheater - Tampa, FL A CS-15 -> R-09 24/48wav -> soundforge -> 16/44.1wav -> flacpar par 2 flac  
16. 05/22/07 Philips Arena - Atlanta, GA A Sony PCM-M1 DAT Walkman > Aiwa CM-TS55 > Maxell HS-4/60s > Phillips CDR-200 > CDR > EAC > Flac Taped by Jerry B. aka "The Govner" 2 flac  
17. 05/30/07 Madison Square Garden - New York, NY A Audience; 'Oh Noooooo, Not Again' Bootleg CD Homage record productions 2 flac  
18. 04/27/08 Empire Polo Field - Indio, CA A record : MM-HLSC-1 (mounted on hat, 100 feet from stage loc) > MM-MBM (roll off @ 96hz) > R09 @ 16/44.1 transfer: R09 > USB > wavelab (editing) > Cdwav (tracking) > Trader's Little Helper (flac) taper: sin213 website: http://members.cox.net/sin213/sin213.html This was an amazing performance by Waters and the recording came out great! Sorry I couldn't get this one in 24bit...I had only so much memory and had budgeted it out perfectly. However Prince ran over by 45 mins, so I ended up not having as much room as I needed to run 24 bit. This was a great pull, however, and still sounds great in 16bit! If somone has a 24bit version, though, please share online or contact me as I would love to have it in 24bit. I hope everyone enjoys! ************************************************************************ FLAC Tags Via xACT 2.50 By OldNeumanntapr 2 flac  
19. 12/03/10 Oracle Arena - Oakland, CA A+ source: Neumann KM140s >EAA PSP/2 >Sony PCM-10 (24/96) lineage: flash> computer >Wavelab7 >CD Wav >r8brain PRO >TLH >flac16 ************************************************************************ FLAC Tags Via xACT 2.53 By OldNeumanntapr (+ front cover artwork) 2 flac  
20. 10/09/16 Empire Polo Club - Indio, CA A+ Lineage: Recorded directly from the mixing console > 44.1k wave file > edited to individual tracks > FLAC 2 flac  
21. 10/16/16 Empire Polo Grounds - Indio, CA A+ Recorded by Daspyknows Recorded from back wall of the Pit Dead Center Schoeps MK4/NBox Platinum Tascam DR-2D 24 Bit 48K Processed using Soundforge 11, resample, to 16bit 44.1K TLH to convert to Flac 2 flac  
22. 05/21/17 Meadowlands Arena - E.Rutherford, NJ A+ Recorded and mastered by: The Doctor (for floydpodcast.com) Recorded from: Floor, 20' from front of house/soundboard Recorded with: Audio Technica Miniature Binaural Microphones > BBox w/Rolloff > Tascam DR7 Recording Specs: 48000Hz, 32-bit, Stereo Wav Mastered with: Adobe Audition 3.0 > 48000hz, 24-bit Stereo Wav > FLAC > you Special thanks: Cyrus Sarrafha and RonToon 2 flac  
23. 05/30/17 Scottrade Center - St. Louis, MO A ---16/44.1 source--- SOURCE: Schoeps MK41 (DINa) > NBob KCY Cable > BabyNbox > Sony M10. FOB Section B (center section) Row 23 just left of center. LINEAGE: Sony M10 > Computer Hard Drive > Samplitude 11 (Fades, Spectral Cleaner to clean up some digital spikes that came through the PA, Volume Tool to increase the volume of the very beginning of the fist song, Splice in short snippet of the beginning of Wish You Were Here to eliminate someone speaking directly into the mics) > EQ and Soft Limit Mastering by BS > Samplitude (Spectral Cleaner to clean up some loud claps, tracking) > Foobar2000 (tagging), Traders Little Helper (MD5). TAPED BY: FOBSTL TRANSFERRED BY: FOBSTL 2 flac  
24. 06/14/17 Gila River Arena - Glendale, AZ A Church Audio CAFS > SP-SPSB-8 battery pack > Zoom H2 (44.1/16-bit) > Adobe Audition (Slight EQing, split into tracks) > TLH flac level 8 Recorded from Section 109 Total time approximately 134 minutes 2 flac  
25. 08/08/17 Wells Fargo Center - Philadelphia, PA A Audience recording Original bootleg discs -> EZ CD Audio Converter -> FLAC level 5 Ripped and shared by Gullveig.org 2 flac  
26. 08/09/17 Wells Fargo Center - Philadelphia, PA A source : microtech gefell m-21 > nbob active cables > babynbox > r-05 > 24/44.1 wav adobe audition > ozone 7 > xact 2.39 > 16.44.1 flac taper : edtyre location : 25 feet from stage, sec 115 row 5 2 flac  
27. 09/16/17 Nassau Veterans Memorial Coliseum - Uniondale, NY A+ Schoeps MK41V's>KCY250/05i>Niaint IPA>Roland R-05(recorded at 24 Bit/96khz) R-05>Sony Sound Forge Pro 11 (Fades,iZotope 64Bit SRC,iZotope MBIT+ Bit depth conversion to 16 Bit/44.1khz)>CDWAV(Tracking)>Trader's Little Helper (FLAC)>Foobar2000 (Track Tagging) 2 flac  
28. 02/20/18 Perth Arena - Perth, Australia A Recorded By: pyometronguts (petersell) Recorded with: SP-SMC-8 SOUND PROFESSIONALS PREMIUM AUDIO TECHNICA SLIMLINE STEREO MICROPHONES Cardiod (with low sensitivity modification) plus SP-SPSB-11 and bass roll-off at 69Hz) -> Sony PCM M10 -> wav (24BIT/48hz) -> Adobe Audacity (volume boost, mild compression)-> CD Wave (track splitting) and to .FLAC(level 8) -> You Seated - upper gallery right centre of stage Recording - audience recording, minor crowd noise/chatting/coughing. 2 flac  
29. 04/28/18 O2 Arena - Prague, Czechoslovakia A+ SOURCE: Roland CS-10EM (mic) > Roland R-05 (16bit /44.1kHz) TRANSFER: PC > Steinberg Clean 5 (Normalize, EQ, Fades)> Sound Forge 9.0 (track split) > Flac TAPER: r_y_b_k_a 2 flac  
30. 06/09/18 U Arena - Nantere, France A Recorded by WEBVAN - Sitting on the floor, 8th Row Center, very quiet neighbors for the most part. Lineage : Nokia 808 with HAAC Mics (16bit/48Khz) / > CD Wave Editor (splitting and flac) > Trader's Little Helper > Torrent Site 2 flac  
31. 07/03/18 Manchester Arena - Manchester, UK AA Sound Professionals SP-CMC-8 Microphones Sound Professionals SP-SPSB-11 Mini Battery Module with Bass Roll-Off (16Hz) Edirol R-09HR 44.1kHz / 16 bit CD Wave Editor>Trader's Little Helper>FLAC level 8>Dime 2 flac  
32. 07/07/18 Birmingham Arena - Birmingham, UK A No notes but an excellent recording 2 flac  
33. 07/14/18 Circo Massimo - Rome, Italy 8.5 "THE ITALIAN JOB" #2 (IEM/AUD matrix by Alessio - edited by Gagliem) SOURCES: #1 "AUDIENCE" (Taper Alberto): AT943(H) > preamp CA9100 > Marantz PDM620 @ 24bit/48Hz #2 "IN EAR MONITOR": Receiver > Edirol R09HR @ 16bit/44.100Hz LINEAGE: 2 Sources > AUDACITY v2.0.5 (Noise Reductions / Volume Interactions / EQ / Track splitting) > WAV > Add. Editing > TLH > FLAC(8) Additional editing by Gagliem: AUD close voices/clappings attenuation, all IEM crew voices/counts removed, IEM/AUD issues fixed. 2 Flac  
34. 10/21/18 Estádio Mineirão - Belo Horizonte, Brazil A Lineage: CA11 > CA9200 > Zoom H4n > Audacity (tracking, split) > WAV 44.1 kHz, 16 bit > TLH > FLAC 2 flac  
35. 11/28/18 Palacio Des Portes - Ciudad, Mexico A Taper: Kool Dog Source: Iphone - IOS Shure MV88 -> 24/48 bkHZ -> WaV Edited: Wavelab -> Foobar to flac level 5 2 flac  
36. 07/06/22 PPG Paints Arena - Pittsburgh, PA A THIS WAS RECORDED BY IJWTHSTD. I BELIEVE THAT HE USED THIS DEVICE SP-CMC-4U -> A10 -> I RECEIVED IT AS 2 WAV FILES WHICH THE LINEAGE IS BELOW LINEAGE>UNKNOWN RECORDER>WAVS>TRADE>ROXIO SOUND EDITOR>FLACS>YOU 2 flac  
37. 07/08/22 Scotiabank - Toronto, ON A- MBHO KA200N > Naiant Tinybox > Sony PCM-A10 2 flac  
38. 07/12/22 TD Center - Boston, MA A Taper : Farve4 Lineage: SP-CMC-8c > SP-SPSB-11 > Roland R-07 > SanDisk 16GB Micro Memory Card > WAV 48kHz/32-bit Location: Section 303 Remaster 1. Re-balance frequencies / EQ 2. Correct channel frequency separation 3. Attenuate excessive peaks and amplify 4. Correct balance 5. Track and verify set list 6. Convert to 16-bit, 44.1kHz. 2 flac  
39. 07/26/22 United Center - Chicago, IL A Source: DPA 4060 => Tascam DR-2d Conversion: WAV => Audio Cleaning Lab => FLAC (24-bit) 2 flac  
40. 07/30/22 Target Center - Minneapolis, MN A taped by roffels CA-14 Omni mics - Sound Professionals 12V battery box - Sony PCM A10- WAV 96 khz 24-bit - Ozone (mastering) - Izotope (attentuation) - Audacity (Split tracks)-FLAC 44.1khz 16-bit Taper notes: Was seated near a fog machine, I did my best to attenuate the frequencies - it was fairly loud. I wasn't the best human microphone stand - the stage was set-up as a large cross, so that musicians could perform to different parts of the crowd. I turned whenever Roger performed near our section (Sheep, In the Flesh, and Outside the Wall) so you may hear some phase shifting. Apologies! 2 flac  
41. 08/02/22 Heritage Bank Center - Cincinnati, OH A- Source/Lineage: SP-CMC-08 (AT-943) > SP-SPSB-11 (@69Hz) > Zoom H2N 16/44.1 > PC > GoldWave > Flac Location: Section 106 Row C Recorded by Gitard 2 flac  
42. 08/10/22 Nationwide Arena - Columbus, OH A Source: Sound Professionals CMC-08s (AT943s)->SP-SB10->Roland R05-> Audacity->CDWave->TLH Taper: ironchef Total time: 136:48 (2:16:48) 2 flac  
43. 08/20/22 State Farm Arena - Atlanta, GA A Taper: MrFender A Better Than Nothing production. Recording: CA14 Cards > SP-SPSB-4 (12v Battery Box) > Roland R-07 (24/96) > Audacity track & downsample to 16/44 / TLH FLAC Level 6 2 flac  
44. 08/27/22 Bridgestone Arena - Nashville, TN A Recorded from section 107 row A SP - CMC-8 microphones > Sony PCM-M10 > SoundSaver for INport > Trader's Little Helper > FLAC 2 flac  
45. 08/30/22 Madison Square Garden - New York, NY A+ Recorded by Daspyknows Section F Row 10 a few seats off dead center (9 rows from end of stage) Schoeps MK41 BabyNBox Tascam DR-2D 24 Bit 48K Processed using Soundforge 13, resample, to 16bit 44.1K TLH to convert to Flac Master 2022.103 2 flac  
46. 08/31/22 Madison Square Garden - New York, NY A *16bit* Taper: j.mart Source: DPA SMK4061 > DPA d:vice MMA-A (+1dB, no HPF) > Apogee Metarecorder (24/48) > iPhone 13 Pro Mastering: Adobe Audition > Izotope Ozone 5 (EQ, MB compressor, maximizer, dither/resample to 16/44) > TLH (FLAC 8) 2 flac  
47. 09/06/22 Ball Arena - Denver, CO A SOURCE: DPA 4080 > DPA d:vice > iPod Touch 32GB 2 flac  
48. 09/15/22 Rogers Arena - Vancouver, BC A Recorded on location (Section 122, row 18, dead center view of stage with mixing desk halfway in-between) by inu-liger Lineage: Live sound output > Sound Professionals MS-BMC-3 Master Series Premium binaural microphones w/ SP-EMC-3 Croakie Eyeglass Retainer > Microphone Madness MM-CBM-Mini miniature battery module > Roland R-05 (PCM @ 96/24) > PC > GoldWave (editing out pre-concert/post-concert bits, track-splitting) > WAV > foobar2000 w/ flac.exe > Batch downconversion to 44.1/16 > FLAC Level 8 Quality: EX 2 flac  
49. 09/23/22 Chase Center - San Francisco, CA A Recorded by Daspyknows Sec 109, Row 2, Center Aisle Schoeps MK4 BabyNBox Tascam DR-2D 24 Bit 48K Processed using Soundforge 13, resample, to 16bit 44.1K TLH to convert to Flac Master 2022.113 2 flac  
50. 09/24/22 Chase Center - San Francisco, CA A Recorded by Daspyknows Flr 6, Row 15, Center Aisle Schoeps MK4 BabyNBox Tascam DR-2D 24 Bit 48K Processed using Soundforge 13, resample, to 16bit 44.1K TLH to convert to Flac Master 2022.114 2 flac  
51. 05/14/23 Sportpaleis - Antwerp, Belgium 8.5   2 Flac  
52. 06/10/23 AO Arena - Manchester, England A Recorded by Daspyknows Section F Row 3 Seat 2 Schoeps MK4 Babynbox Tascam DR-2D 24 Bit 48K Processed using Soundforge 13, resample, to 16bit 44.1K TLH to convert to Flac Master 2023.081 2 flac  

Roger Waters interviews  
  Date Venue - City, State Sound Rating Notes Media  
1. 04/30/10 KLOS FM w/Jim Ladd - Los Angeles, CA 10 Pre-FM ********************************************************************* SHN >WAV >(Audacity (Amplify By 9.7db) FLAC (Level 8) Via xACT 2.53 + Tags By 1 Flac  

Shine On You  
  Date Venue - City, State Sound Rating Notes Media  
1. 11/15/25 Stora Teatern - Gothenberg, Sweden 9 Giant Squid Omnidirectional Powered Stereo Microphone > Giant Squid battery box with bass roll off > Edirol R-09 44100/16 > Sound Forge 8.0 for level adjustment and track splitting > TLH to flac level 8 2 Flac  

Signs Of Life  
  Date Venue - City, State Sound Rating Notes Media  
1. 09/27/25 Riversedge - Hamilton, OH 9 Taper: Charles Dewey Cole, IV Location: 60ft back; directly in front of left stack on 10ft. stand. Source: CA-14 Omni > CA-9200 > Sony PCM-M10 (24 bit @48kHz) > Adobe Audition 3.0 (dithered to 16 bit @44.1kHz) > Cd Wave > FLAC Conversion: Charles Dewey Cole, IV Equipment: SanDisk 32GB MicroSD Card > (USB) @ 48kHz > 44.1kHz > Cd Wave 2 Flac  

Space Force  
  Date Venue - City, State Sound Rating Notes Media  
1. 09/28/19 The O's Music Bar - Sunderland, MA AA Zoom H1 > Wav (44.1/16) > Cool Edit Pro (minor edits) > Wav > Trader's Little Helper > FLAC 8 (no SBE) 2 flac  

Syd Barrett  
  Date Venue - City, State Sound Rating Notes Media  
1. 06/06/70 Olympia Exhibition Hall - London, UK a- Pink Floyd – Mind Your Throats Please - In Concert 1970 Not On Label (Pink Floyd) – PFA702 15 x CD, Compilation, Deluxe Edition, Limited Edition, Numbered, Unofficial Release 1 flac  

Think Floyd  
  Date Venue - City, State Sound Rating Notes Media  
1. 03/04/17 Capitol Theater - Horsham West Sussex, UK AA Sonic Studios DSM-6>PA6-XP>M Audio Microtrack> Wavelab>CD Wave Editor>FLAC Level 8 An EBR Recording 2 flac  
2. 03/04/17 Capitol Theater - Horsham West Sussex, UK A Sonic Studios DSM-6>PA6-XP>M Audio Microtrack> Wavelab>CD Wave Editor>FLAC Level 8 An EBR Recording 2 flac  
3. 03/03/18 Harlequin theater - RedHill Surrey, UK AA Sonic Studios DSM-6>PA6-XP>M Audio Microtrack> Wavelab>CD Wave Editor>FLAC Level 8 2 flac  

Think Floyd USA  
  Date Venue - City, State Sound Rating Notes Media  
1. 08/19/10 Alton Riverfront Amphitheatre - Alton, IL 8 GEAR USED: Neumann SKM 184 mics Cardiod caps > Edirol R-09 Portable recorder > Sound Forge 9.0 > CDWav > TLH > .flac files Thanks to Wayne H. for the use of his mics. 2 Flac  
2. 06/16/11 Alton Riverfront Amphitheatre - Alton, IL 8 Source 1: Studio Projects C4 Cardiod Caps > Edirol R-09 Portable recorder Source 2: SBD > Tascam DR-07 Portable Recorder Matrix combined sources using: Sound Forge 9.0 > CDWav > TLH > .flac files 2 Flac  
3. 08/17/12 Alton Riverfront Amphitheatre - Alton, IL 8 Source 1: Studio Projects C4 Cardiod Caps > Edirol R-09 Portable recorder Source 2: SBD > Tascam DR-07 Portable Recorder Matrix combined sources using: Sound Forge 9.0 > CDWav > TLH > .flac files 2 Flac  
4. 05/06/16 St. Albans Arena - Unknown, UK AA Zoom H2n > SD > minor Goldwave tweaks > CDR Nice recording, middle near the front 2 flac  

La Vallee  
  Date Venue - City, State Sound Rating Notes Media  
1. 12/07/21 Tempodrome - Berlin, Germany A+ A Hornoxe Recording Lineage: Zoom H1n -> Wav (48kHz/24Bit) -> Magix Audio Cleaning Lab (Slight Volume Boost, EQ, Fade In/Out, Split in Tracks) -> 44,1kHz/16Bit -> flac 2 flac  

Vesbim Floyd  
  Date Venue - City, State Sound Rating Notes Media  
1. 08/07/15 Floral Pavillion - New Brighton, UK A Zoom H2 16/44 > Internal mics rear 120 > CD wave > Trader's little helper > Flac 2 flac  

Wish You Were Here  
  Date Venue - City, State Sound Rating Notes Media  
1. 04/17/10 Newport Music Hall - Columbus, OH A Recorded by genesisoh Source: Zoom H2 internal mics (120 degree pattern, low gain) > SD flash card > USB to PC > Nero Wave Editor (trimming and volume adjustment and clip restoration for set 1) > CD Wave Editor (tracking) > Flac-8 > You Location: Set 1: Directly in front of left speaker stack; Set 2: Right of center directly in front of the soundboard 3 flac  
2. 04/06/24 KEMBA Live - Columbus, OH A Taper: Charles Dewey Cole, IV Location: 50ft back from right stack; mics mounted on rear pit upper rail. Source: SP-CMC-8 Cardioids (4.7k mod) > SP-SPSB-11 (@16Hz) > Sony PCM-A10 (24 bit @48kHz) > Adobe Audition 3.0 (dithered to 16 bit @44.1kHz) > Cd Wave > FLAC Conversion: Charles Dewey Cole, IV Equipment: Sony PCM-A10 > (USB) @ 48kHz > 44.1kHz > Cd Wave 2 flac  

|Interstellar Overdrive  
  Date Venue - City, State Sound Rating Notes Media  
1. 08/31/18 The Cat's Cradle - Carrboro, NC AA Tascam DP-004 digital recorder using built-in condenser microphones -> WAV -> Cool Edit '96 (filtering & track split) -> FLAC Frontend -> flac files 2 flac  

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